Review: Hairspray Live (The Show Must Go On)

A joyous production of Hairspray Live gives you hope that the show will go on with The Show Must Go On

“You can wonder i you wanna but I never ask why”

I assumed that since The Show Must Go On went with The Sound of Music Live last week that they would be working their way through the series of live TV musicals that NBC had aired in the US. In going with Hairspray Live this weekend though, it seems that we’ve skipped Peter Pan and The Wiz (maybe due to rights issues?), though it’s not necessarily the worst thing as Hairspray is such a joyous show it should perk up many a flagging spirit.

It proves far superior to The Sound of Music and you have to believe that it stems from a far more successful casting policy. Heading out for a national casting call for Tracy works because she’s such an everywoman character but even then, newcomer Maddie Baillio is thoroughly charming. Having Harvey Fierstein reprise his Edna is a masterstroke and then roping in Tony winners Kristin Chenoweth and Jennifer Hudson indicates that the right strengths were being looked for. Continue reading “Review: Hairspray Live (The Show Must Go On)”

The 2019 Ian Charleson Award nominees announced

The Ian Charleson Award celebrates performances by actors under 30 in a classical role and is dedicated to Scottish actor Ian Charleson, who died in 1990 aged just 40. Whilst I remain unconvinved that this is a category that merits special consideration, especially if it isn’t going to reach out to the fringes, it is still good to see a pleasing range of actors being recognised here.

Ronkẹ Adékoluẹjo for Abosede in Three Sisters at the National Theatre

Hammed Animashaun for Bottom in A Midsummer Night’s Dream at the Bridge Theatre

Kitty Archer for Mariane in Tartuffe at the National Theatre

Eben Figueiredo for Christian in Cyrano de Bergerac at Jamie Lloyd Company at the Playhouse

Heledd Gwynn for Hedda in Hedda Gabler at the Sherman Theatre, Cardiff and Hastings and Ratcliffe in Richard III for Headlong

Isis Hainsworth for Hermia in A Midsummer Night’s Dream at the Bridge Theatre

Ebony Jonelle for Rosalind in As You Like It for the National Theatre Public Acts/Queen’s Theatre Hornchurch

Ioanna Kimbook for Cariola in The Duchess of Malfi at the Almeida

Racheal Ofori for Udo in Three Sisters at the National Theatre

Billy Postlethwaite for Macbeth in Macbeth at the Watermill Theatre

Ekow Quartey for Lysander in A Midsummer Night’s Dream at Shakespeare’s Globe

Kit Young for Lysander in A Midsummer Night’s Dream at the Bridge Theatre

Review: The Sound of Music Live (The Show Must Go On)

Despite great work from supporting players like Audra McDonald and Laura Benanti, The Sound of Music Live isn’t a great advert for The Show Must Go On

“Many a thing you know you’d like to tell her”

In some ways, turning to the series of live TV musicals to continue The Show Must Go On now that Andrew Lloyd Webber has exhausted the content he is willing to give for free, for weekends at a time. The problem is, its opening salvo – The Sound of Music Live from 2013 – really isn’t a good example of the form. 

Directed by Rob Ashford and Beth McCarthy-Miller, it has all the requisite component parts and as a piece of live entertainment, it is all very competently done. There’s an impressively capacious set, slick camerawork and a well-drilled ensemble who barely put a foot wrong throughout the 2 hours plus of the show. Continue reading “Review: The Sound of Music Live (The Show Must Go On)”

News: Line-up announced for Finn Anderson virtual concert

The Barn Theatre has announced an all-star line up for their second virtual concert, The Barn Theatre Presents: The Music of Finn Anderson, which will celebrate the work of the Scottish musical theatre composer Finn Anderson.

The concert, which will be hosted by Barn Theatre producer Jamie Chapman Dixon, will be the second of the Barn Theatre in Cirencester’s new virtual concert series, The Barn Presents, which celebrates the work of emerging British musical theatre composers.

Finn Anderson previously collaborated with the Barn Theatre on the music and lyrics for the theatre’s 2019 world premiere of Alan Pollock’s new version of Charles Dickens’ A Christmas Carol, starring Olivier Award nominee Patrick Ryecart (The CrownThe King’s Speech). He is also an Off West End Award nominee for his musical Islander and was recently announced as 2020’s Cameron Mackintosh resident composer at the Lowry and Hope Mill Theatre.

Continue reading “News: Line-up announced for Finn Anderson virtual concert”

Lockdown treat: a special Hymne à L’amour

Nottingham Playhouse and Leeds Playhouse have announced that they’re postponing their co-production of Piaf until next year, but cushioned the blow with this exquisite video featuring Jenna Russell, Sara Poyzer and Sally Ann Triplett

 

Nottingham Playhouse has also launched a new fundraising initiative called the Curtain Up appeal. To donate to this, head to: nottinghamplayhouse.co.uk/support/curtain-up-appeal/.

Heart vector created by starline – www.freepik.com

 

News: Hamilton film to premiere on Disney+

It wasn’t meant to be airing until late 2021 but the filmed version of the Broadway production of Hamilton will now be airing this summer. With the cinematic release of In The Heights being pushed back to next year, it means that Lin-Manuel Miranda will still get his chance to take over our households once again.

The film was made with the original Broadway cast (whom I was lucky to see) just two weeks before Miranda left the cast. And as it turned out, I saw Javier Muñoz as Hamilton so this means I’ll finally get to see Miranda delivering the music, lyrics and book he wrote and for which he has subsequently won every award going. Continue reading “News: Hamilton film to premiere on Disney+”

Review: Pieces of String, Mercury Theatre online

Finally, a show I haven’t seen before being streamed! And what a beauty Pieces of String turned out to be. 

“Sometimes it’s good to remember
‘Sometimes it’s good to forget'”

For all that I’ve been recommending many of online theatre options to all and sundry, I haven’t actually partaken in many of them myself. In many cases, it has been shows I’ve seen before that are being featured and there’s an element of not wanting to sully their memory there; there’s also a sadness that theatregoing as we knew it might not be returning for the longest time.

But then Colchester’s Mercury Theatre came up with the VE Day treat I was actually waiting for, a showing of their 2018 hit musical Pieces of String. I had a ticket for this, and a train ticket come to think of it but for the life of me, I can’ remember why I ended up not making it, so this rare opportunity to finally see a show that I hadn’t seen and wanted to see was much welcomed. Continue reading “Review: Pieces of String, Mercury Theatre online”