I thoroughly enjoy getting to revisit the dark delights of new British musical The Grinning Man
“Laughter is the best medicine”
I loved The Grinning Man in both its incarnations – from Bristol’s Old Vic to the West End – and so I was most pleased to hear that it would be immortalised in vinyl, or whatever the digital equivalent is… A new British musical (book by Carl Grose, music by Tim Phillips and Marc Teitler, lyrics by all three plus Tom Morris) is always a thing to cherish, even when it is a queerly dark a thing as this.
It’s a live recording which has its pros and cons. Personally, I like hearing the response of a live audience, particularly in response to the devilishly dark humour of Julian Bleach’s Barkilphedro. And the raw passion you hear in the voices of Louis Maskell and Sanne den Besten as tragic lovers Grinpayne and Dea feels all the more urgent for not having that studio polish to rub off some of the more emotional edges. Continue reading “Album Review: The Grinning Man (2018 London Cast Live Recording)”
I succumb to the charms of My Fair Lady once again with this 2018 Broadway Cast Recording
“I’ll be off a second later and go straight to the theatre”
I wasn’t expecting to like this 2018 Broadway Cast Recording of My Fair Lady half as much as I did. Rumblings of discontent about Lauren Ambrose’s casting as Eliza stuck in my mind, as did the unlikeliness of Harry Hadden-Paton being her Henry Higgins, and who wants American versions of English accents? (I’m sure they feel the same!)
But there’s something rather delicious about this recording that makes it really shine. It helps of course to have a score and lyrics as gloriously evergreen as Lerner and Loewe’s, MD Ted Sperling’s treatment of the original orchestrations making them feel as fresh as a cockney sparrer, and his orchestra sound like a dream. – you really could listen to them all night. Continue reading “Album Review: My Fair Lady (2018 Broadway Cast Recording)”
Is there a market for cast recordings from uninspired jukebox musicals. On Summer – The Donna Summer Musical’s evidence, I find it hard to think so.
“Enough is enough is enough is enough”
Yeesh. Summer – The Donna Summer Musical may have wasted no time in releasing a cast album but it really does point up some of the problems with the market’s increasingly reliance on jukebox musicals. As good as the performances by the likes of LaChanze and Ariana DeBose are and make no mistake, they are two sensational singers who fully deserve their Tony nominations, who is a record like this really aimed at?
It’s no great leap to suggest that fans of Donna Summer will always turn to her albums. For there’s nothing here in the vocal arrangements or the instrumentation that actually elevates it above and beyond a conventional covers album. There’s no narrative through-thread that can be gleaned from the sequencing, no startling insight that makes you reconsider the music anew, it all feels – sadly – rather pointless. Continue reading “Album Review: Summer – The Donna Summer Musical (2018 Broadway Cast Recording)”
Natasha Barnes really impresses with debut album Real, a shining example of contemporary pop done well
“Leave me with some kind of proof it’s not a dream”
The world of musical theatre is no stranger to the talents of Natasha Barnes, her story is such a lesson who would ever underestimate an understudy. And as is often the case following such stage success, the announcement of a debut album was not too far behind. What might surprise you though is that Real is no skip through your usual musical theatre standards, it is a seriously impressive contemporary pop.
A mixture of original songs and covers that suggest a fascinatingly diverse record collection (Paramore to Motown group Porgy and the Monarchs to Northern Soul’s Towanda Barnes), the overall vibe emerges as something relaxed and retro – a chilled out Paloma Faith if you need a more direct comparison. You really feel her influence on lead single ‘Supermodel’, irresistible in its driving groove.
Continue reading “Album Review: Natasha Barnes – Real”
In all its variety, The Norm Lewis Christmas Album proves an eclectic but beguiling confection
“Man it doesn’t show signs of stoppin'”
I’m not sure who we apply to for these things but I really would like to see Norm Lewis return to the West End stage – I didn’t catch him in Les Mis but I did get the briefest taste of him at a Lance Horne concert so Santa if you’re listening… In the meantime, we have to make do with the many pleasures of The Norm Lewis Christmas Album.
And my are they plentiful. Lewis is certainly generous, offering up a Christmas stocking packed full with 18 tracks and as much variety as a family-sized bag of Revels. Produced by Lewis with Richard Jay-Alexander and Lewis and accompanied by MD Joseph Joubert, with band members George Farmer and Perry Cavari, it makes for an eclectic but beguiling confection. Continue reading “Album Review: The Norm Lewis Christmas Album”
Alfie Boe shines on As Time Goes By, his first solo record in four years featuring the music of the 30s and 40s
“Now you’re singin’ with a swing”
As Time Goes By is Alfie Boe’s tenth studio album and his first solo disc in four years, having hit a sweet spot with his recent collaborations with Michael Ball which saw them take home two Classic BRIT Awards this year. But he moves here to reclaim the solo spotlight with a record that celebrates the music of the 30s and 40s.
That it does remarkably well, as Boe reins in much of the booming power of his powerful tenor to allow colour and character into his vocal performance. And with Gordon Goodwin and his Big Phat Band providing sensational musical accompaniment throughout, this is a music lover’s tribute to an era which doesn’t always get the attention it deserves. Continue reading “Album Review: Alfie Boe – As Time Goes By”
Lots of fun at Leicester Square Theatre for Ramin Karimloo’s intimate concert with Seth Rudetsky and a whole load of special guests
“I knew where I needed to be”
The Broadway @ The Leicester Square brand is one which surfaces infrequently but always pays rich rewards when it does. Having attracted Patti LuPone, then Audra McDonald
and John Barrowman
into the intimate surroundings of an informal chat and sing-song arrangement with Seth Rudetsky, it is now Ramin Karimloo’s turn to deliver such a boutique concert.
The particular joy of these concerts is their slightly chaotic nature, the way in which no-one seems entirely sure what is going to happen, least of Karimloo and Rudetsky themselves. Tonight we all recorded a rendition of Happy Birthday for Jenna Russell and got an impromptu duet on ‘Confrontation’ with Jeremy Secomb who was dragged out of the audience – who knows what the next two shows will bring.
And these are just the bonuses on top of a programme which dips in and out of Karimloo’s impressive career to date. Anecdotes about the awesome inspiration Colm Wilkinson provided sit alongside a haunting rendition of ‘Music of the Night’; memories of The Pirates of Penzance segue into a gloriously ripe ‘The Pirate King’; his recent forays into Evita represented by ‘High Flying Adored’.
Continue reading “Review: Ramin Karimloo with Seth Rudetsky , Leicester Square Theatre”
Released by SimG Records, the cast recording for the National Youth Music Theatre’s Imaginary is just a lovely thing indeed
“You have to grow older…but you don’t have to grow up”
Commissioned, produced and performed by the National Youth Music Theatre, new musical Imaginary had a short run at The Other Palace last summer, during which this live recording was made. Proceeds from this record release will be ploughed back into NYMT as they are a charity with no core funding, despite the exceptional work they do with so many.
With book & lyrics by Timothy Knapman and music & lyrics by Stuart Matthew Price, Imaginary’s concept is a beautifully simple one and hidden in plain sight, as Sam struggles to deal with starting secondary school and what that means for his only real friend Milo and the truth about their connection. And in the fashion of all the best kids’ shows, there’s much for the grown-up kids as well (and I’d wager they’ll be the ones wiping more tears away). Continue reading “Album Review: Imaginary”
My top 10 Losing My Minds post has been one of the most popular on the site (the most recent spike sadly being because of Marin Mazzie’s untimely passing – RIP), so I thought I would repeat the exercise with what is arguably Company’s most iconic song ‘Being Alive’.
“Somebody make me come through”
1. Alice Fearn
An unexpected favourite mainly due to the combination of its achingly beautiful strings (arranged by Ben Goddard) and the delicacy of Fearn’s beautiful delivery.
2. Raúl Esparza
This. In all its ferocious power, I just can’t imagine it being better done by a man.
Continue reading “Someone to hold you too close – 10 takes on Being Alive to celebrate Company’s opening”
Thwarted in my attempts to see Six the Musical this week, the release of the brilliant cast recording couldn’t be better timed
“Too many years lost in his story”
We only got about 15 minutes of Six the Musical on Thursday night before a technical problem halted the performance, which was eventually then cancelled. So the release of the cast recording of the show couldn’t have been better timed until I work out how when I can fit in a rescheduled visit to the Arts Theatre.
Toby Marlow and Lucy Moss’ raucous reclamation of history…sorry, herstory, had a hugely successful run in Edinburgh after its initial showcase at the Arts at the beginning of the year. And it has maintained that buzz in fine style in capturing the attentions of a devoted audience, a portion of whom made the atmosphere for that initial quarter of an hour totally electric. Continue reading “Album Review: Six the Musical cast recording”