2018 Best Actress in a Play + in a Musical

Best Actress in a Play

Leah Harvey, Clare Perkins, Vinette Robinson, Emilia
For the second year running, this award goes three ways as apparently I’m a sucker for a women-heavy production (who knew!). But there’s something more here, it wasn’t just about how Harvey, Perkins and Robinson shared the role of the title character in Emilia, its how they supported each other through it as well, reinforcing the play’s cry for the necessity of solidarity. Everyman? Every-Emilia! 

Honourable mention: Sarah Gordy, Jellyfish
A deeply empathetic performance from Gordy underscored the undersung importance of this production – her searingly honest Kelly opened the eyes and touched the hearts of surely everyone who saw Jellyfish

Patsy Ferran, Summer and Smoke
Marieke Heebink, Oedipus
Elinor Lawless, To Have To Shoot Irishmen
Carey Mulligan, Girls and Boys
Sarah Niles, Leave Taking

8-10
Sophie Okonedo, Antony and Cleopatra; Lia Williams, The Prime of Miss Jean Brodie; Ria Zmitrowicz, Dance Nation

 

Best Actress in a Musical

Rosalie Craig, Company
Crowding us with love, forcing us to care…Craig’s initial casting as Bobbie garnered all sorts of headlines but once Marianne Elliott’s production opened, that attention was more than justified by a sterling turn from this most versatile of actors (don’t forget she’d only just finished a run in The Ferryman). A strikingly contemporary figure, she both integrated Bobbie better into the ensemble than ever before and made her stand out at just the right moments, ie making sure she got hers from Andy!

Honourable mention: Kaisa Hammarlund, Fun Home
Given some of the things that transferred into the West End, especially now the Ambassador’s has been freed up, it’s a travesty that Fun Home didn’t get to further its journey (for now at least), especially since it was anchored by a finely nuanced performance from the excellent Hammarlund. A small saving grace is that she’s now free to lead the cast of Violet in the New Year.

Bonnie Langford, 42nd Street
Eva Noblezada, Hadestown
Caroline O’Connor, The Rink
Gemma Sutton, The Rink
Adrienne Warren, Tina the Musical

8-10
Jocasta Almgill, Sunshine on Leith; Jemima Rooper, Little Shop of Horrors; Rebecca Trehearn, Sweet Charity (Nottingham Playhouse)/Gemma Sutton, Sweet Charity (Watermill)

2018 Best Actor in a Play + in a Musical

Best Actor in a Play

Kyle Soller, The Inheritance
As Eric Glass, Soller’s sensitively nuanced performance is one of the most crucial in The Inheritance, the development of his humanity and the lightness of his humour goes a long way to sustaining the considerable heft of this two-part epic. 

Honourable mention: Hans Kesting, Oedipus
A real birthday treat this was, Kesting giving us Sophocles via Icke, effortlessly redefining tragic Greek figures for the contemporary age. Entirely capturing the modern politician’s dilemma about how ‘real’ to be, his dogged pursuit of the truth was as compelling as it has ever been.

Ben Batt, The York Realist
Ian Bonar, Jellyfish
Paapa Essiedu, The Convert
Richard Harrington, Home I’m Darling
Shubnam Saraf, An Adventure

8-10
Edward Hogg, The Wild Duck; Gerard Kearns, To Have To Shoot Irishmen; Richard McCabe, Imperium

 

Best Actor in a Musical

Steven Miller, Sunshine on Leith
Musical theatre is so often derided as frothy flights of fancy that it can be easy to be surprised when a performance of real honesty shines through. Miller’s Davy, a bluff squaddie struggling to readjust to life after a tour in the Middle East, captured so much of that magical ‘extraordinary in the ordinary’ quality from his dancing to his singing, as well as his acting, that I could hardly take my eyes off him. 

Honourable mention: Andrew Finnigan, Drip
I’m not picking Finnigan because he picked me to be his audience hunk (honest) but for the irresistible charm of his effortlessly guileless Liam, the kind of hero you can’t help but root for and exactly the kind of (incidentally) gay characters we need our culture to be suffused with.

Paul-James Corrigan, Sunshine on Leith
Arinzé Kene, Misty
Michael Mathers, Mythic
Leon Scott, Midnight
Zubin Varla, Fun Home

8-10
David Haydn, The Secret Garden; Daniel Healy, Once; Mark Inscoe, Priscilla Queen of the Desert

2018 Best Supporting Actress in a Play + in a Musical

Best Supporting Actress in a Play

Cecilia Noble, Nine Night
A peach of a role for this most characterful of performers, Noble fits Aunt Maggie so well the part could have been written for her. And as with Nine Night at large, the beauty is in the simultaneous specificity and universality of the character. Though rooted entirely in Jamaican traditions, she’s also the archetype of the opinionated elderly relative that is recognisable no matter where you come from and Noble imbues her with just enough heart to go along with the hilarity. 

Honourable mention: Martha Plimpton, Sweat
A late but indisputable arrival, the ferocity with which Plimpton permeates her performance makes an already excellent production into something unmissable. Obviously it helps that she’s an iconic figure from my childhood movie days but seriously, do what you can to see her at the Donmar.

Adjoa Andoh, Leave Taking
Eva Feiler, A Midsummer Night’s Dream (Watermill)
Penny Layden, Jellyfish
Lashana Lynch, ear for eye
Charity Wakefield, Emilia

8-10
Lucy Cohu, The Height of the Storm; Sylvestra Le Touzel, The Prime of Miss Jean Brodie; Kayla Meikle, Dance Nation

 

Best Supporting Actress in a Musical

Patti LuPone, Company
A triumphant return to the West End stage for this most iconic of performers whose every mmm-hmm turns another theatregoer into a homosexual. Every time I’ve seen the show, her interpretation of ‘Ladies Who Lunch’ has brought different colours and textures – and check the moment when her eyes pin down Bobbie with “the girls who just watch”. Plus she does furniture-shuffling choreography like a real trouper – a privilege to watch (and watch again).

Honourable mention: Amber Gray, Hadestown
I’d thought LuPone would walk this category but the elemental force with which Gray blew onto the Olivier stage had me in raptures as her every move and utterance had me absolutely gripped. Is there any way we can keep her in the UK or entice her back as soon as possible please.

Naana Agyei-Ampadu, Caroline or Change
Vivien Carter, Sweet Charity (Watermill)
Genevieve McCarthy, Mythic
Hilary MacLean, Sunshine on Leith
Seyi Omooba, Christina Modestou & Renée Lamb, Little Shop of Horrors

8-10
Cherelle Skeete, Fun Home; Susannah van den Berg, Once; Vicky Vox, Little Shop of Horrors

2018 Best Supporting Actor in a Play + in a Musical

Best Supporting Actor in a Play

Paul Hilton, The Inheritance
How many times and in how many ways can the same man break your heart? Hilton is exquisitely, agonisingly, pitch-perfect in The Inheritance no matter who he is playing, a much needed voice of experience in among the tight, bright young things, an unforgettable, powerfully moving tribute to generations lost.

Honourable mention: Forbes Masson, Summer and Smoke
I’ve long been a fan of Masson’s, going back to seeing his hysterical musical Stiff! back in my uni days, so it was great to see him as such a vibrant and vital part of the ensemble in this Rebecca Frecknall production, standing out as a pair of patresfamilias.

Louis Bernard, Much Ado About Nothing (Antic Disposition)
Demetri Goritsas, ear for eye
Wil Johnson, Leave Taking
Nicky Priest, Jellyfish
Sam Troughton, Stories

8-10

Oliver Alvin-Wilson, Nine Night; Kevin Harvey, The Wild Duck; Samuel H Levine, The Inheritance

 

Best Supporting Actor in a Musical

Jonathan Bailey, Company
Done well, ‘Getting Married Today’ is a highlight of any production of Company but here, making Amy Jamie works an absolute treat in showing both how far we’ve come and how little there is between us all when it comes to gay marriage. Partnered perfectly with Alex Gaumond’s patiently lovestruck Paul, this vignette becomes even more heart-breakingly, soul-raisingly fantastic.

Honourable mention: André de Shields & Patrick Page, Hadestown
Between de Shields getting the party started with his twinkling charm and Page’s basso profundo doing all sorts of things to me, I couldn’t split these two on the way down to Hadestown

Alex Cardall, Sweet Charity (Watermill)
Alex James Ellison, The Secret Garden
Richard Fleeshman, Company
Matt Willis, Little Shop of Horrors

8-10
Maison Kelley, Brass the Musical; Sean Kingsley, Once; Jordan Shaw, It’s Only Life

The 2018 fosterIAN nominations

As I live and breathe, we made it! Behold the 2018 fosterIAN award nominations, recognising the acting performances that stood out for me, the ones that made me sit up, and sometimes stand up. As ever, I have used the label ‘best’, the categories should really be considered ‘favourite’ as that is what the fosterIANs (fos-tîr’ē-ən) are – my favourites out of the 300 or so shows that I saw. Results to come in the next couple of days.

Best Actress in a Play
Patsy Ferran, Summer and Smoke
Sarah Gordy, Jellyfish
Leah Harvey, Clare Perkins & Vinette Robinson, Emilia
Marieke Heebink, Oedipus
Elinor Lawless, To Have To Shoot Irishmen
Carey Mulligan, Girls and Boys
Sarah Niles, Leave Taking

Best Actor in a Play
Ben Batt, The York Realist
Ian Bonar, Jellyfish
Paapa Essiedu, The Convert
Richard Harrington, Home I’m Darling
Kyle Soller, The Inheritance
Shubham Saraf, An Adventure
Hans Kesting, Oedipus Continue reading “The 2018 fosterIAN nominations”

2019 What’s On Stage Award nominations


As we move towards the year end, so award season gets into full swing and What’s On Stage have now revealed their nominations celebrating everyone who works in theatre apart from sound designers and musical directors. As ever, these awards tend to work around which fanbase can weaponise the strongest and so there’s lots of love for shows which might not necessarily be troubling many other shortlists…

Still, am liking the recognition for Milly Thomas and Dust, Es Devlin’s luminous set work for Girls & Boys, and Six and The Grinning Man getting into the cast recording category (though can’t quite work out how Come From Away fits into there as well…). And it’s a bit sad that the way their eligibility period works means that Hamilton comes up against Company, making the supporting actress/actor categories ridiculously difficult to choose between.

You can vote here until 31st January, and winners will be announced on 3rd March.

Continue reading “2019 What’s On Stage Award nominations”

Winners of the 2018 London Evening Standard Theatre Awards


BEST ACTOR in partnership with Ambassador Theatre Group
Bryan Cranston Network, National Theatre (Lyttelton)
WINNER – Ralph Fiennes Antony and Cleopatra, National Theatre (Olivier)
Ian McKellen King Lear, Minerva Chichester & Duke of York’s
Colin Morgan Translations, National Theatre (Olivier)
Kyle Soller The Inheritance, Young Vic & Noël Coward Theatre

NATASHA RICHARDSON AWARD FOR BEST ACTRESS in partnership with Christian Louboutin
Laura Linney My Name Is Lucy Barton, Bridge Theatre
Carey Mulligan Girls and Boys, Royal Court
Cecilia Noble Nine Night, National Theatre (Dorfman)
WINNER – Sophie Okonedo Antony and Cleopatra, National Theatre (Olivier)
Lia Williams The Prime of Miss Jean Brodie, Donmar Warehouse Continue reading “Winners of the 2018 London Evening Standard Theatre Awards”

The 2018 London Evening Standard Theatre Awards – Shortlist announced


The clocks have gone back and so it’s time to start reflecting on the year gone by. And first out of the gate in terms of the major theatre awards, the London Evening Standard Theatre Awards have released their shortlist. Winners to be announced on Sunday 18th November at the Theatre Royal, Drury Lane, London.

The expansion to five nominees feels like a good thing, making the lists feel a little less random, but I remain piqued at the differentiation between best actor/actress in a play and best musical performance, not least since it means no-one from Hamilton or Everybody’s Talking About Jamie is up for an individual nod, and Patti LuPone and Jonny Bailey end up robbed!

But that’s the joy of these things, they’re entirely subjective even when your panel consists of Henry Hitchings, Baz Bamigboye, Mark Lawson, Sarah Crompton and Matt Wolf. And I’m liking the love for Nine Night and The Prime of Miss Jean Brodie, wondering whether I should have made the effort to see Translations, and pondering whether I should be re-booking for Caroline or Change

EVENING STANDARD THEATRE AWARDS 2018 – SHORTLIST

BEST ACTOR in partnership with Ambassador Theatre Group
Bryan Cranston Network, National Theatre (Lyttelton)
Ralph Fiennes Antony and Cleopatra, National Theatre (Olivier)
Ian McKellen King Lear, Minerva Chichester & Duke of York’s
Colin Morgan Translations, National Theatre (Olivier)
Kyle Soller The Inheritance, Young Vic & Noël Coward Theatre

NATASHA RICHARDSON AWARD FOR BEST ACTRESS in partnership with Christian Louboutin
Laura Linney My Name Is Lucy Barton, Bridge Theatre
Carey Mulligan Girls and Boys, Royal Court
Cecilia Noble Nine Night, National Theatre (Dorfman)
Sophie Okonedo Antony and Cleopatra, National Theatre (Olivier)
Lia Williams The Prime of Miss Jean Brodie, Donmar Warehouse Continue reading “The 2018 London Evening Standard Theatre Awards – Shortlist announced”

Full list of 2018 UK Theatre Awards winners


The UK Theatre Awards are the only nationwide Awards to honour and celebrate outstanding achievements in regional theatre throughout England, Scotland, Wales and Northern Ireland and they have just announced the winners for the 2018 awards, which include a well-deserved Award for Outstanding Contribution to British Theatre for Maxine Peake – take a look at her acceptance speech here. 

Continue reading “Full list of 2018 UK Theatre Awards winners”

Winners for The Stage Debut Awards 2018


The Joe Allen Best West End Debut
Mohammad Amiri for The Jungle at the Playhouse Theatre
Ashley Banjo for Dick Whittington at the London Palladium
Bryan Cranston for Network at the National Theatre
Michelle Greenidge for Nine Night at the National Theatre
John McCrea for Everybody’s Talking About Jamie at the Apollo Theatre
Kelli O’Hara for The King and I at the London Palladium
Joe Robertson and Joe Murphy for The Jungle at the Playhouse Theatre
Lucie Shorthouse for Everybody’s Talking About Jamie at the Apollo Theatre
WINNER – Aidan Turner for The Lieutenant of Inishmore at the Noel Coward Theatre
Adrienne Warren for Tina: The Tina Turner Musical at the Aldwych Theatre Continue reading “Winners for The Stage Debut Awards 2018”