Review: Eating Myself

Pepa Duarte’s one-woman show Eating Myself makes you crave the smells of live theatre as much as anything

“My body doesn’t work like that”

As another series of The Great British Bake-Off winds to a close and we tumble hard once again for the lusciousness of Nigella’s culinary world, Pepa Duarte’s solo show Eating Myself asks us to think of a more pernicious way in which society can dictate our relationship with food.

Drawing on her Peruvian upbringing, Duarte comes up with her own recipe of movement and dialogue to find a mode of storytelling that works through ideas of body image, cultural heritage and societal pressure to be the kind of woman, Peruvian woman, that is ‘acceptable’. Continue reading “Review: Eating Myself”

Review: Unfamiliar at Home

Unfamiliar at Home proves a fascinatingly different kind of theatre to stream

“Every relationship has to have an interaction”

Reflecting their varied creative oeuvres, Unfamiliar at Home feels as much an art installation as it does a piece of theatre. A highly personal piece, flush with autobiographical detail, we follow theatre and performance maker Victor Esses and visual artist Yorgos Petrou as they go about trying to start a queer family whilst, you know, there’s a pandemic on.

Performed live in their own and streamed into our own, there’s a peculiar form of domesticity at play here. Cameras in the living room and kitchen offer up a view into this real-life couple’s world but with a cool, almost pyschoanalytical lens. Word games give us the story of how they met, or do they? Pre-recorded interviews guide the path of their journey towards surrogacy but pull us away from these two men at crucial moments. Continue reading “Review: Unfamiliar at Home”

News: Scots in the City returns online for St Andrew’s Day

An all-Scottish line-up of stars of stage and screen will perform in Scots in the City on Sunday 29 November. The concert, held in early celebration of St Andrew’s Day (30 November), will be livestreamed from the Phoenix Arts Club in the heart of London’s West End. 

The show is produced by West End leading performers Kieran Brown (The Phantom of the Opera, Wicked, Les Misèrables) and Shona White (MAMMA MIA!, Les Misèrables, Chess), who set up Scots in the City to promote the very best of Scottish culture outside the motherland, with a focus on Musical Theatre. This is the third show in their concert series. Continue reading “News: Scots in the City returns online for St Andrew’s Day”

News: A West End Christmas for the MAD Trust

 The Christmas Show Must Go On! 

Put on your sparkles, your reindeer Christmas jumper, switch on the Christmas tree lights and settle down for an evening of festive fun and music.  The Make a Difference Trust has announced A West End Christmasthe most Christmassy Christmas show ever and the perfect antidote to these extraordinary and difficult times.

With a cast of 80 and a 17-piece orchestra, including stars from The Phantom of the Opera, Only Fools and Horses, Wicked, Come From Away as well as the West End Kids, A West End Christmas will also feature special guest performances from Tom Allen, Samantha Bond, Kerry Ellis, Clive Rowe, Oliver Tompsett, Marisha Wallace and Robin Windsor & Anya Garnis. Continue reading “News: A West End Christmas for the MAD Trust”

News: Thespie to stream concerts throughout December

Theatre discovery platform Thespie has announced the Reunited Series, bringing together more than two dozen of the UK’s top musical theatre artists for a series of filmed concerts premiering throughout December.

Developed by Aimie Atkinson, Thespie’s Creative Producer and the Olivier nominated star of Pretty Woman and SIX), each concert presents ensemble music performances (filmed in COVID-secure London venues), and ranges from musical theatre hits, to pop music, to favourite Christmas songs. The program of each concert has been developed by the artists involved and will also include intimate interview footage. Continue reading “News: Thespie to stream concerts throughout December”

News: Old Vic announces new streaming dates for Lungs, Three Kings and Faith Healer

Stephen Beresford’s Three Kings with Andrew ScottBrian Friel’s Faith Healer with Michael SheenDavid Threlfall and Indira Varma and Duncan Macmillan’s LUNGS with Claire Foy and Matt Smith are back by popular demand with the recorded versions of the live shows available to watch across nine new streaming dates to see us out of 2020 and into 2021.  

News: Mondays in January to look distinctly brighter with Monday Night at the Apollo

Tickets are on sale now for Monday Night at the Apollo – a brand-new concert series taking place in front of a socially distanced audience at the Apollo Theatre on Shaftesbury Avenue. The concerts will take place at 7pm on Monday 11 January 2021Monday 25 January 2021 and Monday 8 February 2021, and will also be livestreamed to audiences at home.

An intimate evening of conversation and song hosted by Greg Barnett (Miss Littlewood, Duchess of Malfi), Monday Night at the Apollo will see some of the West End’s best-known performers sing an eclectic mix of music from their favourite genres. Performers will share their most cherished memories and experiences from their careers, alongside performances of music which is personal to them, in a relaxed and informal theatrical celebration. Continue reading “News: Mondays in January to look distinctly brighter with Monday Night at the Apollo”

Review: The Poltergeist

Philip Ridley’s The Poltergeist is a vivid monologue, performed well by Joseph Potter

“I’ve woken up with a headache”

From the tiny flat above a dry-cleaners in Ilford which he shares with his boyfriend Chet, Sasha seethes. Once fêted by the art world as a teenage prodigy, he crashed and burned spectacularly and has never really recovered. An invitation to his niece’s birthday party seems like a good opportunity to get out but between his pill-popping, catastrophising and near-boiling resentment towards his family, it is clear we’re in for a bumpy ride. 

The Poltergeist sees Philip Ridley maintain his long-standing relationship with the Southwark Playhouse with a customarily intense monologue which proves a gift of a role for Joseph Potter. Sasha is a young man very much in his head, so as Potter rattles wonderfully through all the various roles, there’s the sense that we’re seeing exaggerated versions of these characters as Sasha bristles against the indignity of having to make small talk when he could be exercising his vengeful streak. Continue reading “Review: The Poltergeist”

Review: Falling Stars

Exploring the extraordinary songbook of the 1920s, Peter Polycarpou and Sally Ann Triplett are fantastic in the hauntingly excellent Falling Stars

“There are people who hesitate, but corned-beef makes them cheer”

The creative team behind Falling Stars had only gotten one day into rehearsals before the second lockdown was announced in England so after rearranging their dates at the Union Theatre for early January, they also set about creating a filmed adaptation which will be available to stream for a week from Sunday 22nd November. 

Falling Stars was conceived and written by Peter Polycarpou after the discovery of a 1920s songbook in an antiques shop. It takes the form of a revue, exploring the work of writers who created some of the most sublime music, songs which have endured for nearly a century now. Names like Carl Schraubstader and James V Monaco might not be as well known as those of Charlie Chaplin and Irving Berlin but they were all writing standards to be remembered. Continue reading “Review: Falling Stars”

Review: Marry Me A Little

Rob Houchen and Celinde Schoenmaker star in a beautifully sung, beautifully filmed digital version of Sondheim’s revue Marry Me A Little for the Barn Theatre

“What can you do on a Saturday night alone?”

The ever-enterprising Barn Theatre in Cirencester are getting particularly good at making lemonade out of lockdown lemons and so it is little surprise to see that their production of Marry Me A Little, which had its run curtailed by the imposition of Lockdown #2: Electric Boogaloo, is now available to stream for a limited period, thus exponentially increasing its reach.

Recorded over its final performances by Ben Collins, the work of editor Ben Evans (with Collins co-editing and also with sound editor Harry Smith) shouldn’t be underestimated. They have done a remarkable job in translating Kirk Jameson’s directorial vision onto screen, the film is as slickly professional as you could hope to dream of, with just enough texture in there to remind you it is live theatre. Continue reading “Review: Marry Me A Little”