Lots of fun at Leicester Square Theatre for Ramin Karimloo’s intimate concert with Seth Rudetsky and a whole load of special guests
“I knew where I needed to be”
“I knew where I needed to be”
Live At Zédel, Soho’s unique live entertainment concept at Crazy Coqs, announces their new 2018 summer season produced in partnership with Fane Productions
Something of an undersung talent in this country (all his top gigs have taken place in Paris, or Kilworth), Dan Burton is nevertheless leading man material, and his debut album Broadway Melodies is proof thereof. Short and sweet at ten concise tracks, Burton swoons and slides effortlessly through the Great American Songbook.
Highlights include the happiest of ‘Singin’ in the Rain’s, a most elegant sway through Camelot’s ‘If Ever I Would Leave You’, and a chirpy duet on ‘Well, Did You Evah?’ with Lee Mead, a palpable warmth of friendship apparent throughout. Also good is The Pajama Game‘s ‘Hey There’, perfectly crooned and symptomatic of the good feeling suffused through this record. Continue reading “Album Reviews: Dan Burton – Broadway Melodies / Patti LuPone – Don’t Monkey With Broadway / Kyle Riabko – Richard Rodgers Reimagined”
As Mrs Merton might have asked, what first attracted you to musical theatre supergroup The Barricade Boys…?
— Robert Oliver West (@robwesty) October 31, 2017
Clearly, it was their cumulative musical talent – between them, Scott Garnham, Simon Schofield, Craig Mather and Kieran Brown have racked up credits in pretty much every major musical from The Phantom of The Opera, Wicked and Billy Elliot to Jersey Boys, The Sound Of Music and Les Misérables. And now they’re bringing their cabaret show to The Other Palace’s Studio for a Christmas season which is enough to bring festive cheer to even the most Scrooge-like of hearts. Continue reading “The Barricade Boys announce a Christmas Cabaret season with an amazing guest cast”
“I’m honoured to have been asked to return for another residency at Zedel. Taking the stage at this beautifully, intimate venue is the perfect way to celebrate a brand new year and teaming up with some of the biggest names in the London theatre scene is just icing on the cake!”
“How could I behave as if we’d never met?”
Recorded just after he completed his 2014/5 return to Cabaret at Studio 54, Alan Cumming Sings Sappy Songs – Live at the Cafe Carlyle is one of the best cabaret records I’ve had the pleasure of listening to. Surprising but superb song selection, threaded through with a real sense of personality and personal revelation, draws the listener in right from the off, even if he storms just a fraction too quickly through Annie Lennox’s glorious solo hit ‘Why’, he next invests Keane’s ‘Somewhere Only We Know’ with a genuinely rueful quality that hints at what is to come.
And if the label ‘sappy’ might suggest something inconsequential, make no mistake that this is deeply emotional work. From Miley Cyrus’ ‘The Climb’ to the plangent ‘Complainte de la Butte’, to showier material that Cumming more obviously has an affinity with, like Kurt Weill’s ‘How Do Humans Live’ and the utterly gorgeous ‘You You You’ from Kander and Ebb’s The Visit, to the almost unbearable emotion underpinning the likes of Billy Joel’s ‘Goodnight Saigon’ and Rufus Wainwright’s ‘Dinner at Eight’. Continue reading “Album Review: Alan Cumming Sings Sappy Songs – Live at the Cafe Carlyle (2015)”
“Theyre bouncy, trouncy, flouncy, pouncy
Fun, fun, fun, fun, fun”
A Spoonful of Sherman was previously seen at the St James Theatre (as was) in April 2014 but such is the warmly nostalgic hold of the Sherman Brothers’ songwriting, it is little surprise to see it re-emerge – this time in the plush surroundings of Brasserie Zédel’s cabaret space. The show has slimmed down its personnel from 4 to 2, Helena Blackman and Daniel Boys taking up the singing duties, with third generation songwriter Robert J. Sherman stepping in once again as narrator.
And I have to say I felt largely the same about A Spoonful of Sherman – it is a stronger show when Sherman Jnr is on the sidelines. One can understand the justifiably enormous pride he has in his family’s heritage, and in bringing this show to life, but the frequent interjections to sketch biographical insight don’t quite work in this format – its the stuff of programme essays to be honest and you can’t help wonder if his role might be more usefully reduced to a choice few bon mots. Continue reading “Review: A Spoonful of Sherman, Live at Zédel”
“The little dark star in the wind down there”
Though she’s yet to pop her head over this side of the ocean, I’m pretty sure Annaleigh Ashford is an absolute darling. It’s part of the legacy of playing Lauren in Kinky Boots I think, such a lovable part and what I’ve seen and heard of her since has only confirmed that for me. Her acclaimed cabaret performances also won over new audiences, resulted in a live recording of Lost in the Stars: Live at 54 Below being released late last year.
Supported by the superb musicianship of Will Van Dyke and The Whiskey 5, Ashford is an effortlessly delightful performer, whether ripping through the vocal splendour of Dreamgirls‘ ‘One Night Only’ or a Donna Summer medley, nodding to Studio 54’s illustrious past. There’s actually a lot of pop on here, The Everly Brothers’ ‘Love Hurts’, Adele’s ‘Someone Like You’ mixed with Gnarls Barkley’s ‘Crazy’. Continue reading “Album Review: Annaleigh Ashford – Lost in the Stars: Live at 54 Below”
Appearances may be deceptive but the force of personality that Laura Benanti brings to all her work, whether tweeting or tearing up the Broadway stage, makes me think that she’s just a top human. Witty and irreverent on the one, committed and forceful on the other – either way round, she’s a one for forging her own path.
And that’s in evidence on the song selection for her 54 Below cabaret show In Constant Search of the Right Kind of Attention. From showtunes to the showgirl herself Lana Del Rey, rewritten classics to self-penned ditties, it’s undoubtedly an eclectic mix but one that is held together by the huge warmth that Benanti exudes, whether in performance or in the (frankly hilarious) patter where she proudly details her flops. Continue reading “Album Review: Laura Benanti – In Constant Search of the Right Kind of Attention – Live At 54 Below”
“You couldn’t ever guess to who you’re talkin'”