“So close to reaching that famous happy end”
I should be careful what I say about this week’s CD, John Barrowman’s album John Barrowman from 2010, as practically all the women in my family are ma-hoo-sive fans of his and so there could be recriminations. I don’t have quite the same feelings but enjoyed his turn in La Cage aux Folles and am a big fan of Torchwood so am generally favourably inclined towards him. Focusing on musical theatre but with a sprinkling of pop songs too, this is exactly how one would imagine a Barrowman album to sound and in some respect this is both its strength and weakness, appealing to his core audience and offering frustrating hints of what an interesting artistic album he could create.
In a nutshell, my opinion is that I like the first half of most of the songs where both vocal performance and arrangements remain simple and uncluttered, allowing Barrowman’s clear gift for interpretation to shine through. But almost invariably, grandstanding kicks in alongside key changes, long sustained notes and over-processed backing which creates a rather repetitive feel across the whole record. The opening of songs like ‘The Winner Takes It All’ and ‘You’ll Never Walk Alone’ are just lovely but midway through lose what is making them special, robbing the subtleties that a little restraint would give, even if just to a couple of the songs. . A Celtic-infused take on ‘Memory’ from Cats actually emerges as the unexpected place where he curbs the excesses for the most part to interesting effect. Continue reading “Music Review: John Barrowman – John Barrowman”
Here’s a couple more CD reviews of two of my favourite theatrical performers and both cracking CDs which I recommend.
Julie Atherton – A Girl of Few Words
Possessed of one of the finest voices currently working in musical theatre if I say so myself, Julie Atherton captured my heart from the first time I saw Avenue Q and I’ve been under her spell ever since. This CD, featuring the songs of composer Charles Miller, marks her solo recording debut
I love most every song on here, but ‘If You Were Mine’ is particularly beautiful, the piano-led ‘Be Careful’ is excellent and the collaboration with Paul Spicer, ‘Someone Find Me’ is a fun duet, their friendship clear from the ease with which they harmonise and the final climbing chorus is just lovely. And if you’re lucky, there’s a nod to her most successful show, with a bonus track of ‘There’s A Fine Fine Line’ included, Continue reading “Music Review: Julie Atherton – A Girl of Few Words & Simon Burke – Something About Always”
When it was first announced that John Barrowman would be taking one of the lead roles in La Cage au Folles, many, including myself, instantly called this a crazy decision. Having seen this show twice already with different casts, and it remaining one of my favourite things I have seen on the stage this year, I had my doubts about this particular casting decision but when a family delegation (including 3 major Barrowman fangirls) expressed their interest in coming down to see the show, tickets were booked.
The obvious criticism is that John Barrowman is too young and good-looking to play Albin, especially given the actors who have played the role here previously, but by casting an equally younger-looking and handsome Simon Burke as his lover, this production has been cleverly reconceived. Instead of being a meditation on a drag queen at the end of his career, the focus here is more on Albin’s insecurities about his relationship with Georges, the comment about not being able to play Salome any longer becomes more of a bitchy aside than a sad statement of truth. There has been a considerable injection of raunchiness into this production, with some very suggestive croissant eating that was dangerously close to the bone (fnarr fnarr) for a family show. However this more overt sexuality played very convincingly with the younger coupling and led to some hilarious scenes. Continue reading “Re-review: La Cage aux Folles, Playhouse”
Ending this year’s run of shows at the Open Air Theatre in Regent’s Park is a revival of the Jerry Herman musical Hello, Dolly! It is a classic piece, and its presentation here is respectful of that and delivers a straight up rendition mercifully free of irony. Hello, Dolly! is not for people who claim that they don’t like musicals. It is old-school Broadway singing and dancing through and through and about as much fun on a stage as you could imagine: there is no place for cynicism here.
Admittedly, I did not see it in the heights of summer when one might expect a slightly better chance of sunshine, but one did start to question the methods of the Open Air Theatre on rainy days, as the stagehands were made to work extremely hard, wiping down the stage diligently four times in 45 minutes before the actual start of the show. One began to feel so sorry for them as it seemed every time they finished a new shower would begin. Fortunately, the sheer joy of the production meant that the conditions were soon forgotten.
Continue reading “Review: Hello, Dolly!, Open Air Theatre”
Visit number two for me to La Cage aux Folles at the Playhouse Theatre for a number of reasons. My first trip earlier this year was an absolute hoot but perhaps a little more wine-soaked than was advisable, I wanted to surprise Aunty Jean with a fun night out (as opposed to the previously advertised Aunt Dan & Lemon) and finally I wanted to see Philip Quast and Roger Allam as I had heard great things about their performances. I saw Douglas Hodge and Denis Lawson in the main roles last time, and could not imagine them being bettered, such was the quality of their ‘turns’.
However I am pleased to say that Allam and Quast were equal to the task, and I think I might even actually have preferred these two. The key to this musical is that it is actually the sweetest love story between Albin and Georges and so the relationship between the two has to be spot on and I think this is where they edge it this time. There’s such a great sense of shared romance onstage and the two actors are so comfortable with each other, you can really believe that they have spent a lifetime together.
Continue reading “Re-review: La Cage aux Folles, Playhouse”
I saw La Cage aux Folles last Friday, and so was lucky enough to see the penultimate performance with the original cast, and no disrespect to the incoming performers, I am extremely glad for that since it was good to see the production people have been recommending for ages now and this was probably the most fun I have had in the theatre in such a long time.
That may have had something to do with the insane amount of wine me and my friend Julia drank in lieu of eating dinner, but the show really was excellent (from what I remember). The big bouncing balls were good fun; les cagelles were beyond excellent, eye-wateringly so at times during the splits; Douglas Hodge was superb throughout, just the right side of camp buffoonery yet still real enough for Jean-Michele’s misguided decision to have real emotional impact; the cabaret tables were a genius idea, though I imagine a little frightening to sit at.
Continue reading “Review: La Cage Aux Folles, Playhouse”