Playwright James Graham may have had two plays in the West End at the same time but can he handle ten questions from me?!
Though he’s arguably now best known as a purveyor of politically heavyweight substance, I was lucky enough to catch a couple of James Graham’s earlier works, where I pretty much fell in love with him there and then. Most notably in The Man, where we had the privilege of him performing his own work – to this day, hearing both ‘Ben’ and the Black Beauty theme song bring this beautiful play to mind and an artful tear to the eye. Revival soon please.
It’s a time he remembers well too:
“I have tons of fond memories! And stomach churning fears. Taking it on the road around the UK was a real privilege – to get to speak your own text while staring at the whites of the eyes of the audience. Horrifying and fun.”
Continue reading “10 questions for 10 years – James Graham”
Original History Boy Samuel Barnett takes on the 10 Questions for 10 Years challenge
Even though I demurred from seeing The History Boys
on stage, I’ve loved much else of Samuel Barnett’s work in so many ways. London was cruelly cheated of his Viola
but it was in some of his earlier plays that he really stood out for me.
“I really enjoyed that kabuki drop at the beginning…and I loved playing Witwoud. It was a joy to play a character who is so much funnier, brighter and wittier than I am. I loved the cast too. ”
“That remains one of my favourite jobs. The writing, the cast, our amazing director James Grieve, and playing in the old Bush theatre: it was one of those rare jobs where everything came together so perfectly. I adored working so closely with Kate O’Flynn, who is just phenomenal. Perhaps my favourite bit was the last few lines about the colour of love, and the snow falling. Got me every time.”
Continue reading “10 questions for 10 years – Samuel Barnett”
Gary: A Sequel to Titus Andronicus
What the Constitution Means to Me
Ain’t Too Proud
Tootsie Continue reading “The complete 73rd Tony nominations”
BEST ACTOR IN A SUPPORTING ROLE IN A MUSICAL
Jonathan Bailey for Company at Gielgud Theatre
Clive Carter for Come From Away at Phoenix Theatre
Richard Fleeshman for Company at Gielgud Theatre
Robert Hands for Come From Away at Phoenix Theatre
BEST ACTRESS IN A SUPPORTING ROLE IN A MUSICAL
Patti LuPone for Company at Gielgud Theatre
Ruthie Ann Miles for The King And I at The London Palladium
“The Queens” – Aimie Atkinson, Alexia McIntosh, Millie O’Connell, Natalie Paris, Maiya Quansah-Breed and Jarneia Richard-Noel – for Six at Arts Theatre
Rachel Tucker for Come From Away at Phoenix Theatre Continue reading “2019 Laurence Olivier Awards nominations”
Despite some considerable talent involved, I vote to leave Brexit: The Uncivil War
“It says here you basically ran the Leave campaign and yet I doubt most people have ever heard of you”
It is difficult to watch Brexit: The Uncivil War because it is hard to locate a raison d’être for telling this story as a drama rather than a documentary. Given how close it is to the present day and the way in which so much has still yet to unfold in the way the UK eventually disentangles from the EU, making the choice to start creating art around it feels an odd choice.
I’ve long been a fan of James Graham, like any rational person, and the way he has been able to dig deep and really explore so many of the issues afflicting contemporary society has been brilliantly in evidence. But it is hard not to feel that Brexit is a mis-step in the way that it seeks to reinterpret the roles of the key dramatis personae in this whole sorry shebang. Continue reading “TV Review: Brexit: The Uncivil War”
Whether you get to make your West End debut or not, James Graham’s Quiz is great fun at the Noël Coward Theatre
“It’s a 50:50 – guilty or not-guilty”
It’s taken me a little while to get around to seeing James Graham’s Quiz but it proved more than worth it as this particular matinée was undoubtedly enhanced by the West End debut of…me and my Aunty Jean! Treading the boards of the Noël Coward Theatre was an unexpected bonus to a highly enjoyable afternoon, and I look forward to the next role that Mr Graham creates for me…
But back to the matter at hand. Transferring over from Chichester, Quiz takes a cock-eyed look at the world of light entertainment, and the way in which ‘constructed reality’ has bled into the larger narrative not just of our television, but of our society. Using the ‘coughing major’ scandal of Who Wants To Be A Millionaire as a jump-off point, we dive into meaty notions of truth and justice in a media-dominated age. Continue reading “Review: Quiz, Noël Coward”
No real big surprises here though it was a shame that Hamilton’s success (7 awards in total) crowded out Everybody’s Talking About Jamie from nabbing anything. Particularly pleased to see Terera and Atim’s efforts recognised, it’s almost like I saw it coming…
Best New Play
The Ferryman: Gielgud Theatre and Jerwood Theatre Downstairs at the Royal Court Theatre – WINNER
Ink: Almeida (& Duke of York’s) Theatre
Network: National Theatre – Lyttelton
Oslo: Harold Pinter Theatre
Best New Musical
An American In Paris – Dominion Theatre
Everybody’s Talking About Jamie – Apollo Theatre
Girl From The North Country – The Old Vic
Hamilton – Victoria Palace Theatre – WINNER
Young Frankenstein – Garrick Theatre Continue reading “Winners of the 2018 Olivier Awards”
“But what I say is true
You’ll be amazed”
I saw, and rather liked, the musical of Finding Neverland
when it premiered in Leicester back in 2012
but given the extreme redevelopment it underwent thanks to Harvey Weinstein’s involvement, the show that opened on Broadway in 2015 was substantially different. A new bookwriter (James Graham), a new lyricist (Eliot Kennedy) and a new composer (Gary Barlow) were brought onboard for a near complete overhaul.
And I have to admit to having had the Original Broadway Cast Recording on my to-listen-to list ever since it was released, the involvement of Mr Barlow not having the immediate attraction that it would to, say, my elder sister ;-). But more fool me, for having given it a spin, I tumbled instantly for its charms, hitting the replay button on several of the songs and declaring it one of my most favourite cast albums I’ve listened to this year. Continue reading “Album Review: Finding Neverland (2015 Original Broadway Cast Recording)”
“I should warn you that nobody likes me”
Truth be told, I resisted seeing Ink for the longest time, mainly because I had zero desire to see a play about Rupert Murdoch. I feel the same way about Thatcher – I will never see The Iron Lady (sorry Meryl) or any other Maggie-based drama because I just damn well don’t want to. These firmly held convictions can of course be bypassed by sourcing me a free ticket (I stepped in for an otherwise occupied colleague) and so I was able to get the best of both worlds – onto a winner if it was good, and easily able to sneer (cos yes, I am that person) if it was bad.
And as with so much in life, the truth was somewhere inbetween. I could see how good Bertie Carvel’s performance as Murdoch was, naturally far more than a simple caricature, but I still felt uneasy whilst watching him – and the play in general – about what still felt like a tacit endorsement somehow, of an institution that I believe to be thoroughly reprehensible. Ink isn’t straightforwardly about The Sun though, Graham is far too canny a writer for that. His target is journalistic ethics as a whole, using Murdoch’s purchase of that paper in the 1960s as a tipping point for tabloid behaviour. Continue reading “Review: Ink, Almeida”
The National Theatre last night hosted its biennial fundraising gala, Up Next, raising over a million pounds to support access to the arts for children and young people across the country. I think they forgot to invite me though… 😜
Performances commissioned especially for the event included a new piece by Poet Laureate Carol Ann Duffy, alongside performances by Sir Lenny Henry, Anne-Marie Duff and hundreds of talented young people from across London.
Continue reading “News (and photos): National Theatre gala (plus actors in suits!)”