A pair of album reviews from Phantoms past and present – Ramin Karimloo’s latest From Now On and new leading man Josh Piterman’s Josh Piterman
“Will I ever be more than I’ve always been?”
Ramin Karimloo’s recording career has always been an interesting one to track, as he oscillates between the musical theatre in which he has made quite the name and the musical influences that clearly lie closest to his heart. His latest full-length album From Now On encapsulates this perfectly right from the off, using his patented Broadgrass style to illuminate The Greatest Showman’s ‘From Now On’ to glorious effect.
The tracklisting sees him dabble in musicals old and new – he makes a good case for King George in an uplifting ‘You’ll Be Back’ from Hamilton and Dear Evan Hansen’s ‘Waving Through a Window’ builds the already fever-pitch anticipation for its London opening. And they’re matched by a straightforward canter through Rent’s ‘What You Own’ and Hedwig’s achingly good ‘Wicked Little Town’ which balance his interpretative skill with his unmatched vocal strength. Continue reading “Album Reviews: Ramin Karimloo – From Now On / Josh Piterman – Josh Piterman”
A rare foray into the world of dance saw me catch the highly atmospheric Outwitting the Devil from the Akram Khan Company and Heartbeat of Home at the Piccadilly Theatre
I’m not necessarily known for my dance reviews but that’s mostly because I do find it a little difficult to write about, trapped in a vicious circle of not considering myself to have enough relevant experience to write about it in a meaningful way, and thus never booking in to see it, thus never gaining that experience… Over the last weeks though, circumstance has conspired to get me to see the Akram Khan Company in Amsterdam and Heartbeat of Home much closer to home and so, I’m practically a dance critic now. Severrrrrn…
On the precipice of retirement, Khan has decided to focus his considerable talent (Binoche! Kylie!) on choreography, “dancing [his] ideas through the bodies of others” as he so eloquently puts it and the first fruit of this stage of his career is Outwitting the Devil. Inspired by a fragment from the 4,000 year old Epic of Gilgamesh, it is a powerfully evocative if thematically vague piece for six dancers and while I found it largely very impressive, I was grateful to have programme notes to give it some narrative structure. Continue reading “Dance Review: Outwitting the Devil / Heartbeat of Home”
As the dust settles on another season of Pride festivals with an ever-so-slightly contentious Manchester event, I thought I’d flag up a few pieces of LGBT+ content, trying my best to look outside the pale and male G part of the rainbow…
So in no particular order, you can go see Tomboy at the White Bear Theatre this week, book ahead for Stardust, and My Beautiful Laundrette, read reviews of Vita and Virginia off the big screen, Gentleman Jack, Queers and Years and Years off the TV, The View UpStairs late of the Soho Theatre, Continue reading “Post-#Pride season round-up”
Mark Gatiss’ Queers – a set of monologues has lost none of its power since premiering in 2017
“He knows me for what I am”
I couldn’t make the theatrical readings of Queers at the Old Vic, so I was glad that filmed versions of them were made (for airing on BBC4). Ricocheting around the decades of the twentieth century, this set of monologues marked 50 years since the Sexual Offences Act of 1967 decriminalised private homosexual acts between men aged over 21, and aimed to celebrate some of the most poignant, funny, tragic and riotous moments of British gay male experience.
Pulled together by Mark Gatiss, these 8 20-minute pieces are ostensibly set in the same bar but run the full gamut of emotion as we shift around in time. There’s exquisite moments of happiness in lives otherwise marked by despair. The fleeting touch from Gatiss’ The Man on the Platform so achingly described by Ben Whishaw, the heady night spent with an American soldier by Ian Gelder’s omi in Matthew Baldwin’s I Miss the War.
Continue reading “TV Review: Queers”
Gentleman Jack proves a huge success, for Sally Wainwight, for Suranne Jones, for lesbian storytelling, for everyone
“So much drama, always, with Anne”
Even with as reliably assured hands as Sally Wainwright’s at the tiller, I was a little nervous for Gentleman Jack in the pride-of-place Sunday evening TV slot. But I should have been surer of my faith, for it has been a stonkingly good 8 hours of drama, with an epically romantic lesbian relationship at its heart.
Anne Lister (Suranne Jones) is a wealthy Yorkshire heiress whose uncompromising nature about any and every aspect of her life rubs any number of people up the wrong way. Ann Walker (Sophie Rundle) is most definitely not one of them though, she wants to be rubbed the right way and so we follow the path of true love as it winds through the prejudices of the Yorkshire Pennines and Anne’s attempts to break into the coal mining world. Continue reading “TV Review: Gentleman Jack Series 1”
Years and Years sees Russell T Davies take on dystopian near-future sci-fi to startling effect
“We’re not stupid, we’re not poor, we’re not lacking. I’m sorry, but we’re clever. We can think of something, surely.”
What if…? What if…? What Brexit happens, what if Trump is voted in again and fires a nuclear bomb towards China, what if global warming happens today and not tomorrow, what if Lee from Steps is the most successful one…? Such is the world of Years and Years, Russell T Davies’ latest TV venture, a six-part drama that dares to ask what if it is already too late.
He uses the Lyons family as a prism to explore what the next 15 years of human history might look like, as technological advances make leaps and bounds alongside the political and social upheaval that strikes at the very heart of this sprawing middle-class Manchester-based family. It’s a daring piece of drama, full of Davies’ typically big heart and bold emotional colours and I have to say I rather loved it. Continue reading “TV Review: Years and Years”
I might have taken a break from reviewing in June, but I didn’t stop going to the theatre – I had too many things already booked in. Here’s some brief thoughts on what I saw.
Betrayal, Harold Pinter
Shit-Faced Shakespeare – Hamlet, Barbican
The Knight of the Burning Pestle, Cheek By Jowl at the Barbican
Somnium, Sadler’s Wells
Les Damnés, Comédie-Française at the Barbican
Vanya and Sonia and Masha and Spike, Theatre Royal Bath
Blithe Spirit, Theatre Royal Bath
The Hunt, Almeida
Present Laughter, Old Vic
Europe, Donmar Warehouse
The Deep Blue Sea, Minerva
Plenty, Chichester Festival Theatre
Pictures of Dorian Gray, Jermyn Street
The Light in the Piazza, Royal Festival Hall
Hair of the Dog, Tristan Bates Continue reading “June theatre round-up”
Ahead of the film’s release on 19th July, a new trailer has been released for Making Noise Quietly
“Not with those muddy boots on”
Since his decade at the helm of Shakespeare’s Globe, Dominic Dromgoole has turned his hand to Oscar Wilde seasons with his new theatre company Classic Spring and has also set up the film company Open Palm Films – no resting on his laurels here. Not only that, but he’s also now making his directorial feature film debut with an adaptation of Robert Holman’s Making Noise Quietly. Continue reading “Film news: trailer for Making Noise Quietly released”
From Coldplay to Claude Debussy, crossover soprano Justine Balmer’s debut album Simple Thing is a collection of songs that work well together
“Stick, or twist
The choice is yours”
With an intriguing bio that takes her from musicals to cruise ships to shopping channels, contemporary crossover soprano Justine Balmer’s debut album Simple Thing is 5 years in the making. The mix of pop, opera and classical is a seductive one and though the track-listing might seem diverse at first glance – Aerosmith next to Andrew Lloyd Webber, Coldplay rubbing shoulders with Claude Debussy – such is the serene force of Balmer’s voice that she really does make them all feel like they belong together here.
There’s a pleasing sense of balance too, you’d be hard-pressed to tell which genre Balmer prefers. A tender rendition of ‘Fix You’ with fellow crossover artists Blake, is as lushly beautiful as Fauré’s ‘In Paradisum’, the lightness of Dvořák’s ‘Song to the Moon’ matched by the simple purity of ‘Somewhere Only We Know’ – you might not think you need another cover of the Keane track but it positively shimmers under the gorgeous treatment here. Continue reading “Album Review: Justine Balmer – Simple Thing”
Some properly tasty food makes the Game of Thrones-inspired immersive show Dinner is Coming an entertaining night indeed at The Vaults
Stepping into the world of immersive experiences as a reviewer can be a tricky business. Given the sums of money that can be charged and the subjectiveness of your time there, to be able to put one’s hand on one’s heart and say you should put your hand on your wallet is rife with difficulty. I had one of my all-time greatest adventures on my first trip on You Me Bum Bum Train and my one and only venture to Secret Cinema had a moment of unforgettable pure magic but ask me about value for money, for you, and I’m stumped.
Which is a long-winded way of saying you should take this review with a pinch of salt. Although you won’t need to add any salt because the cooking here at Dinner is Coming is really, really good. Designed and prepared onsite by Chavdar Todorov, Steven Estevez and their team, this is the kind of meal that comes close to justifying the ticket price alone. I always thought life was too short to roast a cauliflower but not any more, the slow-cooked lamb shoulder is melt-in-your-mouth delicious and yet somehow it is the salad that I remember the most – courgette, lettuce, beetroot and peas in a pesto-flecked dressing that makes every ingredient truly sing. Continue reading “Review: Dinner is Coming, The Vaults”