Every year, my sisters and I are treated to a Christmas show by our Aunty Jean and with the scheduling difficulties and train timetables (they all live in the North-West), our choice ended up being Caryl Churchill’s Cloud Nine at the Almeida, a somewhat different choice to our usual fare, but one which proved to be enjoyable nonetheless.
The first act is set in a nineteenth century British colony somewhere in Africa where all manner of subversive behaviour threatens the traditional Victorian moral code, which with its male colonisation of women is hardly a bed of roses for everyone. Then the second half shifts to Clapham Common and the sexually liberated 1970s, but we retain the same characters, 25 years down their personal timelines. So the contrast in their behaviour is huge and a range of sexual and gender politics issues explored. Continue reading “Review: Cloud Nine, Almeida”
Directed by Michael Attenborough who is clearly looking to throw the light on lesser known playwrights here in the UK, Clifford Odets is regarded as a modern great and as important as Eugene O’Neill in the development of modern drama yet arguably remains relatively unknown here.
Awake and Sing is set in the Depression era and following the fortunes of a Jewish family living in the Bronx, it centres around the huge matriarchal figure of Bessie, played by no other than Rizzo herself, Stockard Channing. She keeps her family close around her but they are a motley crew: her husband is a depressed failure, her father is a revolutionary dreamer, her son is disillusioned with life and her daughter has got herself knocked up. In economically incredibly difficult times, Bessie has to make tough decisions to secure the future she desires for everyone, even if it means over-riding their own wishes and desires. Continue reading “Review: Awake and Sing!, Almeida”