Dan Rebellato interviews Lucy Kirkwood in a fascinating chat which covers all sorts, including her most recent, sadly curtailed, hit The Welkin
The National Theatre has today announced nine productions that will play on the South Bank in 2020-2021 alongside previously announced shows. These run alongside their international touring productions, three plays that will tour to multiple venues across the UK and a West End transfer. The NT also announces today that it will increase the quantity of low-price tickets on the South Bank by 25%, with 250,000 available across the year at £20 or less.
In the Olivier Theatre the critically acclaimed production of Andrea Levy’s epic novel Small Island directed by Rufus Norris returns following a sold-out run in 2019. Adapted for the stage by Helen Edmundson, the revival will run from late October 2020 with casting to be announced. Continue reading “News: the National Theatre announces 9 new productions for 2020-21”
“Nobody blames God when there’s a woman can be blamed instead”
There are moments in Lucy Kirkwood’s new play The Welkin that are just outstanding. The opening tableau of silhouetted women engaged in housework is one for the ages, the early montage of women being empanelled onto a jury is as compelling a piece of social history as has ever been committed to the stage as well as looking stunning, and the final scene is equally full of iconic imagery (that veil, that walk, that ribbon, that realisation!).
Set on the Norfolk/Suffolk borders in 1759, the play focuses on a quirk of English justice at the time. A child has died and Sally Poppy has been sentenced for the crime (by men) but as she is claiming to be pregnant – something which if true, would commute her sentence from death to transportation – a “jury of matrons” must decide if she is telling the truth. Thus 12 local woman are summoned and locked in a room to determine her fate. Continue reading “Review: The Welkin, National Theatre”
Simon Godwin returns to the National Theatre to direct Shakespeare’s ROMEO & JULIET following his critically-acclaimed productions of Antony and Cleopatra and Twelfth Night in the Olivier Theatre. Set in modern Italy in a world where Catholic and secular values clash, Jessie Buckley (Wild Rose, Judy) and Josh O’Connor (The Crown, God’s Own Country) play the two young lovers who strive to transcend a world of violence and corruption. Fisayo Akinade (The Antipodes, Barber Shop Chronicles) is cast as Mercutio. The production will open in the Olivier Theatre in August 2020.
Set and costume design by Soutra Gilmour, lighting design by Lucy Carter, composition by Michael Bruce and sound design by Christopher Shutt. Continue reading “News: new productions and casting updates for the National Theatre”
Following a sell-out run at Rose Theatre Kingston, the acclaimed two-part adaptation of Elena Ferrante’s MY BRILLIANT FRIEND by April De Angelis is reworked for the Olivier stage by Melly Still (Coram Boy). When the most important person in her life goes missing without a trace, Lenu Greco, now a celebrated author, begins to recall a relationship of more than 60 years. Continue reading “News: the National Theatre announces 15 new productions for 2019 and 2020”
Farinelli and the King
Harry Potter and the Cursed Child, Parts One and Two
Latin History for Morons
The Band’s Visit
SpongeBob SquarePants: The Musical
Best book of a musical
Itamar Moses for The Band’s Visit
Jennifer Lee for Frozen
Tina Fey for Mean Girls
Kyle Jarrow for SpongeBob SquarePants: The Musical Continue reading “The complete 72nd Tony nominations”
“I can be anything I want.
I can be a Hufflepuff if I want.”
Just a quickie for this as it closes this week (I had the unfortunate accident of being in Vienna for its press night). Lucy Kirkwood’s Mosquitoes has been a sell-out success for the National, packing out the Dorfman perhaps initially for its deluxe casting of two Olivias – Colman and Williams – but latterly due to some superb word of mouth as well. And given that this is largely a play about two sisters who can’t help but bicker all their lives, it is brilliantly well cast.
Williams is Alice, a scientist working at the Large Hadron Collider at CERN and Colman is Jenny, a medical sales rep living in Luton. Nominally, the former is a success, the latter a fuckup, an idea reinforced by Jenny arriving in Geneva to recuperate from a devastating personal loss. But Kirkwood’s writing is far too nuanced to let that be all, she thoroughly interrogates our preconceptions as she whirls through a universe-ful of ideas including anti-vaxxers, revenge porn, society’s inherent misogyny, science and religion and much more besides. Continue reading “Review: Mosquitoes, National Theatre”
“At our time of life, we simply cannot deal with this shit”
It’s interesting to see the things that make ruffles in the theatrical establishment and those which pass by without comment. Vicky Featherstone’s reign at the Royal Court has not been without its uneven moments but the fact that The Children will be followed on the main stage by the return of Escaped Alone is indicative both of the daring nature of her programming in forefronting stories about older people, and also its success.
Lucy Kirkwood’s new play further ups the ante in making her protagonists sexual beings, her trio of retired scientists are battling not only the fallout from nuclear disaster but from the collision of their emotional lives. Nearly 40 years ago, Hazel and Rose were rivals for Robin and the play opens with the two women seeing each other for the first time since then. It’s a stilted, strange encounter, further complicated by Robin’s arrival. Continue reading “Review: The Children, Royal Court”
Lenny Henry in Fences
Lesley Manville in Ghosts
The John and Wendy Trewin Award for Best Shakespearean Performance
Rory Kinnear in Othello
Lindsay Turner for Chimerica
Es Devlin for Chimerica
The Jack Tinker Award for Most Promising Newcomer [other than a playwright]
Kate O’Flynn in Port
NATASHA RICHARDSON AWARD FOR BEST ACTRESS
Linda Bassett, Roots (Donmar Warehouse)
Lesley Manville, Ghosts (Almeida)
WINNER Helen Mirren, The Audience (Gielgud)
Billie Piper, The Effect, National (Cottesloe)
Kristin Scott Thomas, Old Times (Harold Pinter) Continue reading “Winners of the 2013 London Evening Standard Theatre Awards”