News: Open air theatre casting news aplenty

St Anne Comes Home, St Pauls Church
29th-30th August

Iris Theatre’s summer season continues with this new folk musical by Jack Miles, which numbers Jordan Castle (The Light in the Piazza), Rebecca McKinnis (Dear Evan Hansen), and Mathew Craig (The Secret Diary of Adrian Mole Aged 13 3/4) in its cast.

C-o-n-t-a-c-t, outdoors in London
31st August – 10th October 

C-o-n-t-a-c-t is an immersive outdoor performance with a 3D sound design which audiences will listen to on their own headphones,The play will see performances from Charles Angiama (The ExoneratedMy Week with Marilyn),  Louis Bernard (Radieuse Vermine), Chloe Gentles (Beautiful – The Carol King Musical)Max Gold (Endeavour; Poldark), Richard Heap (Buried Child; The Summer Before Everything)Aoife Kennan (ITV’s Victoria; For Services Rendered), Katja Quist (Earthquakes In London) and Laura White (The Play That Goes Wrong). The cast will alternate between three London locations; Tower Bridge, Greenwich and Clapham Common.

Roles We’ll Never Play, Turbine Theatre
13th September

The Turbine’s summer season will feature this one-off concert with performers delving deep into their wishlists – the company includes Natalie Paris, Tom Duern, Rhianne-Louise McCaulsky, Rodney Vubya, Lauren Byrne, Bernadette Bangura, Luke Bayer, Idriss Kargbo, Courtney Bowman, Michael Mather, Matthew Croke, Kelly Agbowu, Elander Moore, Eve Norris and Pearce Barron.

The Last Five Years, Minack Theatre
14th-19th September

Omar F Okai’s production of Jason Robert Brown’s two-hander will star Emma Kingston (Evita, In The Heights) as Cathy and Waylon Jacobs (Hamilton, Memphis) as Jamie.

 

News: casting for MTFestUK 2020

It’s like the Superbowl, but for fans of musical theatre. Book your tickets at the Turbine Theatre here.

Jet Set Go! (3rd-5th February)

This show about a transatlantic cabin crew has been bopping around since 2008 so its interesting to see how it gets refreshed more than a decade late. Appearing in it this time round will be Siubhan Harrison, Lizzy Connolly, Michael Mather, Tyrone Huntley and Simon Bailey.

Jet Set Go! is directed by & Juliet’s Luke Sheppard with music, book and lyrics by Adrian Mole’s Pippa Cleary and Jake Brunger. Continue reading “News: casting for MTFestUK 2020”

The finalists of The Offies 2020

The finalists for the 2020 Offies (for performances in 2019) have been announced and congratulations to all 89 mentioned below. A tip of the hat too to the 400+ nominees who you can find here.

DESIGN

Design: Costume
Adrian Gee, Amour, Charing Cross Theatre
Emily Bestow, 42nd Street, Upstairs at the Gatehouse
Hannah Wolfe , Great Expectations, National Youth
Theatre, Southwark Playhouse

Design: Set
Diego Pitarch, Night of the Living Dead – Live!,
Pleasance
Justin Williams, Whistle Down the Wind, Union
Theatre
Lee Newby, The View UpStairs, Soho Theatre
Rachael Ryan, Thrill Me, Hope Theatre

Design: Sound
Benjamin Grant, The War of the Worlds, New Diorama
Lex Kosanke, Hunger, Arcola
Matt Eaton, All’s Well That Ends Well, Guildford Bard,
Jermyn Street Theatre
Xana, Blood Knot, Orange Tree

Design: Lighting
Christopher Nairne, Preludes, Southwark Playhouse
Clancy Flynn, An Act of God, Vaults
Jessica Hung Han Yun, Equus, English Touring Theatre,
Theatre Royal Stratford East
Nic Farman, Night of the Living Dead – Live!, Pleasance

Design: Video
Andrzej Goulding, The Unreturning, Theatre Royal
Stratford East
Ben Bull, Baby Reindeer, Bush Theatre
Douglas Baker, Moby Dick, Jack Studio Theatre Continue reading “The finalists of The Offies 2020”

2020 What’s On Stage Award nominations

The nominations for the 20th Annual WhatsOnStage Awards have been announced and I have a thought or two #justiceforAnneHathaway

As a publicly nominated affair, the What’s On Stage Awards always throw up an interesting set of nominations, as fanbases engage alongside theatregoers to produce an idiosyncratic reflection on the year. This year though, the nominees for the nine creative categories (Choreography, Costume Design, Direction, Graphic Design, Lighting Design, Musical Direction, Set Design, Sound Design and Video Design) have been decided by an independent panel of industry experts appointed, which has resulted in some pleasing inclusions for the likes of Equus and Small Island

Acting-wise, the focus does land a little heavily on the more famous names (plus ça change) and that Supporting Actress in a Musical category is super-crowded (the Dear Evan Hansen mothers would have been a shoo-in for me there). My only real point of issue comes with the categorisation for the & Juliet players – are you really going to nominate Oliver Tompsett as a lead and then put Cassidy Janson in the supporting category? Did you not see the show, or get any of its message at all?!

Voting for the winners is open now and closes on 27th January 2020, with the winners being revealed at a ceremony on 1st March 2020.

Best Actor in a Play, sponsored by Edwardian Hotels

Tom Hiddleston – Betrayal – Harold Pinter Theatre
Andrew Scott – Present Laughter – The Old Vic
Matt Smith – Lungs – The Old Vic
Wendell Pierce – Death of a Salesman – Young Vic / Piccadilly Theatre
Laurie Kynaston – The Son – Kiln Theatre / Duke of York’s Theatre

Best Actress in a Play, sponsored by Tonic Theatre

Claire Foy – Lungs – The Old Vic
Zawe Ashton – Betrayal – Harold Pinter Theatre
Hayley Atwell – Rosmersholm – Duke of York’s Theatre
Sharon D Clarke – Death of a Salesman – Young Vic / Piccadilly Theatre
Juliet Stevenson – The Doctor – Almeida Theatre Continue reading “2020 What’s On Stage Award nominations”

Review: High Fidelity, Turbine Theatre

A complete lack of charm makes this musical adaptation of High Fidelity tough-going at the Turbine Theatre

“Ian’s here
To offer a safe haven
Where you can be yourself
Unshackled and unshaven.”

I’d forgotten about Natalie Imbruglia, so I was happily grateful for the (albeit sneering) reminder about her in High Fidelity and popped her greatest hits on on the way home from Battersea’s Turbine Theatre. I was not tempted to listen again Tom Kitt’s score, which is a bit of a problem when you’ve just seen a new musical. It’s indicative of this choice of production at this new theatre, which at best could be described as curious, though problematic feels closer to the truth.

Though Nick Hornby’s novel and its inevitable cinematic adaptation garnered a level of popularity, they were very much products of their time, the 90s in microcosm. And David Lindsay-Abaire’s US adaptation, retooled here for the UK by Vikki Stone, does little to adjust that, ultimately coming up with something that already feels like a period piece. Oh look a geek, haha! Oh look a vegan, hahaha! Oh look a woman who’s way out of my league who was somehow my girlfriend and who I will stalk until she gets back together with me, hahahahahaha. Continue reading “Review: High Fidelity, Turbine Theatre”

Review: Torch Song Trilogy, Turbine Theatre

The Turbine Theatre opens with a production of 80s gay classic Torch Song Trilogy

“Just because I said that’s what I want doesn’t mean that’s what I want. I mean, that’s what I want but that doesn’t mean that I’m necessarily ready for it”

I remain unconvinced that what London wants, needs or is ready for is yet another new theatre but regardless, the Turbine Theatre is here, lurking under the arches in the shadow of Battersea Power Station like a cross between the Menier Chocolate Factory and the Union Theatre.

Its opening salvo is a production of Harvey Fierstein’s Torch Song Trilogy, directed by Drew McOnie in his straight play debut and in terms of appealing to – indeed finding – a new core audience (in lieu of the community of people who will actually live in this new development, heading for the gays makes for a wise choice. Continue reading “Review: Torch Song Trilogy, Turbine Theatre”