As the clocks go back, the prestige TV shows come out, so I checked out the first episodes of The Undoing, Roadkill and The Sister to find not one but two Scandiqueens
“Sounds like we’re digging in for a long answer”
With a company that includes Noma Dumezweni and the empress of jumpers Sofie Gråbøl, I was initially a little disappointed that neither appeared in the first episode of new HBO show The Undoing. But when your leads are Nicole Kidman and Hugh Grant, your writer is David E Kelley and your director is Susanne Bier, then there’s little to complain about. Based on a Jean Hanff Korelitz novel and set in the dripping wealth of the Upper East Side, the tantalising promise of murder and adultery is skilfully woven across this opening episode and I’m definitely hooked. Continue reading “New TV shows for winter”
Mike Bartlett’s Life brings Victoria Hamilton back to the screen in a reprise for her Doctor Foster character
Created and written by Mike Bartlett and produced by Drama Republic, Life stars Alison Steadman,Peter Davison,Adrian Lester,Victoria Hamilton,Melissa Johns,Rachael Stirling,Saira Choudhry, Erin Kellyman,Calvin Demba and Joshua James.
Victoria Hamilton will reprise her role from Doctor Foster – now going by the name of ‘Belle’, rather than Anna – and seeking to rebuild her life anew.
The best TV show of the year? Definitely so far…Michaela Coel’s I May Destroy You is just superb
“Just look in the mirror, you know what I mean? It’s really uncomfortable and unnerving for everyone”
Has ‘the grey area’ ever seemed so interesting? Probing into the complexities of real life and fully embracing the fact that there are rarely ever any simple answers, Michaela Coel’s I May Destroy You has felt like a real breath of bracingly fresh air.
Sexual consent for straights and gays, dealing with trauma on a personal and institutional level, the perils of buying into social media hype, portraying the scale of casual sex and drug use whilst acknowledging its inherent pitfalls, examining how we bury memories from both the recent and distant past and that’s just scratching the surface. Continue reading “TV Review: I May Destroy You”
A cast led by Michaela Coel, Noma Dumezweni, John Goodman and Lucian Msamati make Hugo Blick’s complex Black Earth Rising watchable if not quite essential
“That is why I made a deal like that”
A tricky one this. At this point, you know what you’re getting with a Hugo Blick drama (qv The Shadow Line, The Honorable Woman), weighty complex dramas with amazing casts tackling inscrutable global conspiracies. And Black Earth Rising is no different, as it puts the Rwandan genocide and its aftermath under the microscope, examining Western colonial and capitalist attitudes towards Africa along with the role of the Iinternational Criminal Court.
And with a cast led by Michaela Coel, Noma Dumezweni, Harriet Walter, John Goodman and Lucian Msamati to name just a few, it is naturally eminently watchable. Coel plays Kate Ashby, a young woman with a complicated relationship with her barrister mother Eve (Walter). Eve adopted Kate from Rwanda years back but her decision to take on a case prosecuting a Tutsi general who, after helping end the genocide, went on to commit war crimes in neighboringDemocratic Republic of Congo, outrages Kate who is also Tutsi. Continue reading “TV Review: Black Earth Rising”
Series 2 of Top Boy- Summerhouse is, quite frankly, exceptional
“I don’t wanna go to Ramsgate”
The first series of Top Boy surprised me at just how good it was, making a mockery of my earlier decision that it wasn’t my kind of thing. So I launched straight into the second series (now labelled Top Boy- Summerhouseon Netflix), unprepared for how harrowing it would get. It may have taken two years for it to be created but boy it was worth the wait.
Ronan Bennett’s series picks up one year later with Dushane’s (Ashley Walters_ status at the head of the Summerhouse estate as equally precarious and secure as ever, forever dependent on the next big drug delivery. But the Albanians have got their own plans, former besty Sully is setting up his own rival crew and the police have just dug up a body – eep! Continue reading “TV Review: Top Boy – Summerhouse (Series 2)”
Top Boy – Summerhouse easily makes a mockery of my previous decision that this wasn’t my type of thing.
“We’re gonna need some more time, and we’re gonna need some guns”
With the renewed vigour behind the Black Lives Matter movement and people’s determination (myself included) to do better at recognising black talent, it’s interesting to look back at the challenges they have faced. You’d imagine that Top Boy, a crime drama set in the heart of a fictional estate in Hackney, East London, would have been written by a black writer but as it turns out, Ronan Bennett is white and hails from Northern Ireland.
The series dates back to 2011 and I can’t speak to the realities of Channel 4’s commissioning process but it merits a raised eyebrow. Fortunately, Bennett’s assiduous research means that Top Boy (renamed Top Boy – Summerhouse on Netflix) does better than most at evoking the brutality and bullishness of gang life in the East End, where conventional notions of good and bad are cast aside in the name of survival by whatever means. Continue reading “TV Review: Top Boy – Summerhouse (Series 1)”
Series 2 of Chewing Gum sees Michaela Coel nail the ‘two series and out’ trajectory of some of the best British sitcoms
“I’m not 17, I’m a grown-up woman. I just…regularly make childlike mistakes”
I belatedly came to Chewing Gum just now and watched both the first series and this second one in a single sitting each, their addictive nature and too-easily bingeable lengths giving me two fine nights in front of the TV.
Writer and creator Michaela Coel rarely let her imagination get in the way of the first six episodes but here, the expansion of Tracey’s world beyond her Tower Hamlets estate is quite simply fucking hilarious. Plus, the marvellous Sinéad Matthews appears in this series too. Continue reading “TV Review: Chewing Gum (Series 2)”
The superlative Michaela Coel looks to have absolutely nailed with new TV show I May Destroy You
“How did last night end?”
I mean we knew I May Destroy You would be good but damn, it’s really good. Even on the evidence of episodes 1 & 2 which have just been released by the BBC, Michaela Coel – whose credits here include executive producer, co-director, star, and writer – looks set to thoroughly invigorate our TV screens as she breathlessly tackles, well, pretty much the whole of contemporary society.
At the top of it, I May Destroy You is a drama about consent, though it is immediately clear that Coel’s canvas and the scope of her ambition is much larger than that. It blends just as much comedy as tragedy into its playfully inventive structure. And though the hook is Coel’s Arabella – a 30-something London-based writer – trying to piece together the memories of a night where her drink was spiked and she was sexually assaulted, there’s so much more about the lives of young Black British people filled out along the way. Continue reading “TV Review: I May Destroy You, Episodes 1 & 2”