Icelandic crime thriller Trapped returns for a heart-breakingly good second series
“Does this concern politics, or is this a family affair?”
It can seem like we’re swimming in acclaimed Nordic crime series but Baltasar Kormákur’s Ófærð (also known by its English title Trapped) was the one worth catching in 2016. Its first series had an ingenious concept which saw its cast literally trapped by the wintry weather in a remote Icelandic town and perhaps wisely, Series 2 opts for a different season and a different setting in which to reunite its crime-fighting team.
So we’re in the northern town of Siglufjörður and though he’s now based in Reykjavík, Ólafur Darri Ólafsson’s police chief Andri finds himself drawn to an unfolding case which has both professional and personal implications. And topically, writers Sigurjón Kjartansson and Clive Bradley draw in a number of hot button topics – homophobia, Islamophobia folded into a general sense of the rise of the Far Right, plus a dose of environmental exploitation to amp up the relevance points. Continue reading “TV Review: Trapped Series 2”
Season 2 of Harlots maintains an impressive run for this excellent series
“You let women do this to you?”
I loved the first series of Harlots when I finally got round to catching up with it recently, so I was keen not to let too pass to tackle Series 2. Inspired by Hallie Rubenhold’s The Covent Garden Ladies, creators Alison Newman and Moira Buffini have done a marvellous job of conjuring and maintaining a richly detailed world that puts women’s experiences front and centre.
The heart of the show has been the burning rivalry between competing madams Lydia Quigley and Margaret Wells, and Lesley Manville and Samantha Morton remain a titanic force as they do battle with each other while simultaneously battling a corrupt patriarchy that would abuse them and their power for a guinea a time. And with its new additions, this second series widens out that focus to incorporate the experiences of other women. Continue reading “TV Review: Harlots Series 2”
I can’t work up much enthusiasm for the first episode of this third series of Sky Atlantic show Fortitude
“I’m not putting that in my notebook”
The first series of Simon Donald’s Fortitude was a revelation as its ricocheting from style to style cohered into something most effective so Sky Atlantic’s to commission a second was not unexpected but nor was it successful. So it was something of a surprise to discover a third season was in the works but at just four episodes long, to wrap the story, it might just do something to right those wrongs.
On the evidence of this first episode though, I’m not too sure. The mythos of the show has become so convoluted and depressingly nasty that it is hard to work up the enthusiasm for the trials of these (fool)hardy residents in the far north of Arctic Norway. The wasps with their prehistoric parasites are still causing all kinds of trouble for everyone as more and more people are changed and made more violent and, well, watch this space…
Ruth Wilson excels in the intriguing Mrs Wilson, a drama that couldn’t possibly be true…
“You know all you need to know”
Mrs Wilson begins with ‘the following is inspired by real events’ but the truth is even more than that, as main protagonist Alison Wilson is played by Ruth Wilson, who just happens to be her granddaughter. For the story is taken from the extraordinary revelations of her own family history and adapted into a three-part serial here, which is marvellously tense and beautifully filmed.
We begin on an ordinary day in the early 60s as Alison nips home from her job to make a lunch of cold cuts for her novelist husband Alec. He doesn’t make it down to the table though as he’s kicked the bucket and instantly, hints of mystery abound as she hides his wallet and makes a surreptitious phone call. What she doesn’t expect is the knock on the door a few days later from a woman who claim to be his wife. Continue reading “TV Review: Mrs Wilson”
I can’t help but think Humans might have run its course as a uniquely intelligent and British sci-fi drama
“…the coming together of man and machine. You can change the course of history…”
I’ve enjoyed where Humans has taken us thus far, and the beginning of a third series seemed promising. But as I got to the end of this season and twist after twist pointed at where the story might well continue, it felt like I might have reached my expiration date with the show.
The human/synth baby that Mattie is carrying, Niska’s transformation into ur-Niska, V’s survival…it’s hard not to feel that any of these feel far less interesting than where Humans are trod thus far in its carefully balanced but uniquely British brand of sci-fi. Continue reading “TV Review: Humans Series 3”
Series 11 of Doctor Who comes to an end and it’s a big yes from me – a hugely successful refresh for this beloved series
“I have to lay down the rules if someone’s new”
From the opening episode, I knew that Series 11 of Doctor Who was going to do it for me. New head writer and executive producer Chris Chibnall’s reset was most obvious in the casting of Jodie Whittaker as the Thirteenth Doctor but it was his other changes – namely a real widening of the pool of writers and a pronounced shift in tone – that really defined the shape of this new Doctor Who.
For all its sci-fi nature, that shape was decidedly human. The tragic death of Sharon D Clarke’s Grace was a defining moment in that opening episode, providing the trigger for this TARDIS crew to come together. And rather beautifully, the series really allowed for a full exploration of everyone’s different grief at her passing, culminating in the brutal power of Ed Hime’s ninth episode It Takes You Away.
And pivoting away from the oft-times densely packed complexity of the show’s mythology, the storytelling pointed less at grand alien threats but rather to the foibles of human nature – the enemy within. The racism of Rosa, written by Malorie Blackman with Chibnall, Vinay Patel’s exploration of the British colonial legacy around Partition in Demons of the Punjab, this was science-fiction as its most powerful, commenting powerfully on contemporary society (and naturally provoking the kind of outrage you’d expect). Continue reading “TV Review: Doctor Who Series 11”
The Secret of Crickley Hall is a disappointing ghost story that not even Suranne Jones can rescue
“Hands up who wants to move out of here
‘Hands up who wants to know where Cam is?'”
You know how it is. You nod off while you’re watching your son at the playground and then he disappears. And then 11 months later you move to the north and find yourself in a haunted mansion where his spirit starts talking to you. Such is the world of The Secret of Crickley Hall, which flits between affecting family drama and haunted house hokum as it follows its parallel timestreams.
Adapted by Joe Ahearne from James Herbert’s novel (airing on the BBC on 2012), the current-day trials of the relocated Caleigh family run alongside the experience of the group of orphans who were evacuated there in 1943. At the heart of the story lies Eve, wracked with guilt over the disappearance of her son Cam, the conviction that she has some kind of sixth sense leaving her susceptible to the torrid history of her new home. Continue reading “TV Review: The Secret of Crickley Hall (2012)”
The best TV show you haven’t heard about? Harlots just might be it!
“When the time comes, I hope your quim splits”
I suppose that it is good that we have so many more options for good television to be made these days. The flipside to that is that it can be harder to keep track of it all. Harlots is fricking fantastic, a hugely enjoyable and high quality drama but airing on ITV Encore (and Hulu in the US), it has languished in the doldrums of the unfairly unheralded.
A glance at the castlist shows you how much of a waste this is. Samantha Morton and Lesley Manville at the head, Jessica Brown Findlay, Hugh Skinner and Dorothy Atkinson among the supporting, Fenella Woolgar, Danny Sapani and Kate Fleetwood popping up now and again too. This is luxury stuff and yet criminally few know about it. Continue reading “TV Review: Harlots Series 1”
With a cast including Sarah Lancashire, Lucian Msamati and Lia Williams, how could Kiri be anything but good
“Stick a flake in it before you try and sell it to the tabloids will you”
Airing on Channel 4 at the beginning of the year, Jack Thorne’s Kiri was billed as a continuation of his National Treasure brand (I managed one episode of that first series…). But any fears I had of not liking it were assuaged by a cast led by Sarah Lancashire, Lucian Msamati and Lia Williams, plus this far down the line, I’d heard enough good things about it to finally get round to watching.
Set in Bristol, Kiri follows the abduction of a young black girl – Kiri – in the foster care system, as she is allowed a meeting with her birth grandparents in advance of her adoption by a white middle-class family. Her social worker Miriam has arranged this unorthodox meeting and sure enough, the proverbial hits the fan when she gets a phone call to say she has gone missing. Continue reading “TV Review: Kiri”
I finally get round to catching up with the glories of Nothing Like a Dame – Atkins, Dench, Plowright, Smith, nothin’ acts like these dames
“There’s this new girl…”
Peter Bradshaw wittily deemed Nothing Like a Dame ” an Avengers: Infinity War of theatrical anecdotery” and as the likes of Peggy, Sir John, and Larry are casually namedropped, you can’t help but disagree. But when the people around the table are Eileen Atkins, Judi Dench, Joan Plowright and Maggie Smith, it’s a wonder they’re not dropping more! Continue reading “TV Review: Nothing Like a Dame”