Winners of the 2020 Drama Desk Awards

Outstanding Play
The Inheritance, by Matthew Lopez
Heroes of the Fourth Turning, by Will Arbery, Playwrights Horizons
Cambodian Rock Band, by Lauren Yee, Signature Theatre
Greater Clements, by Samuel D. Hunter, Lincoln Center Theater
Halfway Bitches Go Straight to Heaven, by Stephen Adly Guirgis, Atlantic Theater Company/LAByrinth Theater Company

Outstanding Musical
A Strange Loop, Playwrights Horizons/Page 73 Productions
Octet, Signature Theatre
The Secret Life of Bees, Atlantic Theater Company
Soft Power, The Public Theater
The Wrong Man, MCC Theater Continue reading “Winners of the 2020 Drama Desk Awards”

Review: Hairspray Live (The Show Must Go On)

A joyous production of Hairspray Live gives you hope that the show will go on with The Show Must Go On

“You can wonder i you wanna but I never ask why”

I assumed that since The Show Must Go On went with The Sound of Music Live last week that they would be working their way through the series of live TV musicals that NBC had aired in the US. In going with Hairspray Live this weekend though, it seems that we’ve skipped Peter Pan and The Wiz (maybe due to rights issues?), though it’s not necessarily the worst thing as Hairspray is such a joyous show it should perk up many a flagging spirit.

It proves far superior to The Sound of Music and you have to believe that it stems from a far more successful casting policy. Heading out for a national casting call for Tracy works because she’s such an everywoman character but even then, newcomer Maddie Baillio is thoroughly charming. Having Harvey Fierstein reprise his Edna is a masterstroke and then roping in Tony winners Kristin Chenoweth and Jennifer Hudson indicates that the right strengths were being looked for. Continue reading “Review: Hairspray Live (The Show Must Go On)”

Review: The Sound of Music Live (The Show Must Go On)

Despite great work from supporting players like Audra McDonald and Laura Benanti, The Sound of Music Live isn’t a great advert for The Show Must Go On

“Many a thing you know you’d like to tell her”

In some ways, turning to the series of live TV musicals to continue The Show Must Go On now that Andrew Lloyd Webber has exhausted the content he is willing to give for free, for weekends at a time. The problem is, its opening salvo – The Sound of Music Live from 2013 – really isn’t a good example of the form. 

Directed by Rob Ashford and Beth McCarthy-Miller, it has all the requisite component parts and as a piece of live entertainment, it is all very competently done. There’s an impressively capacious set, slick camerawork and a well-drilled ensemble who barely put a foot wrong throughout the 2 hours plus of the show. Continue reading “Review: The Sound of Music Live (The Show Must Go On)”

News: Hamilton film to premiere on Disney+

It wasn’t meant to be airing until late 2021 but the filmed version of the Broadway production of Hamilton will now be airing this summer. With the cinematic release of In The Heights being pushed back to next year, it means that Lin-Manuel Miranda will still get his chance to take over our households once again.

The film was made with the original Broadway cast (whom I was lucky to see) just two weeks before Miranda left the cast. And as it turned out, I saw Javier Muñoz as Hamilton so this means I’ll finally get to see Miranda delivering the music, lyrics and book he wrote and for which he has subsequently won every award going. Continue reading “News: Hamilton film to premiere on Disney+”

Lockdown treat: Kat McPhee and Jeremy Joseph melt hearts

‘You Matter To Me’ has always been one of Waitress‘ most beautiful melodies and as Kat McPhee and Jeremy Joseph intertwine their voices gorgeously, you’ll be hard-pressed to stay dry-eyed before the tributes to frontline workers even start

 

Heart vector created by starline – www.freepik.com 

Nominations for the 2020 Drama Desk Awards

Outstanding Play
The Inheritance, by Matthew Lopez
Heroes of the Fourth Turning, by Will Arbery, Playwrights Horizons
Cambodian Rock Band, by Lauren Yee, Signature Theatre
Greater Clements, by Samuel D. Hunter, Lincoln Center Theater
Halfway Bitches Go Straight to Heaven, by Stephen Adly Guirgis, Atlantic Theater Company/LAByrinth Theater Company

Outstanding Musical
A Strange Loop, Playwrights Horizons/Page 73 Productions
Octet, Signature Theatre
The Secret Life of Bees, Atlantic Theater Company
Soft Power, The Public Theater
The Wrong Man, MCC Theater Continue reading “Nominations for the 2020 Drama Desk Awards”