Not-a-review: CASES, The Other Palace

All things being equal, I would have been reviewing new musical CASES at The Other Palace last night, but here’s some snippets of the show to give you a taster of what we can (eventually) look forward

“I’m frightened with the fear of not knowing”

Written by Dominic Powell and due to star Maiya Quansah-Breed, Sabrina Aloueche, Andrew Patrick-Walker and Adrian Hanse, CASES is a new musical “exploring the triumphs, heartbreaks and sacrifices involved in the pursuit of art, where the commercial world collides with the underground and fame becomes a high price to pay”. It premiered at the Phoenix Arts Club in 2017 but this new production, directed by Grace Taylor, features a new score and new songs and technology being what it is these days, we have a taste of two of them below, which should whet the appetite for when the show is able to resurface.

 

For Cases
You can follow the show on Twitter here, and on Instagram here
You can also find Pioneer Arts Media on YouTube here

For The Other Palace
You can follow the theatre on Twitter here
You can look at ways of supporting the theatre via this page here

Album Review: The Prince of Egypt (Original Cast Recording)

There’s two songs I could listen to for ages on the Original Cast Recording of The Prince of Egypt but I could easily leave the rest

“No power on earth can change that, brother”

There was a moment in the last couple of days as I listened to ‘Make It Right’ for the umpteenth time that I wondered whether I’d been a bit harsh to The Prince of Egypt when it opened in late February. I’d made the note ‘lovely duet’ at the time and on record, the sweet/strong combination of Liam Tamne and Luke Brady’s voices is an absolute winner as their fraternal connection is tested over soaring contrapuntal melodies and an orchestral backing that flows as effortlessly as the Red Sea

So too, the show’s most famous song (so much so that the publicity campaign basically centred on it) ‘When You Believe’ has a choral majesty that is undeniable. Alexia Khadime and Christine Allado lead the company with real style – the interplay of their voices in the middle chorus is spine-tingingly lovely – and the incorporation of the Hebrew-sung bridge (led by Mia Lakha) is a rare graceful moment of geo-specificity that works. Continue reading “Album Review: The Prince of Egypt (Original Cast Recording)”

News: line-up for the second week of Leave A Light On

The schedule has been announced for week 2 of Leave A Light On, a series of live-streamed concerts.

The shows will be live streamed as part of the Leave A Light on series of concerts produced by Lambert Jackson and The Theatre Café, which aims not only to provide financial support for the performers involved, but also to provide entertainment for people in self-isolation.

Tickets to watch the live streams are a bargainous £7.50, just click on the links to book.

The full lineup is as follows:

Monday 30th March
2:30pm Nathaniel Morrison 
4:30pm Grace Farrell
6:30pm Declan Bennett 

Tuesday 31st March
2:30pm Simon Bailey 
4:30pm Kelly Mathieson 
6:30pm Jordan Luke Gage 

Wednesday 1st April
2:30pm Daniel Boys 
4:30pm Sophie Isaacs 
6:30pm Aimie Atkinson 

Thursday 2nd April
2:30pm Declan Egan
4:30pm Hannah-Grace Lawson
6:30pm Velma Celli 

Friday 3rd April
2:30pm Blake Patrick Anderson 
4:30pm Daniel Koek 
6:30pm Marisha Wallace

Album Review: #ZoologicalSociety

New musical #ZoologicalSociety, written by Vikki Stone and Kate Mulgrew, gets a well-timed concept album release

“You’ve been here for one day mate, I’ve been here for years”

With a sense of impeccable timing, new musical #ZoologicalSociety launches with a concept album. The plan was to accompany the digital release with a live concert performance at BEAM 2020, the UK’s leading showcase of new British musical theatre but whilst that obviously isn’t happening, the album is now available for our delectation, thanks to Joe and Nikki Davison at Auburn Jam Music who produced, recorded, mixed and mastered the music.

The first of a series of entirely original musical commissions from Northampton’s Royal & Derngate, Vikki Stone and Katie Mulgrew’s #ZoologicalSociety takes its simple concept – animals going through the same societal pressures as humans – and fashions a rather winning musical comedy out of it. Continue reading “Album Review: #ZoologicalSociety”

News: line-up for the first week of Leave A Light On

Lambert Jackson Productions and the Theatre Café have announced the line-up for the first week of their Leave A Light On series. The series of intimate, piano vocal concerts streamed live from The Theatre Café will feature performances from Blake Patrick AndersonAimie AtkinsonChristopher CameronAlice FearnVictoria Hamilton-BarrittEvelyn HoskinsDavid HunterCassidy JansonLucie JonesBradley Judge and Harry Cooper-MillarEmma KingstonSarah O’ConnorSteph ParryDanielle Steers, and Layton Williams.

For a fee of £7.50, significantly less than a ticket to a show, audiences around the country will be able to access a live concert from their favourite West End performer from the best seat in the house – their own home! Continue reading “News: line-up for the first week of Leave A Light On”

Not-a-review: DIVA: LIVE FROM HELL, Brockley Jack

A show I was really looking forward to and a theatre I love dearly – this mustn’t be the end for either DIVA: LIVE FROM HELL or the Jack Studio Theatre

“So sit down, shut up and listen to my story”

A musical riffing on All About Eve? Check.
An exciting performer fresh from a stand-out turn in Operation Mincemeat? Check. 
An award-winning fringe theatre with some of the friendliest folk in town? Check.

Any show that refers to itself as eternal campy torment automatically goes to the top of my list and I had high hopes for DIVA: LIVE FROM HELL, a one-man musical with book and characters by Sean Patrick Monahan and music & lyrics by Alexander Sage Oyen. Not least because it was going to give us another chance to see Jak Malone up close and intimately, his Hester having proven to be an extraordinary thing (well worth checking out if/when Operation Mincemeat returns). 

For now though, the Jack Studio Theatre has suspended all performances until June 2020.


For The Brockley Jack
You can donate to the theatre via this page here
You can follow the theatre on Twitter here
You can sign up to their mailing list here to get their announcements about future plans, once the dust finally settles 

For DIVA: LIVE FROM HELL
You can follow the show on Twitter here
You can check out their page on StageFaves here
You can engage with Jak Malone on his website here
And you can watch a sneak peak trailer for the show below:

 

Review: The Wicker Husband, Watermill Theatre

Gorgeous new folk musical The Wicker Husband is perfectly situated at the Watermill Theatre and simply must be given more opportunity to soar post-crisis

“Once upon a withy on the edge of a deep damp swamp, nestled in the arms of a winding river, stood a pretty little town…”

Snuck in under the radar for this one as I’ve been looking forward to The Wicker Husband for a long time. Four years in fact, since I first heard a snippet of the score but as ever in the world of writing a new musical, the show has been in development for more than twice that time. Further upping my anticipation was the success of composer/lyricist Darren Clark’s last major project The Curious Case of Benjamin Button which was only my very favourite show of last year.

Together with book-writer Rhys Jennings, their adaptation of a short story by Ursula Wills-Jones has a bewitching quality that is eerily compelling and in the tradition of all the best fairy tales, has no problem in going very dark. Along with my mortal fear of eerily humanoid puppets, it makes for a much more chilling night at the theatre (for me, at least) but one which is ultimately beautifully human too, as Charlotte Westenra’s production reminds us why fables have endured for so long. Continue reading “Review: The Wicker Husband, Watermill Theatre”

Review: (Wo)men Rule Broadway [West End Edition], VAULT Festival

(Wo)men Rule Broadway [West End Edition] sees women take on the male musical theatre songbook at the VAULT Festival

“If you strip away the myth from the man…”

There’s no arguing that the musical theatre songbook is skewed in favour of men and with theatre’s enduring love of a revival, that means the opportunities for women to express the fullness of their selves onstage have always been limited (hell, even as I write this a man has been announced to play Mother Superier in the Edinburgh run of Sister Act…). 

This is the world US performers Genevieve Flati and Kelly Rogers are trying to reshape just a little with their show (Wo)men Rule Broadway [West End Edition], making its international debut here at the VAULT Festival. More than just a gender-reversed concert, Flati and Rogers compere the evening with a running commentary of how and why these songs have been chosen, exploring and explaining the boundaries being broken here.  Continue reading “Review: (Wo)men Rule Broadway [West End Edition], VAULT Festival”

Review: Ride, VAULT Festival

With Ride at the VAULT Festival, I remain convinced that Bottle Cap Theatre are the future of new musical theatre

“I take a breath to keep me calm
And then it’s on to Vietnam”

At a moment where the inspiration for big new West End musicals can’t seem to look past the cinema screen, Bottle Cap Theatre are here to remind us of the power and potential of fresh new voices in musical theatre writing. They blew me away at last year’s VAULT Festival with The Limit and returning this year with their new piece Ride, moved me more in 10 minutes than anything on Fifth Avenue or by the banks of the Nile.

This, writers Freya Smith and Jack Williams achieve, by once again finding inspiration from unsung sources. The Limit focused on neglected mathematician Sophie Germain and Ride looks to the first woman to cycle around the world – Annie Londonderry – to muse on the cult of celebrity and self-promotion, and ask what might give someone the drive and determination to get in the saddle and smash the patriarchy so. Continue reading “Review: Ride, VAULT Festival”

Review: STAGES – a video game musical, VAULT Festival

STAGES – a video game musical is a bold new musical pushing boundaries at the VAULT Festival

“How do you do this alone?”

Well the answer is you don’t, especially when the question is about new musicals. STAGES – a video game musical arrives at the VAULTs as the first production from ALP, a company founded to develop and nurture artist-driven new British musicals with full acknowledgment that this is a show still on its journey, more than a work-in-progress but not yet the final product either.

Written by Christian Czornyj (Catch Me), STAGES draws inspiration from gaming to explore worlds of drama within the confines of its domestic context. At the heart of it lies neuro-diverse 16-year-old Aiden who loves video games, not least because they allow him a measure of control that he doesn’t have IRL. And as his mum has just been diagnosed with cancer, that’s a power he really wishes he possessed. Continue reading “Review: STAGES – a video game musical, VAULT Festival”