Album Review: Lucie Jones Live at the Adelphi

Covid-19 may have cut her time in Waitress short but Lucie Jones Live at the Adelphi is a great reminder of the leading lady she is and will surely continue to be

“We’re after the same rainbow’s end”

Back in February, Lucie Jones took a break from performing in Waitress as the show’s composer Sara Bareilles took over the lead role of Jenna for a limited run. The musical had already set a closing date for the summer but who could have predicted that Jones, and co-star David Hunter, would never get to do the show again.

The only small benefit is that far from sitting on her laurels in the break, Jones made her solo West End concert debut by nipping back to the Adelphi on one of its nights off/ And that concert was recorded for posterity, now being released digitally on the usual platforms and physically here, where an exclusive bonus disc is available. Continue reading “Album Review: Lucie Jones Live at the Adelphi”

News: September theatre news gathers apace

Lockdown may have returned but theatres are boldly looking ahead – the David Tennant-starring Good and Six the Musical are moving theatres, Haydn Gwynne is back and The Last Five Years extends at the Southwark Playhouse

CP Taylor’s Good, starring David Tennant, Fenella Woolgar and Elliot Levey and directed by Dominic Cooke, which was due to open this October, has announced new dates for 2021 and a new run at the Harold Pinter Theatre.

Produced by Fictionhouse and Playful Productions, Good was originally scheduled to begin performances at the Playhouse Theatre on Tuesday 6th October. Due to the current global situation, the production was postponed and will now preview at the Harold Pinter Theatre from Wednesday 21st April  to Saturday 17st July 2021.

Current ticket holders will be given priority for the new dates and do not need to do anything. The point of purchase will be in touch with ticket holders to reschedule or refund their booking. Extra tickets for the new dates for Good at The Harold Pinter Theatre go on sale at 10am, Monday 12 October 2020. Continue reading “News: September theatre news gathers apace”

Casting news for early September

As some theatres look to a careful reopening and others consolidate their online offers, casting news of four intriguing shows breaks 

The Last Five Years at Southwark Playhouse will star Molly Lynch (Cathy) and Oli Higginson (Jamie) who return to their roles after they were cut short on 16 March. They will be appearing in the show from 1 – 31 October and will be in the same ‘support bubble’ so the show won’t adhere to socially distancing staging.

However, in the venue, there will be strict social distancing measures in place. For full info on that head here and click on the Covid-19 FAQS tab: https://southwarkplayhouse.co.uk/the-large/the-last-five-years/#covidfaqs Continue reading “Casting news for early September”

News: Open air theatre casting news aplenty

St Anne Comes Home, St Pauls Church
29th-30th August

Iris Theatre’s summer season continues with this new folk musical by Jack Miles, which numbers Jordan Castle (The Light in the Piazza), Rebecca McKinnis (Dear Evan Hansen), and Mathew Craig (The Secret Diary of Adrian Mole Aged 13 3/4) in its cast.

C-o-n-t-a-c-t, outdoors in London
31st August – 10th October 

C-o-n-t-a-c-t is an immersive outdoor performance with a 3D sound design which audiences will listen to on their own headphones,The play will see performances from Charles Angiama (The ExoneratedMy Week with Marilyn),  Louis Bernard (Radieuse Vermine), Chloe Gentles (Beautiful – The Carol King Musical)Max Gold (Endeavour; Poldark), Richard Heap (Buried Child; The Summer Before Everything)Aoife Kennan (ITV’s Victoria; For Services Rendered), Katja Quist (Earthquakes In London) and Laura White (The Play That Goes Wrong). The cast will alternate between three London locations; Tower Bridge, Greenwich and Clapham Common.

Roles We’ll Never Play, Turbine Theatre
13th September

The Turbine’s summer season will feature this one-off concert with performers delving deep into their wishlists – the company includes Natalie Paris, Tom Duern, Rhianne-Louise McCaulsky, Rodney Vubya, Lauren Byrne, Bernadette Bangura, Luke Bayer, Idriss Kargbo, Courtney Bowman, Michael Mather, Matthew Croke, Kelly Agbowu, Elander Moore, Eve Norris and Pearce Barron.

The Last Five Years, Minack Theatre
14th-19th September

Omar F Okai’s production of Jason Robert Brown’s two-hander will star Emma Kingston (Evita, In The Heights) as Cathy and Waylon Jacobs (Hamilton, Memphis) as Jamie.

 

News: Songs For A New World in isolation

Rachel John, Ramin Karimloo, Cedric Neal and Rachel Tucker to perform Songs For A New World in isolation

It’s about one moment. It’s about hitting the wall and having to make a choice… or take a stand… or turn around and go back. These are the stories and characters of today, the Songs for a New World. Starring Rachel John (Hamilton)Ramin Karimloo (Phantom of The Opera), Cedric Neal (Motown The Musical) and Rachel Tucker (Come From Away), this is the first musical from Tony Award winner, Jason Robert Brown (The Last Five Years, Parade, Bridges of Madison County). This moving collection of powerful songs examines life, love and the choices that we make.

Songs For A New World transports audiences through time and space to meet a startling array of characters – every one of them so different, but all representing our world today and our hopes for a new world… a better world.

Filmed entirely in isolation, this powerhouse cast will be directed by the brilliant Séimí Campbell (My Son Pinocchio – Southwark Playhouse), with music supervision by Adam Hoskins (Doctor Zhivago) and musical direction by Josh Winstone (The Last Five Years), who will be bringing this stunning musical together with the help of live musicians.

Album Review: Hayden Tee – Face to Face

A varied song selection means that Hayden Tee’s new album Face to Face should appeal to a wide range of musical theatre fans

“In a world of wondering, suddenly you know”

Fresh off a year in the sensible shoes of Miss Trunchbull in Matilda, New Zealand actor and singer Hayden Tee celebrates the world of musical theatre – and his path within it – with the intriguing new album Face to Face. Arranged by Nigel Ubrihien and assisted by the lushness of by a symphony orchestra, this collection covers Kander & Ebb to Jason Robert Brown and much more inbetween.

At just 9 tracks long, I might have had a touch of initial disappointment that there’s some heavily familiar material here. Les Misérables is represented twice with ‘Stars’ and ‘Empty Chairs at Empty Tables’, and the ubiquitous ‘Till I Hear You Sing’ from Love Never Dies. All are sung most competently, the controlled power at the top of Tee’s range is certainly impressive but on an entirely selfish note, I’m just tired of hearing these songs. Continue reading “Album Review: Hayden Tee – Face to Face”

Album Review: Jon Robyns – Musical Direction

I’ve long admired Jon Robyns and his new album Musical Direction reflects on his career so far beautifully, as well as suggesting what fun lies ahead

“You can get what you want or you get old”

Having fallen in love with Jon Robyns in parallel with tumbling hard for Avenue Q, he really is the leading man of my (entirely platonic) dreams, so news of a new solo album was certainly up my strasse. And Musical Direction manages an excellent job of balancing many of the aspects of that come with musical theatre performers making their own recordings.

There are nods to his performance past – a chirpy take on The Last Five Years’ ‘Moving Too Fast’ and a delicately beautiful glide through Chitty Chitty Bang Bang’s Hushabye Mountain  – and a perfectly timed look to the future too. And this is where the cleverness kicks in as you may not think you really need another version of ‘Bring Him Home’ but this acoustic, cello-drenched arrangement is spine-tingling good, certainly whetting the appetite for his imminent debut as Jean Valjean when Les Misérables reopens the Sondheim Theatre. Continue reading “Album Review: Jon Robyns – Musical Direction”