Review: Ramin Karimloo with Seth Rudetsky , Leicester Square Theatre

Lots of fun at Leicester Square Theatre for Ramin Karimloo’s intimate concert with Seth Rudetsky and a whole load of special guests

“I knew where I needed to be”

The Broadway @ The Leicester Square brand is one which surfaces infrequently but always pays rich rewards when it does. Having attracted Patti LuPone, then Audra McDonald and John Barrowman into the intimate surroundings of an informal chat and sing-song arrangement with Seth Rudetsky, it is now Ramin Karimloo’s turn to deliver such a boutique concert.
 
The particular joy of these concerts is their slightly chaotic nature, the way in which no-one seems entirely sure what is going to happen, least of Karimloo and Rudetsky themselves. Tonight we all recorded a rendition of Happy Birthday for Jenna Russell and got an impromptu duet on ‘Confrontation’ with Jeremy Secomb who was dragged out of the audience – who knows what the next two shows will bring. 
 
And these are just the bonuses on top of a programme which dips in and out of Karimloo’s impressive career to date. Anecdotes about the awesome inspiration Colm Wilkinson provided sit alongside a haunting rendition of ‘Music of the Night’; memories of The Pirates of Penzance segue into a gloriously ripe ‘The Pirate King’; his recent forays into Evita represented by ‘High Flying Adored’.  

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Album Review: Imaginary

Released by SimG Records, the cast recording for the National Youth Music Theatre’s Imaginary is just a lovely thing indeed 

“You have to grow older…but you don’t have to grow up”

Commissioned, produced and performed by the National Youth Music Theatre, new musical Imaginary had a short run at The Other Palace last summer, during which this live recording was made. Proceeds from this record release will be ploughed back into NYMT as they are a charity with no core funding, despite the exceptional work they do with so many.

With book & lyrics by Timothy Knapman and music & lyrics by Stuart Matthew Price, Imaginary’s concept is a beautifully simple one and hidden in plain sight, as Sam struggles to deal with starting secondary school and what that means for his only real friend Milo and the truth about their connection. And in the fashion of all the best kids’ shows, there’s much for the grown-up kids as well (and I’d wager they’ll be the ones wiping more tears away).  Continue reading “Album Review: Imaginary”

Someone to hold you too close – 10 takes on Being Alive to celebrate Company’s opening

My top 10 Losing My Minds post has been one of the most popular on the site (the most recent spike sadly being because of Marin Mazzie’s untimely passing – RIP), so I thought I would repeat the exercise with what is arguably Company’s most iconic song ‘Being Alive’. 

“Somebody make me come through”

1. Alice Fearn
An unexpected favourite mainly due to the combination of its achingly beautiful strings (arranged by Ben Goddard) and the delicacy of Fearn’s beautiful delivery.

2. Raúl Esparza
This. In all its ferocious power, I just can’t imagine it being better done by a man.

Continue reading “Someone to hold you too close – 10 takes on Being Alive to celebrate Company’s opening”

Album Review: Six the Musical cast recording

Thwarted in my attempts to see Six the Musical this week, the release of the brilliant cast recording couldn’t be better timed

“Too many years lost in his story”

We only got about 15 minutes of Six the Musical on Thursday night before a technical problem halted the performance, which was eventually then cancelled. So the release of the cast recording of the show couldn’t have been better timed until I work out how when I can fit in a rescheduled visit to the Arts Theatre.

Toby Marlow and Lucy Moss’ raucous reclamation of history…sorry, herstory, had a hugely successful run in Edinburgh after its initial showcase at the Arts at the beginning of the year. And it has maintained that buzz in fine style in capturing the attentions of a devoted audience, a portion of whom made the atmosphere for that initial quarter of an hour totally electric. Continue reading “Album Review: Six the Musical cast recording”

Album Reviews: Renée Fleming – Broadway & The Quentin Dentin Show

Two new music releases – Renée Fleming tackles Broadway classics in style, and The Quentin Dentin Show releases its cast recording

“Life is what you want it to be”

No matter what you think of Renée Fleming, you can’t accuse her of resting on her laurels. At this point in her career, she could well be taking the easy route but this decade alone has seen her tackle Broadway (most recently receiving a Tony nomination for Carousel) for the first time and release an album that featured interpretations of three Björk songs. Her newest release cleaves closer to musical theatre though, and Broadway is available now from Decca Classics. Continue reading “Album Reviews: Renée Fleming – Broadway & The Quentin Dentin Show”

Album Review: Broken Wings

Written by Nadim Naaman and Dana Al Fardan, the concept album of new musical Broken Wings marks an ambitious debut and an impressive arrival 

“I remember the beauty of home”

Would you be able to name the third best-selling poet of all time? Behind Shakespeare and Laozi, it is actually the Lebanese writer Kahlil Gibran. So adapting his work for the stage is perhaps something of a natural step, and an under-explored one given the Anglo-Saxon bias of the Western canon. And it feels only right that it should fall to a Lebanese man and a Qatari woman to compose a musical based on one of his most famous works.

The result is Broken Wings. A new musical which has not only released a concept album, but will play the Theatre Royal Haymarket for four nights in early August, marking the first Arabic-inspired musical to grace the West End. But is it any good? I have to say I have fallen hard for its charms, as it reveals itself to be a supremely confident piece of writing, and one which balances the melting pot of its influences with an almost classic approach. Continue reading “Album Review: Broken Wings”

Album reviews: Frozen / Prince of Broadway / Mean Girls

I turn my attention to the latest set of Broadway cast recordings with Frozen, Prince of Broadway and Mean Girls

@deeninbeeld1

My cynicism about the quick turnaround of megahit film Frozen into a would-be megahit musical lasted for about 10 seconds as I popped on their cast recording. I mean, I loved the film and its songs by Robert Lopez and Kristen Anderson-Lopez and so who was I kidding?!

And it fulfils all of my Disney princess dreams. Caissie Levy (Elsa) and Patti Murin (Anna) lead the cast in fine full-voiced form, new songs from the Lopezes fit in well to the score though it does take a hot minute to get used to them. And the orchestral arrangement lends a note of excitement to the songs you know so well already.

Levy’s ‘Let It Go’ naturally takes the spotlight as the Act 1 closer (reprised to close the show as well) but Murin’s rendition of ‘Love Is An Open Door’ with John Riddle’s Hans gets my vote for its sheer warmth and joie de vivre. Of the new songs, Elsa’s ‘Dangerous to Dream’ probably ranks as my favourite. Definitely keen to see this once it hits the West End. Continue reading “Album reviews: Frozen / Prince of Broadway / Mean Girls”

Album reviews: Working / Bat out of Hell / 42nd Street

A trio of West End cast recordings (well, one’s off-West-End…) show that it is sometimes hard to recapture the stage magic 

© Robert Workman

Starting off with the best of this bunch, the Southwark Playhouse’s production of Working might not have seemed like the obvious choice for a cast recording but maybe the lure of a couple of new Lin-Manuel Miranda tracks was a real sweetener.

Truth is, it is the quality of the cast’s performances that make this a fantastic addition to the list of albums you need to hear. From Siubhan Harrison’s impassioned ‘Millwork’ to Dean Chisnall’s gleeful ‘Brother Trucker’, and the highly charismatic Liam Tamne nails both of Miranda’s contributions – the wilful ‘Delivery’ and a corking duet (with Harrison) on ‘A Very Good Day’.

Experience pays though, as Gillian Bevan and Peter Polycarpou take the honours with some scintillating work. The latter’s ‘Joe’ is beautifully judged, as is the former’s ‘Nobody Tells Me How’, both demonstrating the uncertainty that can come at the end of a long career, when retirement doesn’t necessarily hold the joyful promise it once did. Highly recommended.  Continue reading “Album reviews: Working / Bat out of Hell / 42nd Street”

Album Reviews: Audra McDonald – Sing Happy / Louise Dearman – For You, For Me / Everybody’s Talking About Jamie cast recording

Casting my eye over some recent musical theatre album releases: Audra McDonald’s live album Sing Happy, Louise Dearman’s latest collection For You, For Me and the long-awaited cast recording for Everybody’s Talking About Jamie 

There are few things as well-designed as Audra McDonald’s thrilling soprano to make you happy, so the title of her new album Sing Happy is apt indeed. Her first live album and her first backed by an orchestra (the New York Philharmonic). the gig was recorded  just a few days ago on 1st May and no wonder they were so quick to turn it around.

Whether shimmering through Porgy and Bess‘ timeless ‘Summertime’, proudly getting her life in La Cage aux Folles’ ‘I Am What I Am’ or absolutely nailing She Loves Me’s ‘Vanilla Ice Cream’, McDonald’s velvety textured voice is always so exciting to listen to. And the drama of songs like ‘Never Will I Marry’ sound glorious with the richness of the orchestral backing (conducted by Andy Einhorn).

An affinity for Sondheim comes into play twice, a medley of ‘Children Will Listen’ with South Pacific’s ‘You’ve Got To Be Carefully Taught’ and in a showstopping take on ‘Being Alive’, still manages to surprise with the heights to which she lifts the song. An unalloyed, absolute pleasure. Continue reading “Album Reviews: Audra McDonald – Sing Happy / Louise Dearman – For You, For Me / Everybody’s Talking About Jamie cast recording”

Album Reviews: Dan Burton – Broadway Melodies / Patti LuPone – Don’t Monkey With Broadway / Kyle Riabko – Richard Rodgers Reimagined

 

Something of an undersung talent in this country (all his top gigs have taken place in Paris, or Kilworth), Dan Burton is nevertheless leading man material, and his debut album Broadway Melodies is proof thereof. Short and sweet at ten concise tracks, Burton swoons and slides effortlessly through the Great American Songbook. 

Highlights include the happiest of ‘Singin’ in the Rain’s, a most elegant sway through Camelot’s ‘If Ever I Would Leave You’, and a chirpy duet on ‘Well, Did You Evah?’ with Lee Mead, a palpable warmth of friendship apparent throughout. Also good is The Pajama Game‘s ‘Hey There’, perfectly crooned and symptomatic of the good feeling suffused through this record. Continue reading “Album Reviews: Dan Burton – Broadway Melodies / Patti LuPone – Don’t Monkey With Broadway / Kyle Riabko – Richard Rodgers Reimagined”