Covid-19 may have cut her time in Waitress short but Lucie Jones Live at the Adelphi is a great reminder of the leading lady she is and will surely continue to be
“We’re after the same rainbow’s end”
Back in February, Lucie Jones took a break from performing in Waitress as the show’s composer Sara Bareilles took over the lead role of Jenna for a limited run. The musical had already set a closing date for the summer but who could have predicted that Jones, and co-star David Hunter, would never get to do the show again.
The only small benefit is that far from sitting on her laurels in the break, Jones made her solo West End concert debut by nipping back to the Adelphi on one of its nights off/ And that concert was recorded for posterity, now being released digitally on the usual platforms and physically here, where an exclusive bonus disc is available. Continue reading “Album Review: Lucie Jones Live at the Adelphi”
Reviews of a trio of excellent albums: Marie Oppert – Enchantée, Kim David Smith Live at Joe’s Pub and Siobhan Dillon – One Voice, all recommended
I do love me a soprano and discovering a new one feels like as good a way to spend lockdown as any. Marie Oppert is a French singer and actress whose debut, at age 17, came in a major concert version of a little-known show called Les Parapluies de Cherbourg… From those Michel Legrand-sanctioned days, she has established a notable career and now releases her first solo album Enchantée. Back by the luscious sound of the Orchestre National de Lille and conductor Nicholas Skilbeck, this collection sees Oppert explore a bilingual songbook that stretches from the boulevards of Paris to Broadway.
The result is something rather glorious. The sumptuous treatment of the likes of ‘The Light in the Piazza’ and ‘I Could Have Danced All Night’ are near ecstatic, ‘Children Will Listen’ in French brings a new dynamism to a familiar piece, and characterful duets with Melissa Orrico and Natalie Dessay, whom she charmingly terms her “two Franco-American ‘fairy godmothers”, both impress. The irrepressible energy of 1938 track ‘Y’a d’la joie’ is an absolute standout and an interpretation of Billy Elliott’s ‘Electricity’ has no right to be as effective as it is here. Sod’s law though, Oppert is playing in London next month but bloody Covid restrictions means I can only go by buying a table for two. Continue reading “Album reviews: Marie Oppert – Enchantée / Kim David Smith Live at Joe’s Pub / Siobhan Dillon – One Voice”
Want to see A Christmas Carol this festive period? Well it looks like you could well be in luck…
The Bridge Theatre has a devised (by Nick Hytner), 3-person adaptation with Simon Russell Beale, Patsy Ferran and Eben Figueiredo
The Dominion Theatre will host a production of Alan Menken, Lynn Ahrens and Mike Ockrent’s musical version with Brian Conley as Scrooge with a cast and orchestra of over 50
Gemma Bodinetz takes her bow as artistic director of the Everyman and Playhouse Theatres with Patrick Barlow’s small-cast iteration with Liverpool panto regular Adam Keast at the helm
And a brand new retelling of the classic family Christmas tale, will be coming to both cinemas and select theatres nationwide from November 20th, as Scrooge looks to help save Christmas. Simon Russell Beale, Martin Freeman, Carey Mulligan, Daniel Kaluuya and Andy Serkis lend their voices to the tale, whilst dance performances are led by former Royal Ballet soloist and BalletBoyz founder Michael Nunn as Scrooge, Jakub Franasowicz, Russell Maliphant, Karl Fagerlund Brekke, Mikey Boats, Grace Jabbari and Dana Fouras.
Full casting has been announced for Queen’s Theatre Hornchurch’s upcoming production of Misfits, an innovative new hybrid of live theatre and digital content, playing 12-22 November 2020. Bookers will purchase a ticket which will allow them the choice of watching the show be performed live onstage in front of a socially
distanced audience or streamed to their homes, right up until the day of the show.
Misfits intertwines four inspirational tales of Essex resilience to make an unmissable world premiere by four of the region’s most exciting playwrights: Anne Odeke, Guleraana Mir, Kenny Emson and Sadie Hasler and will be co-directed by QTH Artistic Director Douglas Rintoul and Emma Baggott. The cast is Anne Odeke, who is also writing part of the piece, Gemma Salter, Mona Goodwin and Thomas Coombes. Continue reading “An assortment of October theatre news”
Not quite ‘when shall we three Zoom again’, Big Telly Theatre’s imaginative online version of Macbeth has some impressive moments
“Present fears are less than horrible imaginings”
With its cast members scattered across Belfast, Deal, Deptford, Dublin and London, it’s a remarkable achievement in and of itself that this production of Macbeth can exist at all in these Covid-19 times. But founder and artistic director of Big Telly Theatre Zoe Seaton has been quick off the mark to explore the creative opportunities of these constraints and this marks her fifth lockdown production.
And you can see how deftly experienced hands are shaping this new kind of experience. An inspired bit of pre-show business brilliantly skewers the government’s daily Covid briefings as it introduces its own version of track and trace which is implemented on some unsuspecting audience members. It also frames the world of this production as a plaything of the weird sisters, the ones who are truly in charge here. Continue reading “Review: Macbeth, Big Telly Theatre”
The Inheritance – Matthew Lopez
Grand Horizons – Bess Wohl
Slave Play – Jeremy O Harris
The Sound Inside – Adam Rapp
Sea Wall / A Life – Simon Stephens / Nick Payne
Tina – The Tina Turner Musical
Moulin Rouge! The Musical
Jagged Little Pill Continue reading “The complete 74th Tony nominations”
I was already looking forward to the new Shondaland show Bridgerton, but these preview pics are really whetting the appetite. I mean, Jonathan Bailey…*insert falls over emoji*
Bridgerton will premiere on Netflix from 25th December
With an unerring sense of timing, our dark November evenings now have the chance of being brightened by the theatrical wonder that was Morgan Lloyd Malcolm’s Emilia. An archived recording of the show’s 2019 West End production is being made available online for two weeks from 10th November.
I loved the show in its first run at the Globe and its subsequent transfer into the West End at the Vaudeville Theatre and I’m sure much of its power will be retained in its taping. And because the people behind the show really are good sorts, they’re using a pay-what-you-can model with the proceeds from the recording being shared across the entire team from the 2019 production. Continue reading “News: a stream of Emilia announced to get us through November”
Curve has today announced plans to reopen to the public. The theatre, which was forced suddenly to close its doors to the public on 16 March, will open again this autumn for spectacularly re-imagined, socially distanced concert performances of acclaimed Made at Curve productions, using the building’s unique theatre design.
The Color Purple in Concert – 23rd November – 5th December, with T’Shan Williams and Danielle Fiamanya, who won The Stage Debut Award for Best Supporting Actress in a Musical for her role as ‘Nettie’.
Sunset Boulevard in Concert – 14th December – 3rd January, Ria Jones and Danny Mac will return to star.
Memoirs Of An Asian Football Casual– 25th January – 6th February.
By raising the walls between its theatre spaces, Curve will reopen as a 533-seat socially-distanced auditorium, with audiences enjoying live performances from all four sides of the stage, fully realising the ambition of architect Rafael Viñoly’s original design. A triple-revolve, donated by Sir Cameron Mackintosh, will help to transform the space to create an epic experience for audience members. Continue reading “News: live theatre returns to Leicester”