Review: Macbeth, Watermill

As good as the effort is here at the Watermill, I can’t help but feel it is time to give the Macbeths a rest – it ain’t all that as a play!

“What’s done is done”

Circumstances prevailed against me getting to see the Watermill’s Macbeth before its final day so I’m cheating by just firing up a mini-review. Truth be told, I only really booked for Paul Hart’s production on the strength of his track record in re-imagining Shakespeare so successfully – I had no real desire to see this particular play again, so soon after two major disappointments at the National and the RSC.

And as inventive the approach is here – music suffused throughout, an ensemble always split 50:50, adventurous creatives onhand – I can’t help but feel that Macbeth is oversold as a play. Any (if not all) attempts to update it seem doomed to some kind of failure as it really does resist modernisation. Billy Postlethwaite does a decent job as the Scottish king but I think I’ll be resisting seeing this play again anytime soon.

Running time: 2 hours 15 minutes (with interval)
Photo: Pamela Raith
Macbeth is booking at the Watermill Theatre until 30th March

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