Episode 1 of Unprecedented features strong writing from James Graham, Charlene James and John Donnelly
“It’s clear that everything’s going to be different…
and then again, I’m scared that things won’t be different”
It is with an admirable speed with which Headlong and Century Films have pulled together Unprecedented, a theatrical response to the impact of lockdown on society. Conceived, written, filmed and produced in lockdown, and now airing on BBC4, some of our most exciting playwright and a cast of over 50 really have pulled together impressively and this first instalment of three short plays is certainly promising.
Necessity is the mother of invention, or something, and so all three use digital conferencing technology in one way or another and if anything, there’s no bigger marker in the way that our relationships to each other have been altered than this. How many of us even knew what Zoom was in January? And between them, writers James Graham, Charlene James and John Donnelly deftly sketch some of these changes. Continue reading “TV Review: Unprecedented, Episode 1”
The National Theatre has today announced further productions that will be streamed live on YouTube every Thursday at 7PM BST via the National Theatre’s YouTube channel as part of National Theatre at Home; the new initiative to bring content to the public in their homes during the Coronavirus outbreak. The titles announced today include productions from partner theatres which were previously broadcast to cinemas by National Theatre Live. Continue reading “News: National Theatre at Home Phase 3”
Headlong and Century Films have today announced a cast of over 50 UK actors taking part in Unprecedented: Theatre from the State of Isolation. A series of new digital plays written in response to the current Covid-19 Pandemic, Unprecedented will be broadcast across the nation during lockdown as part of BBC Arts’ Culture in Quarantine initiative.
Written by celebrated playwrights and curated by Headlong, Century Films and BBC Arts, Unprecedented explores our rapidly evolving world, responding to how our understanding and experiences of community, education, work, relationships, family, culture, climate and capitalism are evolving on an unprecedented scale. The series will ask how we got here and what the enduring legacy of this historic episode might be. Continue reading “News: cast announced for Unprecedented: Theatre from a State of Isolation”
James Graham’s Quiz makes a marvellous leap from stage to screen
“People still want to gather as a nation, to experience something big together”
Not a huge amount to say about the TV adaptation of James Graham’s Quiz, a show I enjoyed in the West End, not least because of its interactive elements (even if we lost). It bloomed in the televisual treatment, losing a little of its structural intricacy but gaining a narrative through-line that really worked, the explosive arrival of Helen McCrory’s QC making it worth the while. And the story remains as intriguing as ever, though just as free from doubt for me.
They totally did it, right – the Ingrams may have been stitched up in court by the tinkered-with evidence (and credit to Matthew Mcfadyen and Sian Clifford for two excellent performances) – but they totally did it. Fun to see cameos like Paul Bazeley’s Lionel from Legal and Maggie Service’s Kerry the Floor Manager, and original cast members like Sarah Woodward and Keir Charle too.
Playwright James Graham may have had two plays in the West End at the same time but can he handle ten questions from me?!
Though he’s arguably now best known as a purveyor of politically heavyweight substance, I was lucky enough to catch a couple of James Graham’s earlier works, where I pretty much fell in love with him there and then. Most notably in The Man, where we had the privilege of him performing his own work – to this day, hearing both ‘Ben’ and the Black Beauty theme song bring this beautiful play to mind and an artful tear to the eye. Revival soon please.
It’s a time he remembers well too:
“I have tons of fond memories! And stomach churning fears. Taking it on the road around the UK was a real privilege – to get to speak your own text while staring at the whites of the eyes of the audience. Horrifying and fun.”
Continue reading “10 questions for 10 years – James Graham”
Original History Boy Samuel Barnett takes on the 10 Questions for 10 Years challenge
Even though I demurred from seeing The History Boys
on stage, I’ve loved much else of Samuel Barnett’s work in so many ways. London was cruelly cheated of his Viola
but it was in some of his earlier plays that he really stood out for me.
“I really enjoyed that kabuki drop at the beginning…and I loved playing Witwoud. It was a joy to play a character who is so much funnier, brighter and wittier than I am. I loved the cast too. ”
“That remains one of my favourite jobs. The writing, the cast, our amazing director James Grieve, and playing in the old Bush theatre: it was one of those rare jobs where everything came together so perfectly. I adored working so closely with Kate O’Flynn, who is just phenomenal. Perhaps my favourite bit was the last few lines about the colour of love, and the snow falling. Got me every time.”
Continue reading “10 questions for 10 years – Samuel Barnett”
Gary: A Sequel to Titus Andronicus
What the Constitution Means to Me
Ain’t Too Proud
Tootsie Continue reading “The complete 73rd Tony nominations”
BEST ACTOR IN A SUPPORTING ROLE IN A MUSICAL
Jonathan Bailey for Company at Gielgud Theatre
Clive Carter for Come From Away at Phoenix Theatre
Richard Fleeshman for Company at Gielgud Theatre
Robert Hands for Come From Away at Phoenix Theatre
BEST ACTRESS IN A SUPPORTING ROLE IN A MUSICAL
Patti LuPone for Company at Gielgud Theatre
Ruthie Ann Miles for The King And I at The London Palladium
“The Queens” – Aimie Atkinson, Alexia McIntosh, Millie O’Connell, Natalie Paris, Maiya Quansah-Breed and Jarneia Richard-Noel – for Six at Arts Theatre
Rachel Tucker for Come From Away at Phoenix Theatre Continue reading “2019 Laurence Olivier Awards nominations”
Despite some considerable talent involved, I vote to leave Brexit: The Uncivil War
“It says here you basically ran the Leave campaign and yet I doubt most people have ever heard of you”
It is difficult to watch Brexit: The Uncivil War because it is hard to locate a raison d’être for telling this story as a drama rather than a documentary. Given how close it is to the present day and the way in which so much has still yet to unfold in the way the UK eventually disentangles from the EU, making the choice to start creating art around it feels an odd choice.
I’ve long been a fan of James Graham, like any rational person, and the way he has been able to dig deep and really explore so many of the issues afflicting contemporary society has been brilliantly in evidence. But it is hard not to feel that Brexit is a mis-step in the way that it seeks to reinterpret the roles of the key dramatis personae in this whole sorry shebang. Continue reading “TV Review: Brexit: The Uncivil War”
Whether you get to make your West End debut or not, James Graham’s Quiz is great fun at the Noël Coward Theatre
“It’s a 50:50 – guilty or not-guilty”
It’s taken me a little while to get around to seeing James Graham’s Quiz but it proved more than worth it as this particular matinée was undoubtedly enhanced by the West End debut of…me and my Aunty Jean! Treading the boards of the Noël Coward Theatre was an unexpected bonus to a highly enjoyable afternoon, and I look forward to the next role that Mr Graham creates for me…
But back to the matter at hand. Transferring over from Chichester, Quiz takes a cock-eyed look at the world of light entertainment, and the way in which ‘constructed reality’ has bled into the larger narrative not just of our television, but of our society. Using the ‘coughing major’ scandal of Who Wants To Be A Millionaire as a jump-off point, we dive into meaty notions of truth and justice in a media-dominated age. Continue reading “Review: Quiz, Noël Coward”