Re-review: Romantics Anonymous, Sam Wanamaker

“Je suis émotif

I’m a big fan of chocolate and an even bigger fan of Romantics Anonymous so naturally I had to head back to the Sam Wanamaker Playhouse for second helpings (and with somewhat less calories than your usual festive chocolate offerings!). Not too much more to add to my original review and I’d recommend booking in before it closes next week but there’s not a ticket to be had! Returns queue…?

Running time: 2 hours 20 minutes (with interval)
Booking until 6th January

Review: Romantics Anonymous, Sam Wanamaker Playhouse

“Prenez vos chocolats…et mangez-les”

Like the squares of chocolates handed out for us to magically access automatic translation, there’s a bittersweet note to much of Romantics Anonymous. And it is perhaps predictably that Emma Rice scores one of her biggest hits on Bankside with a musical that couldn’t be more Emma Rice if it tried. As it is, it fits perfectly into the Sam Wanamaker Playhouse, shaking up the established order once again as she brings amplification and neon lights along with the huge generosity of spirit of this show, uncompromising to the end in her relationship with the Globe.

Romantics Anonymous was adapted by Rice from the French-Belgian film Les Émotifs Anonymes, and takes a wonderfully Gallic spin on your typical romantic comedy. Jean-René has inherited a chocolate factory, Angélique is a chocolatier par excellence in need of a job, they seem perfectly suited for each other but both are chronically, painfully shy. She faints if she has to speak to people, he has precisely zero confidence and even in the act of finally striking up a relationship together, both working and personal, their awkwardness is a constant threat to their happiness.

Continue reading “Review: Romantics Anonymous, Sam Wanamaker Playhouse”

Album Review: Out Of Our Heads – The Music of Kooman and Dimond

“I’m not like the other girls in the show”  

Albums that are made up of selections from the catalogue of musical theatre writers, as opposed to straight soundtracks, tend to fit into a generally similar format, as my experience of listening to quite a few this year has borne out. And by and large, I can tell whether I am going to like it the album on the strength of the comedy song – for there is always a comedy song – and sure enough, when it came to Out Of Our Heads – The Music of Kooman and Dimond (alt iTunes link here), so this rule came to pass. Pleasingly enough, that song – Random Black Girl – comes in as the second track and is an absolute corker both musically tight and lyrically hilarious and thus overall, I really enjoyed the album.

Michael Kooman and Christopher Dimond are something of an up and coming pair of US musical theatre writers with a handful of shows to their names – Golden Gate, Dani Girl and Homemade Fusion – that have been bubbling under whilst they build up their name and reputation. They seem on the right track as this CD, a selection of their songs, features a line-up of exciting Broadway, including at least one name that should be familiar to UK theatre-goers in the fabulous (baby) Patina Miller who headed up Sister Act here and is reprising the role back over the ocean. Continue reading “Album Review: Out Of Our Heads – The Music of Kooman and Dimond”