Crazy Coqs, Soho’s unique live entertainment venue within the Brasserie Zédel complex, announces a new limited August programme and a full September programme, offering both live shows and live-streamed shows.
Janie Dee, Maria Friedman, Lauren Samuels, Sophie Evans, Cedric Neal, Nerina Pallot and Jay Rayner all feature in the new season.
The live shows will be performed to a reduced capacity with a socially distanced seating plan, where the front row is at least 2.5m from the stage, and all table groupings are at least 1m apart. There will be a maximum of three performers on stage to maintain social distancing. Customers will be invited to purchase tables, rather than individual tickets, to comply with the ‘reduced social bubble’ government advice.
For more information on what Health and Safety measures Crazy Coqs are implementing to make your visit as safe as possible, please visit the Brasserie Zedel website.
Several live shows will also be live streamed in partnership with Fane Online, giving audiences the chance to watch broadcast quality Crazy Coqs shows from the comfort of their own home.
The full programme can be found at Crazy Coqs’ new website: https://www.brasseriezedel.com/crazy-coqs/
Subject to government guidelines, the programme from October onwards will be announced in due course. Continue reading “News: Crazy Coqs announces August and September programme”
(Wo)men Rule Broadway [West End Edition] sees women take on the male musical theatre songbook at the VAULT Festival
“If you strip away the myth from the man…”
There’s no arguing that the musical theatre songbook is skewed in favour of men and with theatre’s enduring love of a revival, that means the opportunities for women to express the fullness of their selves onstage have always been limited (hell, even as I write this a man has been announced to play Mother Superier in the Edinburgh run of Sister Act…).
This is the world US performers Genevieve Flati and Kelly Rogers are trying to reshape just a little with their show (Wo)men Rule Broadway [West End Edition], making its international debut here at the VAULT Festival. More than just a gender-reversed concert, Flati and Rogers compere the evening with a running commentary of how and why these songs have been chosen, exploring and explaining the boundaries being broken here. Continue reading “Review: (Wo)men Rule Broadway [West End Edition], VAULT Festival”
Mr. Henry Moss – QUADRUPLE THRE4T makes for a fun hour of queer Aussie humour at the VAULT Festival
“Did you know one in five artists are an absolute dickhead”
It’s a shame Mr. Henry Moss – QUADRUPLE THRE4T only ran for one weekend at the VAULT Festival as his brand of irrepressibly warm cabaret has a real uplifting charm about it. It’s a relatively simple format – would-be musical theatre legend Harry Ledgerman is launching his new celebrity memoir with his talent agency manager wife Kristal Lee by his side and any number of friends who’ve come along to also share their secrets to becoming successful.
Naturally though, success is relative and Moss’ collection of misfits – for he plays them all – are all wonderfully deluded in their own special way. Thus the scene is set for a rapidfire kick ball change through many aspects of showbusiness, accompanied by some nifty moves (check that Chorus Line choreography) and some uncanny vocal performances as Adele, Ricky Martin and Britney sit alongside Elphaba, Piaf and Dame Judi herself. Continue reading “Review: Mr. Henry Moss – QUADRUPLE THRE4T, VAULT Festival”
Invisible Cabaret – Let’s Get Visible tackles mental health awareness through the medium of burlesque at the VAULT Festival
“You can feel whatever you want to feel, within reason”
One of the more pronounced trends at this year’s VAULT Festival has been a multiplicity of work promoting mental health awareness, both in and outside of the officially curated Let’s Talk strand. There’s still a long way to go in fully destigmatising conversations about these difficult topics but it is gratifying to see so many creative dedicated to the cause.
Among that group is Invisible Cabaret, a cabaret and burlesque troupe whose show Let’s Get Visible is tackling these taboos in their own inimitable style. And though burlesque may not seem like the most obvious artform in which to do so, it proves surprisingly effective here, not least in the skilled compering from Rosie Verbose and her magnificent headpiece. Continue reading “Review: Invisible Cabaret – Let’s Get Visible, VAULT Festival”
Jinkx Monsoon & Major Scales’ cabaret show The Ginger Snapped mixes music, musings on mental health and moments of queer solidarity at the Leicester Square Theatre
“Take it from the whore’s mouth”
The best cabaret shows always find the sweet spot between concert and confessional and in The Ginger Snapped, Jinkx Monsoon and Major Scales manage to do just that. As a promised show disintegrates into a pseudo-therapy session, the pair delve into the murky waters of fame and fabulousness to reveal some of the toll it can take on one’s mental health.
Winner of season five of RuPaul’s Drag Race, Monsoon’s strengths are immediately apparent with the opening number which encapsulates everything about the kind of performer she is. Bantering with the audience, cracking jokes, working in all kinds of interplay with accompanist Scales and delivering some straight-up powerhouse vocals, there’s no mistaking this is the real deal. Continue reading “Review: Jinkx Monsoon & Major Scales – The Ginger Snapped, Leicester Square Theatre”
Queer feminist theatre/cabaret hybrid Lipstick: A Fairy Tale of Iran leaves me dissatisfied at the Omnibus Theatre
Oh I really wanted to love this but I have to say I was rather disappointed. When a show self-describes as equal parts theatre and drag cabaret, you have to hope that it will achieve both aspects and aim to exceed expectations too but ultimately, it was a case of sashaying away for Lipstick: A Fairy Tale of Iran.
There’s no lack of ambition here, not at all. Sarah Chew (writer and director) slips between Tehran, Derry and London as she explores cultural stereotyping, censorship, artistic freedom, sexual freedom, Iranian politics, Soho politics and even then I feel like I’ve missed tons out. Packed into a show which wants to blend cabaret and theatre, it just feels like too much. Continue reading “Review: Lipstick: A Fairy Tale of Iran, Omnibus Theatre”
Lots of fun at Leicester Square Theatre for Ramin Karimloo’s intimate concert with Seth Rudetsky and a whole load of special guests
“I knew where I needed to be”
The Broadway @ The Leicester Square brand is one which surfaces infrequently but always pays rich rewards when it does. Having attracted Patti LuPone, then Audra McDonald
and John Barrowman
into the intimate surroundings of an informal chat and sing-song arrangement with Seth Rudetsky, it is now Ramin Karimloo’s turn to deliver such a boutique concert.
The particular joy of these concerts is their slightly chaotic nature, the way in which no-one seems entirely sure what is going to happen, least of Karimloo and Rudetsky themselves. Tonight we all recorded a rendition of Happy Birthday for Jenna Russell and got an impromptu duet on ‘Confrontation’ with Jeremy Secomb who was dragged out of the audience – who knows what the next two shows will bring.
And these are just the bonuses on top of a programme which dips in and out of Karimloo’s impressive career to date. Anecdotes about the awesome inspiration Colm Wilkinson provided sit alongside a haunting rendition of ‘Music of the Night’; memories of The Pirates of Penzance segue into a gloriously ripe ‘The Pirate King’; his recent forays into Evita represented by ‘High Flying Adored’.
Continue reading “Review: Ramin Karimloo with Seth Rudetsky , Leicester Square Theatre”
Live At Zédel, Soho’s unique live entertainment concept at Crazy Coqs, announces their new 2018 summer season produced in partnership with Fane Productions
Continue reading “Summer 2018 season at Live At Zédel”
Something of an undersung talent in this country (all his top gigs have taken place in Paris, or Kilworth), Dan Burton is nevertheless leading man material, and his debut album Broadway Melodies is proof thereof. Short and sweet at ten concise tracks, Burton swoons and slides effortlessly through the Great American Songbook.
Highlights include the happiest of ‘Singin’ in the Rain’s, a most elegant sway through Camelot’s ‘If Ever I Would Leave You’, and a chirpy duet on ‘Well, Did You Evah?’ with Lee Mead, a palpable warmth of friendship apparent throughout. Also good is The Pajama Game‘s ‘Hey There’, perfectly crooned and symptomatic of the good feeling suffused through this record. Continue reading “Album Reviews: Dan Burton – Broadway Melodies / Patti LuPone – Don’t Monkey With Broadway / Kyle Riabko – Richard Rodgers Reimagined”
As Mrs Merton might have asked, what first attracted you to musical theatre supergroup The Barricade Boys…?
Clearly, it was their cumulative musical talent – between them, Scott Garnham, Simon Schofield, Craig Mather and Kieran Brown have racked up credits in pretty much every major musical from The Phantom of The Opera, Wicked and Billy Elliot to Jersey Boys, The Sound Of Music and Les Misérables. And now they’re bringing their cabaret show to The Other Palace’s Studio for a Christmas season which is enough to bring festive cheer to even the most Scrooge-like of hearts. Continue reading “The Barricade Boys announce a Christmas Cabaret season with an amazing guest cast”