News: line-up for week 3 of Leave A Light On

The schedule has been announced for week 3 of Leave A Light On, a series of live-streamed concerts.

The shows will be live streamed as part of the Leave A Light on series of concerts produced by Lambert Jackson and The Theatre Café, which aims not only to provide financial support for the performers involved, but also to provide entertainment for people in self-isolation.

Tickets to watch the live streams are a bargainous £7.50, just click on this links to book.

The full lineup is as follows:

Monday 6th April
2:30pm Lara Denning
4:30pm Lauren Drew
6:30pm Alice Fearn 

Tuesday 7th April
2:30pm Janique Charles
4:30pm Olivia Moore & Piers Bate
6:30pm Zoe Birkett

Wednesday 8th April
2:30pm Raquel Jones
4:30pm Sabrina Aloueche
6:30pm Josh Piterman

Thursday 9th April
2:30pm Paul Wilkins
4:30pm Nadim Naaman
6:30pm Jodie Steele

Friday 10th April
2:30pm Tim Mahendran
4:30pm Renee Lamb
6:30pm Fra Fee 6:30pm

Album Review: The Prince of Egypt (Original Cast Recording)

There’s two songs I could listen to for ages on the Original Cast Recording of The Prince of Egypt but I could easily leave the rest

“No power on earth can change that, brother”

There was a moment in the last couple of days as I listened to ‘Make It Right’ for the umpteenth time that I wondered whether I’d been a bit harsh to The Prince of Egypt when it opened in late February. I’d made the note ‘lovely duet’ at the time and on record, the sweet/strong combination of Liam Tamne and Luke Brady’s voices is an absolute winner as their fraternal connection is tested over soaring contrapuntal melodies and an orchestral backing that flows as effortlessly as the Red Sea

So too, the show’s most famous song (so much so that the publicity campaign basically centred on it) ‘When You Believe’ has a choral majesty that is undeniable. Alexia Khadime and Christine Allado lead the company with real style – the interplay of their voices in the middle chorus is spine-tingingly lovely – and the incorporation of the Hebrew-sung bridge (led by Mia Lakha) is a rare graceful moment of geo-specificity that works. Continue reading “Album Review: The Prince of Egypt (Original Cast Recording)”

News: line-up for the second week of Leave A Light On

The schedule has been announced for week 2 of Leave A Light On, a series of live-streamed concerts.

The shows will be live streamed as part of the Leave A Light on series of concerts produced by Lambert Jackson and The Theatre Café, which aims not only to provide financial support for the performers involved, but also to provide entertainment for people in self-isolation.

Tickets to watch the live streams are a bargainous £7.50, just click on the links to book.

The full lineup is as follows:

Monday 30th March
2:30pm Nathaniel Morrison 
4:30pm Grace Farrell
6:30pm Declan Bennett 

Tuesday 31st March
2:30pm Simon Bailey 
4:30pm Kelly Mathieson 
6:30pm Jordan Luke Gage 

Wednesday 1st April
2:30pm Daniel Boys 
4:30pm Sophie Isaacs 
6:30pm Aimie Atkinson 

Thursday 2nd April
2:30pm Declan Egan
4:30pm Hannah-Grace Lawson
6:30pm Velma Celli 

Friday 3rd April
2:30pm Blake Patrick Anderson 
4:30pm Daniel Koek 
6:30pm Marisha Wallace

Album Review: #ZoologicalSociety

New musical #ZoologicalSociety, written by Vikki Stone and Kate Mulgrew, gets a well-timed concept album release

“You’ve been here for one day mate, I’ve been here for years”

With a sense of impeccable timing, new musical #ZoologicalSociety launches with a concept album. The plan was to accompany the digital release with a live concert performance at BEAM 2020, the UK’s leading showcase of new British musical theatre but whilst that obviously isn’t happening, the album is now available for our delectation, thanks to Joe and Nikki Davison at Auburn Jam Music who produced, recorded, mixed and mastered the music.

The first of a series of entirely original musical commissions from Northampton’s Royal & Derngate, Vikki Stone and Katie Mulgrew’s #ZoologicalSociety takes its simple concept – animals going through the same societal pressures as humans – and fashions a rather winning musical comedy out of it. Continue reading “Album Review: #ZoologicalSociety”

News: line-up for the first week of Leave A Light On

Lambert Jackson Productions and the Theatre Café have announced the line-up for the first week of their Leave A Light On series. The series of intimate, piano vocal concerts streamed live from The Theatre Café will feature performances from Blake Patrick AndersonAimie AtkinsonChristopher CameronAlice FearnVictoria Hamilton-BarrittEvelyn HoskinsDavid HunterCassidy JansonLucie JonesBradley Judge and Harry Cooper-MillarEmma KingstonSarah O’ConnorSteph ParryDanielle Steers, and Layton Williams.

For a fee of £7.50, significantly less than a ticket to a show, audiences around the country will be able to access a live concert from their favourite West End performer from the best seat in the house – their own home! Continue reading “News: line-up for the first week of Leave A Light On”

The Curtain Up Show Album of the Year 2019 winners

Controversial perhaps, but I disagree with all three of these decisions! You can’t trust the public to vote for anything these days… congratulations to all the winners though

Best UK Cast Recording
& Juliet – Original London Cast Recording
Company – 2018 London Cast Recording
Follies – 2018 National Theatre Cast Recording
WINNER – Heathers (Original West End Cast Recording)
The Secret Diary of Adrian Mole Aged 13 ¾ – 2019 Original London Cast
Tina – The Tina Turner Musical Original Cast Recording

Best American Cast Recording
Beetlejuice (Original Broadway Cast Recording)
Hadestown (Original Broadway Cast Recording)
Jagged Little Pill (Original Broadway Cast Recording)
WINNER – Moulin Rouge (Original Broadway Cast Recording)
Oklahoma! (2019 Broadway Cast Recording)
Tootsie (Original Broadway Cast Recording)

Best Solo Album
Cassidy Janson – Cassidy
Ramin Karimloo – From Now On
WINNER – John Owen-Jones –Spotlight
Ben Platt – Sing To Me Instead
Jon Robyns – Musical Directions
Hayden Tee – Face to Face

Broadway Album Reviews: The New Yorkers / Kiss Me, Kate! / Beetlejuice

I tackle a trio of  Broadway cast recordings in the shape of Cole Porter’s The New Yorkers, Kiss Me, Kate! and Beetlejuice 

“Most gentlemen can’t be profound”

As it only played a handful of performances, the release of Cole Porter’s The New Yorkers (2017 Encores! Cast Recording) is a welcome chance to revisit this rarely seen musical. The recording is certainly aided by the presence of such musical theatre stalwarts as Scarlett Strallen and Tam Mutu (scintillating together on ‘Where Have You Been?’), the revelation for me is jazz singer Cyrille Aimée, who delivers a slinkily devastating rendition of ‘Love for Sale’ that makes it feel like the song was written for her.

Photo © Caitlin Ochs

Aside from the songs written by Jimmy Durante (his comic stylings at their best on Act 1 closer ‘Wood’ delivered with panache by Kevin Chamberlin), the prevailing aesthetic is one of classic Cole Porter elegance, Rob Berman’s musical direction finding just the right level of sparkling verve to blow off any lingering cobwebs and infuse real life into the material. Ruth Williamson’s witty ‘The Physician’, Mylinda Hull’s just-as-funny ‘The Great Indoors’, Strallen leading the ecstatic finale ‘I Happen to Like New York’…the pleasures here abound.

Sticking with the glorious Cole Porter, and who wouldn’t!, this year has also seen the release of Kiss Me, Kate! (2019 Broadway Cast Recording). It’s a show that I have a little difficulty with, never having seen a production that managed to sufficiently square its period gender dynamics with (my) contemporary sensibilities. But there’s no denying a songbook that contains the likes of ‘Too Darn Hot’, ‘So In Love and ‘Always True To You In My Fashion’.

Photo © Joan Marcus

And when you have the likes of Kelli O’Hara and Will Chase singing them, you’re in the territory of dreamily good. Whether together on the oom-pah-pah of ‘Wunderbar’ or separately on their respective renditions of ‘So in Love’, they’re both exceptionally good and utterly listenable. Also great value for money are ‘B’ couple Stephanie Styles and Corbin Bleu, pulling focus brilliantly wherever they pop up.

And last but not least, even if Mr Porter isn’t involved here, we have Beetlejuice (Original Broadway Cast Recording). From its opening minutes, (“Holy crap! A ballad already?”), it is clear that there’s a properly anarchic spirit at play here and Eddie Perfect’s score, led by a highly charismatic Alex Brightman who clearly is having a ball as he repeatedly breaks through the fourth wall (if there is one when you’re listening…?)

Photo © Matthew Murphy

‘The Whole “Being Dead” Thing is a genius opening number, prologue aside, and sets the tone for the Perfect’s pop-rock tunes, several of which feel like they have the potential to earworm their way into your brain (the refrain of ‘Fright of Their Lives is currently stuck in mine). Supported by vibrant work from Kerry Butler and Rob McClure and a cleverly sung performance from Sophia Anne Caruso as the Winona-waif Lydia, if Beetlejuice struggles to find a new home on Broadway then I’ll happily welcome it into the West End!

Broadway Album Reviews: Hadestown / Jagged Little Pill / Oklahoma!

Encouraged by their Curtain Up nominations, I take a quick look at the Broadway cast recordings for Hadestown, Jagged Little Pill and Oklahoma!

“I want you to know, that I am happy for you”

I’m not quite sure why I haven’t got around to reviewing the original Broadway cast recording of Hadestown since I listen to it at least once a week, such is the enduring strength of Anaïs Mitchell’s glorious score. I loved the show so much at the National, that I’d already booked to go and see it again before I got home that evening, and getting to dive deep into this recording is about as close as I’ll get to seeing it again (I doubt it’ll return here any time soon although the West End is crying out for its inventiveness).

Those of us who loved the show in London are blessed that the Broadway transfer retained its key cast. So the intense vitality of Amber Gray, the easy swing of André De Shields, the indie-pop sweetness of Reeve Carney and Eva Noblezada and the gravelly hotness of Patrick Page remain intact. And those tunes! The plaintive cries of ‘Wait for Me’, the slinkiness of ‘When the Chips Are Down’, the incredible prescience of ‘Why We Build The Wall’, the sheer glee of ‘Way Down Hadestown’, it is a winner from start to finish for me. Continue reading “Broadway Album Reviews: Hadestown / Jagged Little Pill / Oklahoma!”

The Curtain Up Show Album of the Year 2019 nominees

You can now vote for the Best London Cast Recording, Best Broadway Cast Recording and Best Solo Album here. Then fill in your details and click Vote and one lucky voter will win £100 worth of Theatre Tokens!

Best UK Cast Recording
& Juliet – Original London Cast Recording
Company – 2018 London Cast Recording
Follies – 2018 National Theatre Cast Recording
Heathers (Original West End Cast Recording)
The Secret Diary of Adrian Mole Aged 13 ¾ – 2019 Original London Cast
Tina – The Tina Turner Musical Original Cast Recording

Best American Cast Recording
Beetlejuice (Original Broadway Cast Recording)
Hadestown (Original Broadway Cast Recording)
Jagged Little Pill (Original Broadway Cast Recording)
Moulin Rouge (Original Broadway Cast Recording)
Oklahoma! (2019 Broadway Cast Recording)
Tootsie (Original Broadway Cast Recording)

Best Solo Album
Cassidy Janson – Cassidy
Ramin Karimloo – From Now On
John Owen-Jones –Spotlight
Ben Platt – Sing To Me Instead
Jon Robyns – Musical Directions
Hayden Tee – Face to Face

Album Review: Melissa Errico – Legrand Affair (Deluxe Edition)

A re-release of Melissa Errico’s album Legrand Affair further deepens her exceptional relationship to Michel Legrand’s songbook

“The time will come when all the waiting’s done”

I can’t pretend to be anywhere near objective about the music of Michel Legrand, it just touches my soul in the most intimate, indescribable way, so naturally the news of his death at the beginning of the year was devastating. And it is apparent that he inspires such devotion from many others too, most notably US Tony nominee Melissa Errico.

Her 2011 album Legrand Affair was a real labour of love, recorded over a number of years with Legrand and the Brussels Philharmonic. And it deservedly established her as such a first-rate interpreter of his material that she has been called upon to participate many of the memorials that have celebrated his legacy this year. Continue reading “Album Review: Melissa Errico – Legrand Affair (Deluxe Edition)”