Arrows & Traps’ queer noir take on The Strange Case of Jekyll & Hyde is a contemporary adaptation that speaks to the ages at the Brockley Jack Theatre
“It’s verging on the apocalyptic”
Well if you’re going to do the classics, you might as well do them like this! Ross McGregor’s adaptation of Robert Louis Stevenson’s novella updates The Strange Case of Jekyll & Hyde to the 2020 US presidential election but it also infuses the story with an undeniable air of menace and queerness that at once feels contemporary and entirely respectful of the source.
McGregor has taken clear inspiration from ‘Mayor Pete’ for his version of Henry Jekyll, an energetic young senator from Indiana who, in light of Trump’s impeachment, dares to dream of rescuing the Oval Office. Against a backdrop of seemingly never-ending school shootings, his platform is a vociferously anti-gun one but as investigative journalist Gabrielle joins his team, she discovers there’s more than just a skeleton in the closet…
Continue reading “Review: The Strange Case of Jekyll & Hyde, Brockley Jack”
Round and round and round we go. La Ronde surfaces again as Michael John LaChiusa’s Hello Again at the Union Theatre
“I’ve been searching high and low
For you but then
What does it matter?
It is a universal truth that you’re never too far away from some adaptation or another of Arthur Schnitzler’s La Ronde. It’s been gay, it’s been musical, it’s been gender-neutral, it’s been Hollywood, and now it is back to being musical again, with the Union Theatre’s revival of Michal John LaChiusa’s Hello Again.
LaChiusa’s adaptation sets each of its ten scenes in a different decade of the twentieth century, aiming for a broad investigation of how, if at all, love and sex have changed over the years. This also allows him to cherrypick from a much wider range of musical styles than if he’d stuck with the original’s 1890 Vienna. Continue reading “Review: Hello Again, Union Theatre”
A pair of album review from musical theatre stars singing their own songs: Ben Platt’s Sing To Me Instead and Cassidy Janson’s Cassidy
“Tell me you wanna be a better man”
When musical theatre actors turn to releasing albums, as inevitably they must, the majority opt to ransack the songbooks of musicals old and new, so it is pleasing to see a few people bucking that trend with their recent releases. And what’s more, Ben Platt and Cassidy Janson’s albums of original material feature a vast majority of songs written or co-written by themselves.
Fresh from conquering Broadway in Dear Evan Hansen and with his sights set on TV (Netflix’s The Politician) and film (Richard Linklater’s Merrily We Roll Along), Ben Platt clearly has creative juices flowing aplenty and on Sing To Me Instead they reach full expression. 12 tracks of soul-bearing, emotionally driven pop that cohere effectively into an impressive album. Continue reading “Album Reviews: Ben Platt – Sing To Me Instead / Cassidy Janson – Cassidy”
As the dust settles on another season of Pride festivals with an ever-so-slightly contentious Manchester event, I thought I’d flag up a few pieces of LGBT+ content, trying my best to look outside the pale and male G part of the rainbow…
So in no particular order, you can go see Tomboy at the White Bear Theatre this week, book ahead for Stardust, and My Beautiful Laundrette, read reviews of Vita and Virginia off the big screen, Gentleman Jack, Queers and Years and Years off the TV, The View UpStairs late of the Soho Theatre, Continue reading “Post-#Pride season round-up”
I might have taken a break from reviewing for the last couple of months, but I didn’t stop going to the theatre. Here’s some brief thoughts on most of what I saw in July.
On Your Feet, aka the rhythm will get you, sometimes
the end of history…, aka how can you get cheese on toast so wrong
Equus, aka hell yes for Jessica Hung Han Yun’s lighting design
Games for Lovers, aka straight people be crazy
Captain Corelli’s Mandolin, aka the one that got my goat
The Girl on the Train, aka Philip McGinley in shorts
A Midsummer Night’s Dream, aka Another Dream? dream on
Uncle Vanya, aka I really need to stop booking for plays like this with casts like that
Jellyfish, aka justice for the second best play of last year
Sweat, aka Clare Perkins should always be on in the West End
Sue Townsend’s The Secret Diary of Adrian Mole Aged 13 3/4 The Musical, aka yay for lovely new musicals in the West End
The Light in the Piazza, aka Molly Lynch fricking nails it
Jesus Christ Superstar, aka was third time the charm?
Continue reading “July theatre round-up”
Mark Gatiss’ Queers – a set of monologues has lost none of its power since premiering in 2017
“He knows me for what I am”
I couldn’t make the theatrical readings of Queers at the Old Vic, so I was glad that filmed versions of them were made (for airing on BBC4). Ricocheting around the decades of the twentieth century, this set of monologues marked 50 years since the Sexual Offences Act of 1967 decriminalised private homosexual acts between men aged over 21, and aimed to celebrate some of the most poignant, funny, tragic and riotous moments of British gay male experience.
Pulled together by Mark Gatiss, these 8 20-minute pieces are ostensibly set in the same bar but run the full gamut of emotion as we shift around in time. There’s exquisite moments of happiness in lives otherwise marked by despair. The fleeting touch from Gatiss’ The Man on the Platform so achingly described by Ben Whishaw, the heady night spent with an American soldier by Ian Gelder’s omi in Matthew Baldwin’s I Miss the War.
Continue reading “TV Review: Queers”
A vital piece of gay history is unearthed in LGBT+ musical The View UpStairs at the Soho Theatre
“In this kingdom we’ve found
Where the queens and clones collide
And though it reeks of cheap cologne
It’s my favorite escape from the world outside”
There’s something so powerful about the power of theatre to educate as well as ilustrate. The 1973 arson attack that took the lives of 32 people in a New Orleans gay bar was actually the most tragic hate crime until Orlando but it remains comparatively little known. So Max Vernon’s choice to use it as inspiration for his musical The View UpStairs is freighted with significance from the off.
And at its best, it is hugely powerful. A cross between a kind of oral history and musical theatre, it fleshes out the lives of gay people in 1970s USA in all its multi-faceted nature through its collection of what might at first be mistaken as stock characters. The aspiring drag queen, the sharp-edged hustler, the dreamy twink, the closeted musician, the lesbian ‘mother’, all are present and correct. Continue reading “Review: The View UpStairs, Soho Theatre”
Gentleman Jack proves a huge success, for Sally Wainwight, for Suranne Jones, for lesbian storytelling, for everyone
“So much drama, always, with Anne”
Even with as reliably assured hands as Sally Wainwright’s at the tiller, I was a little nervous for Gentleman Jack in the pride-of-place Sunday evening TV slot. But I should have been surer of my faith, for it has been a stonkingly good 8 hours of drama, with an epically romantic lesbian relationship at its heart.
Anne Lister (Suranne Jones) is a wealthy Yorkshire heiress whose uncompromising nature about any and every aspect of her life rubs any number of people up the wrong way. Ann Walker (Sophie Rundle) is most definitely not one of them though, she wants to be rubbed the right way and so we follow the path of true love as it winds through the prejudices of the Yorkshire Pennines and Anne’s attempts to break into the coal mining world. Continue reading “TV Review: Gentleman Jack Series 1”
Years and Years sees Russell T Davies take on dystopian near-future sci-fi to startling effect
“We’re not stupid, we’re not poor, we’re not lacking. I’m sorry, but we’re clever. We can think of something, surely.”
What if…? What if…? What Brexit happens, what if Trump is voted in again and fires a nuclear bomb towards China, what if global warming happens today and not tomorrow, what if Lee from Steps is the most successful one…? Such is the world of Years and Years, Russell T Davies’ latest TV venture, a six-part drama that dares to ask what if it is already too late.
He uses the Lyons family as a prism to explore what the next 15 years of human history might look like, as technological advances make leaps and bounds alongside the political and social upheaval that strikes at the very heart of this sprawing middle-class Manchester-based family. It’s a daring piece of drama, full of Davies’ typically big heart and bold emotional colours and I have to say I rather loved it. Continue reading “TV Review: Years and Years”