The 2019 London Evening Standard Theatre Awards – Shortlist announced

Proper award season is starting to kick into gear now with the reveal of the shortlist for the 2019 London Evening Standard Theatre Awards and an uncharacteristically strong set of nominations that will surprise a fair few. I had little love for Sweet Charity so I’d’ve bumped its nod for something else but generally speaking, I’m loving the love for Dorfman shows and the Royal Court and I hate the reminder that there’s a couple of things I mistakenly decided not to see (Out of Water, …kylie jenner)

BEST ACTOR in partnership with Ambassador Theatre Group
K. Todd Freeman Downstate, National Theatre (Dorfman)
Francis Guinan Downstate, National Theatre (Dorfman)
Tom Hiddleston Betrayal, Harold Pinter Theatre
Wendell Pierce Death of a Salesman, Young Vic & Piccadilly
Andrew Scott Present Laughter, Old Vic

NATASHA RICHARDSON AWARD FOR BEST ACTRESS in partnership with Christian Louboutin
Hayley Atwell Rosmersholm, Duke of York’s
Cecilia Noble Downstate, National Theatre (Dorfman) & Faith, Hope and Charity, National Theatre (Dorfman)
Dame Maggie Smith A German Life, Bridge
Juliet Stevenson The Doctor, Almeida
Anjana Vasan A Doll’s House, Lyric Hammersmith Continue reading “The 2019 London Evening Standard Theatre Awards – Shortlist announced”

Winners of the 2019 Black British Theatre Awards

An important addition to the theatre award calendar, the winners of the inaugural Black British Theatre Awards can be found below

Creatives Group

BEST DIRECTOR FOR A PLAY OR MUSICAL
WINNER – Lynette Linton; Sweat: Gielgud Theatre
Roy Alexander Weise; Nine Night: National Theatre
Nancy Medina; The Half God of Rainfall: Kiln Theatre

BEST PRODUCER
WINNER – Tobi Kyeremateng; Babylon Festival: Bush Theatre

BEST CHOREOGRAPHER 
SPONSORED BY HARLEQUIN FLOORS
Rachael Nanayonjo; Sleeping Beauty: Theatre Royal Stratford East
Alesandra Seutin; Boy Breaking Glass: Sadlers Wells
WINNER – Shelley Maxwell; Equus: Theatre Royal Stratford East Continue reading “Winners of the 2019 Black British Theatre Awards”

Nominations for the 2019 UK Theatre Awards

The UK Theatre Awards are the only nationwide Awards to honour and celebrate outstanding achievements in regional theatre throughout England, Scotland, Wales and Northern Ireland and they have just announced the nominations for the 2019 awards, the results of which will be revealed at a ceremony on Sunday 27th October. It’s always interesting to see a different perspective on award season, particularly one that doesn’t focus on London productions, but it does make me wish I’d could have taken in a few more of these UK-wide shows from this year.

Best New Play
LIFE OF PI adapted by Lolita Chakrabarti from the novel by Yann Martel – a Sheffield Theatres production
THE WATSONS by Laura Wade – a Chichester Festival Theatre production
ULSTER AMERICAN by David Ireland – a Traverse Theatre Company production at Lyric Theatre, Belfast

Best Musical Production
THE COLOR PURPLE
directed by Tinuke Craig – a Curve and Birmingham Hippodrome co-production
STANDING AT THE SKY’S EDGE directed by Robert Hastie – a Sheffield Theatres production
WEST SIDE STORY directed by Sarah Frankcom – a Royal Exchange Theatre, Manchester production Continue reading “Nominations for the 2019 UK Theatre Awards”

Nominations for the 2019 Black British Theatre Awards

Creatives Group

BEST DIRECTOR FOR A PLAY OR MUSICAL
Lynette Linton; Sweat: Gielgud Theatre
Roy Alexander Weise; Nine Night: National Theatre
Nancy Medina; The Half God of Rainfall: Kiln Theatre

BEST PRODUCER
Tobi Kyeremateng; Babylon Festival: Bush Theatre

BEST CHOREOGRAPHER 
SPONSORED BY HARLEQUIN FLOORS
Rachael Nanayonjo; Sleeping Beauty: Theatre Royal Stratford East
Alesandra Seutin; Boy Breaking Glass: Sadlers Wells
Shelley Maxwell; Equus: Theatre Royal Stratford East Continue reading “Nominations for the 2019 Black British Theatre Awards”

Nominees for The Stage Debut Awards 2019

All winners will be announced at the awards ceremony at The Brewery, London on September 15, 2019 which will be streamed live on The Stage’s Facebook page.

Best Actress in a Play – sponsored by Audible

  • Liv Hill for Top Girls at the National Theatre, London
  • Urielle Klein-Mekongo for Yvette at the Bush Theatre, London
  • Lauren O’Leary for The Awkward Years at The Other Room, Cardiff
  • Bea Webster for Mother Courage at the Albion Electric Warehouse, Leeds

Best Actor in a Play – sponsored by Audible

  • Jamal Ajala for ear for eye at the Royal Court, London
  • Stuart Campbell for The Hunt at the Almeida Theatre, London
  • Patrick Gibson for Sweat at the Donmar Warehouse and the Gielgud Theatre, London
  • Ivan Oyik for Blue/Orange at the Birmingham Repertory Theatre, Birmingham

Continue reading “Nominees for The Stage Debut Awards 2019”

10 questions for 10 years – Samuel Barnett

Original History Boy Samuel Barnett takes on the 10 Questions for 10 Years challenge 

Even though I demurred from seeing The History Boys on stage, I’ve loved much else of Samuel Barnett’s work in so many ways. London was cruelly cheated of his Viola but it was in some of his earlier plays that he really stood out for me.
The Way of the World in Sheffield
“I really enjoyed that kabuki drop at the beginning…and I loved playing Witwoud. It was a joy to play a character who is so much funnier, brighter and wittier than I am. I loved the cast too. ”
and James Graham’s The Whisky Taster
“That remains one of my favourite jobs. The writing, the cast, our amazing director James Grieve, and playing in the old Bush theatre: it was one of those rare jobs where everything came together so perfectly. I adored working so closely with Kate O’Flynn, who is just phenomenal. Perhaps my favourite bit was the last few lines about the colour of love, and the snow falling. Got me every time.”

Continue reading “10 questions for 10 years – Samuel Barnett”

10 questions for 10 years – Hannah Khalil

Playwright Hannah Khalil tackles 10 Questions for 10 Years with real thoughtfulness, though I might need to take her to see Wicked now…

  • Where were you 10 years ago?

    In 2009 I was living in London and preparing for my first full production which was Plan D at the Tristan Bates. I had failed to get ACE funding but had raised money elsewhere. I was self producing, not getting paid and very very scared about the scrutiny, the financial risk and my mental health. It was tough but I’m so proud of that production. It started many of the collaborations I expect to be lifelong for me with actors and creative team. Continue reading “10 questions for 10 years – Hannah Khalil”

Review: And The Rest of Me Floats, Bush Theatre

Outbox Theatre’s And The Rest of Me Floats is the queer house party at the Bush Theatre that you didn’t know you needed

“Do you see me?
Do you really see me?”

Outbox Theatre’s And The Rest of Me Floats soars in its opening and closing moments. There’s not a word spoken for the first few minutes but as the company of trans, non-binary, and queer performers take their seats one by one on the stage of the Bush Theatre – full of unflinching direct eye contact with the audience – there’s such a powerful statement of intent about their unalienable right to take over this space.

And as the show winds to its climax just over an hour later, this already most unconventional of shows opens out into something of a game of ‘Never Have I Ever’ as performers and audience members alike are encouraged to share something of themselves. It’s a beautifully intimate and inclusive act, topped off with a raucous singalong to MUNA’s anthemic ‘I Know A Place’ – how my queer little heart filled with joy. Continue reading “Review: And The Rest of Me Floats, Bush Theatre”

Review: Drip, Bush Theatre

Tom Wells and Matthew Robins’ sweetly wonderful one-man musical Drip returns to the Bush Theatre

“Eat some toast, then eat more toast
(I love toast)”

In events I can’t imagine being repeated anytime soon, I was the nominated ‘audience hunk’ for this performance of Drip., and far be it from me to review my own performance but never has a wind-chime been tinkled so beautifully… This kind of light-touch audience interaction is threaded throughout the show and really helps to set the mood of slightly bemused wonder.

Tom Wells’ Drip popped up briefly in the library at the Bush Theatre last year, played Edinburgh over the summer and returns to W12 in the studio where its idiosyncratic charms prove well suited. A one-man musical, we follow 15 year old Liam as he makes a presentation to his school assembly in an attempt to win the annual Project Prize and more importantly, win back his friend Caz, Continue reading “Review: Drip, Bush Theatre”

Review: Lands, Bush Theatre

Devised by actors Leah Brotherhead and Sophie Steer, Antler’s Lands is a quirky treat in the studio at the Bush Theatre

“I CAN’T get off”

Leah likes a jigsaw, Sophie is fond of her little trampoline. But in the world of Lands, their preferences have turned into something more. Leah fills out her puzzles by giving detailed commentary on each jigsaw piece and Sophie, well she can’t remember when she actually last stopped bouncing. 

Created by actors Leah Brotherhead and Sophie Steer with director Jaz Woodcock-Stewart, Lands emerges as a gnomic study of compulsive behaviour and how it impacts on those we love. Trapped in their own cycles of addiction, we watch as their unspecified emotional connection becomes severely tested.  Continue reading “Review: Lands, Bush Theatre”