A trio of album reviews cover the (relatively) recently released cast recordings of Company, Follies and Mythic
“One more souvenir of bliss”
I adored Marianne Elliott’s reinterpretation of Stephen Sondheim and George Furth’s Companyon my many visits and so the news of a cast recording was of course ecstatically received. And perhaps inevitably it doesn’t quite live up to the thrill of seeing it live but maybe that’s because the production is still so fresh in my mind. I mean we’re only talking a 4 instead of a 4.5…
I swear Patti LuPone’s ‘Ladies Who Lunch’ was different every time I saw it but this version here is as good as any, with the glorious fullness of her voice pointedly sharpening its wit. Her contributions to ‘The Little Things We Do Together’ are inspired, Jonny Bailey’s ‘Not Getting Married’ is breathlessly affecting and the warmth of Rosalie Craig’s character and voice infuse the whole experience with real quality. Continue reading “Album Reviews: Company / Follies / Mythic”
A trio of quick London cast recordings – The Secret Diary of Adrian Mole Aged 13 ¾, Heathers and Calendar Girls
“For a greasy little nobody, you do have good bone structure”
I was delighted to see a belated West End transfer for this lovely new musical by Jake Brunger and Pippa Cleary. I’ve lovedeverystep of its journey and The Secret Diary of Adrian Mole Aged 13 ¾ (Original London Cast Recording) proves the perfect accompaniment as it captures so much of the energy of this most British of tales and sparky performances from the likes of John Hopkins and the luminous Kelly Price.
I didn’t however make it to Heathers, it just not appealing to me at all. With Heathers (Original West End Cast Recording), the opportunity to listen to this high school musical is now ours but I have to say, its charms elude me. There’s a fatal mismatch between the darkness of the source material (it really is a brutal film) and the breeziness of Laurence O’Keefe and Kevin Murphy’s pop-rock score that not even the quality of Carrie Hope Fletcher, Jodie Steele, Sophie Isaacs and Jamie Muscato’s strong performances can overcome.
And I thought I’d pay another visit to Yorkshire for Calendar Girls (Original London Recording) to see whether it stands the test of time. It proved an amiable if short-lived presence in the West End and listening to it again, I’d argue that there’s a gentleness to it that doesn’t quite linger long enough. Gary Barlow’s tunes are undeniably pretty but ultimately, they don’t really call out to be listened to over and again.
Webborn and Finn’s cracking new musical The Clockmaker’s Daughter receives a delectable Cast Recording treatment that features the likes of Ramin Karimloo, Hannah Waddingham, Christine Allado and Fra Fee
“Come gather round! Come gather young and old Tall and small… Come gather all!”
And with those stalwart supporters of new musical theatre Auburn Jam at the helm (Joe Davison producing) and David Ball Productions executive producing, the album sounds like an absolute dream. The show describes itself as “a musical faerytale” and the richness of the score reflects the considerable folk heritage of the British Isles, utilising Celtic influences as it is set in the fictional Irish village of Spindlewood but widening out its focus to produce something joyously universal. Continue reading “Album Review: The Clockmaker’s Daughter (2019 Studio Cast Recording)”
I thoroughly enjoy getting to revisit the dark delights of new British musical The Grinning Man
“Laughter is the best medicine”
I loved The Grinning Manin both its incarnations – from Bristol’s Old Vic to the West End – and so I was most pleased to hear that it would be immortalised in vinyl, or whatever the digital equivalent is… A new British musical (book by Carl Grose, music by Tim Phillips and Marc Teitler, lyrics by all three plus Tom Morris) is always a thing to cherish, even when it is a queerly dark a thing as this.
It’s a live recording which has its pros and cons. Personally, I like hearing the response of a live audience, particularly in response to the devilishly dark humour of Julian Bleach’s Barkilphedro. And the raw passion you hear in the voices of Louis Maskell and Sanne den Besten as tragic lovers Grinpayne and Dea feels all the more urgent for not having that studio polish to rub off some of the more emotional edges. Continue reading “Album Review: The Grinning Man (2018 London Cast Live Recording)”
I succumb to the charms of My Fair Lady once again with this 2018 Broadway Cast Recording
“I’ll be off a second later and go straight to the theatre”
I wasn’t expecting to like this 2018 Broadway Cast Recording of My Fair Ladyhalf as much as I did. Rumblings of discontent about Lauren Ambrose’s casting as Eliza stuck in my mind, as did the unlikeliness of Harry Hadden-Paton being her Henry Higgins, and who wants American versions of English accents? (I’m sure they feel the same!)
But there’s something rather delicious about this recording that makes it really shine. It helps of course to have a score and lyrics as gloriously evergreen as Lerner and Loewe’s, MD Ted Sperling’s treatment of the original orchestrations making them feel as fresh as a cockney sparrer, and his orchestra sound like a dream. – you really could listen to them all night. Continue reading “Album Review: My Fair Lady (2018 Broadway Cast Recording)”
Is there a market for cast recordings from uninspired jukebox musicals. On Summer – The Donna Summer Musical’s evidence, I find it hard to think so.
“Enough is enough is enough is enough”
Yeesh. Summer – The Donna Summer Musical may have wasted no time in releasing a cast album but it really does point up some of the problems with the market’s increasingly reliance on jukebox musicals. As good as the performances by the likes of LaChanze and Ariana DeBose are and make no mistake, they are two sensational singers who fully deserve their Tony nominations, who is a record like this really aimed at?
It’s no great leap to suggest that fans of Donna Summer will always turn to her albums. For there’s nothing here in the vocal arrangements or the instrumentation that actually elevates it above and beyond a conventional covers album. There’s no narrative through-thread that can be gleaned from the sequencing, no startling insight that makes you reconsider the music anew, it all feels – sadly – rather pointless. Continue reading “Album Review: Summer – The Donna Summer Musical (2018 Broadway Cast Recording)”
Released by SimG Records, the cast recording for the National Youth Music Theatre’s Imaginary is just a lovely thing indeed
“You have to grow older…but you don’t have to grow up”
Commissioned, produced and performed by the National Youth Music Theatre, new musical Imaginaryhad a short run at The Other Palace last summer, during which this live recording was made. Proceeds from this record release will be ploughed back into NYMT as they are a charity with no core funding, despite the exceptional work they do with so many.
With book & lyrics by Timothy Knapman and music & lyrics by Stuart Matthew Price, Imaginary’s concept is a beautifully simple one and hidden in plain sight, as Sam struggles to deal with starting secondary school and what that means for his only real friend Milo and the truth about their connection. And in the fashion of all the best kids’ shows, there’s much for the grown-up kids as well (and I’d wager they’ll be the ones wiping more tears away). Continue reading “Album Review: Imaginary”
Thwarted in my attempts to see Six the Musical this week, the release of the brilliant cast recording couldn’t be better timed
“Too many years lost in his story”
We only got about 15 minutes of Six the Musical on Thursday night before a technical problem halted the performance, which was eventually then cancelled. So the release of the cast recording of the show couldn’t have been better timed until I work out how when I can fit in a rescheduled visit to the Arts Theatre.
Toby Marlow and Lucy Moss’ raucous reclamation of history…sorry, herstory, had a hugely successful run in Edinburgh after its initial showcase at the Arts at the beginning of the year. And it has maintained that buzz in fine style in capturing the attentions of a devoted audience, a portion of whom made the atmosphere for that initial quarter of an hour totally electric. Continue reading “Album Review: Six the Musical cast recording”