A stalwart face in British comedy for over 20 years, Sally Phillips first ascended into immortality as one third of the on-screen talent for Smack The Pony, Channel 4’s landmark female-centric sketch show. Since then she has become a sort of watermark for quality in comedy – whether she’s turning up in the Bridget Jones movies or in HBO’s Veep, you know you’re in a safe pair of hands.
Such is the case with Talking To Strangers, which is co-written and performed with RADA alum Lily Bevan. A series of monologues in which characters talk to, you guessed it, strangers, Talking To Strangers originally aired on Radio 4 as a sketch series. As a stage show, it makes for a surreal hour packed with sharply observed character detail. Continue reading “Guest Review: Sally Phillips and Lily Bevan – Talking To Strangers, Soho”
“I want to see you do the worm”
If you haven’t heard of them, Austentatious are a cracking improv troupe who, having taken title suggestions from the audience, improvise an “eloquent but irreverent” tale in the style of Jane Austen. This festive iteration saw the group tackle Phil and Fallibility, a tale of haughty cousins, French speakeasys, complex welcoming hand gestures and communication channels to the council…it’s all a lot funnier in the watching of it obviously, in fact it is downright hilarious and a definite recommendation for a fun night out that won’t break the bank or keep you up too late.
Running time: 1 hour
Photo: Idil Sukan
Various booking dates at the Old Queen’s Head and Leicester Square Theatre
“What’s it gonna be Paul, what’s it gonna be?”
The beauty of improvised musical show The Showstoppers is that you can go as many times as you want as they make it up fresh for every performance. So even though I saw two performances on their press day last week, I was more than happy to go again this Sunday evening, this time to experience the delights of Jim’s Soggy Bottom.
A tale of love and Russian politics in the Bake-Off tent with numbers in the style of The Boy From Oz, Sweeney Todd, Urinetown and Jesus Christ Superstar among others, it was highly entertaining as always. Ruth Bratt continues to be a hoot but Pippa Evans has been in a real rich vein of form recently to nab MVP for me. Worth a trip if you’ve not been yet and worth a revisit if you have!
“We even got the dinosaurs in there”
It’s perhaps a sign of the times that an element of variety has crept into theatreland. Where the West End is usually dominated by plays and musicals, we’ve seen the likes of Vegas-style revues like Sinatra and magic shows like Impossible extend its entertainment remit and now we can add improv shows to the list and not only that, improvised musicals. Created by Adam Meggido and Dylan Emery, The Showstoppers have been making up musicals on the spot for eight years now, regulars in Edinburgh and smaller venues like the King’s Head and the Charing Cross Theatre but they’ve now made the significant leap to the Apollo on Shaftesbury Avenue.
Their routine is a simple one – a brand new show at every performance (we were invited to the matinee and the evening show to prove just that) inspired by suggestions from the audience and embroidered into life by 6 performers (from a company of 12) who literally make it up there and then. The first of the day’s shows was Puck Off, a tale of love and wings in an Irish fairy grotto with a jive-talking Puck; the second was The Lyin’ King, set in the jungle that is the Daily Mail’s offices. But in some ways, the details don’t really matter as the show is remade every night from the variety of responses from the stalls and the unexpected swerves that come in their telling. Continue reading “Review: Showstopper, Apollo”
“Ooh look at my spices”
A first trip back in ages to Showstopper and instant regret that I’d left it this long. I think perhaps I saw them too many times too close together so I took them for granted but regardless, their brief engagement on the South Bank ahead of an Edinburgh run enabled me to rectify this. The Showstopper company are an improv group who specialise in making up musicals on the spot, taking audience suggestions for titles, musical theatre styles and random plot points and somehow weaving them together into comedy gold.
Tonight’s show was GunWharf Souk, set in 1945 the long-established Little Morocco area of Portsmouth, where sailors on shore leave find their heart captured by the locals even though their warship is waiting to take them back to the Pacific. As with much comedy, you kinda need to be there to hear how funny it is and I can assure you that it is quite simply hilarious to watch these talented performers (Ruth Bratt is a comedy genius, Pippa Evans also brilliant too) improvise so randomly and expertly from love songs to Lloyd-Webber, Sondheim to (Gilbert &) Sullivan.
“I’ve seen all sorts of things in pub theatres…”
Tonight saw a very special version of Showstopper! The Improvised Musical, currently playing Sundays, Mondays and Tuesdays at Islington’s King’s Head Theatre, as it featured none other than fairy godfathers and inspiration to theatre bloggers across the nation, the West End Whingers as special guests. As a critics show, it took a slightly different format: whereas normally the audience are encouraged to shout out scenarios, musical styles and plot developments at the beginning and a show is improvised from there by the ensemble, here our invitees had been asked to write a review of a play from their imagination that does not currently exist and so that was the show that was then developed put on by the team, who were blissfully unaware of what was coming their way.
The show was Dametastick!! a tale of two theatrical divas, narcoleptic Andromeda Dench and Philomena Smith with a wooden leg, old drama school chums from the Rah-Dah estranged after marrying the same man, though at different times but now both in the twilight of their careers auditioning for the same part in The Grapes of Froth, a production being put on a pub theatre with pretensions of becoming an opera house and directed by the man who had been married to them both. Highly silly, highly amusing and enlivened even further by the requirements of the plot, including a tap routine whilst eating cream crackers, a grape-treading number that involved yodelling and a coup de théâtre at the finale which was so amazing it couldn’t even be mentioned until the very moment it came to pass. At least those were the things I could remember, the Whingers really packed a lot into their allotted 80 minutes! Continue reading “Review: Showstopper! with the West End Whingers, Kings Head Theatre”
Showstopper! the improvised musical is a highly entertaining show which promises a brand new musical every night, improvised on the spot by its company. The premise is simple: a theatre producer has just 70 minutes to produce a musical on the spot and invites the audience to make suggestions for the theme of the show, its title and a number of musical styles to be incoporated into the show.
On this night at the Leicester Square Theatre, we were treated to T-Rexctasy, a tale of love and dinosaurs, featuring songs in Disney, Sondheim and country and western styles amongst others. It was extremely silly, and lots of fun, and you soon realise that the story, such at it is, really isn’t that important and the joy of this is in watching the performers interact and bounce off each other in entertaining and often hilarious ways. Lucy Trodd was the star of this particular show, but Ruth Bratt and Adam Meggido as a double act and Pippa Evans made a very funny group of villagers and all of the performers were on fine form. NB: If you do go, do make lots of suggestions as it makes it more fun, and they thrive off responding to the curveballs people throw at them, plus you only get to make suggestions at the beginning. Continue reading “Review: Showstopper! The Improvised Musical”