All hail the return of nuanced, intelligent sci-fi – series 3 of Humans starts on Channel 4
“Lemonade not included”
I’m not entirely sure why Gemma Chan and Emily Berrington haven’t become hugely famous due to the world-class performances that both have been delivering for two series of Humans, the third of which has just started on Channel 4. As Synths possessed of consciousness, they manage the not-inconsiderable task of translating the world of sci-fi improbability into something deeply, deeply affecting, and this latest series shows no sign of that changing.
Following on from the events of Series 1 and Series 2, this third season takes us a year further into the future. With the consciousness code uploaded to all synths worldwide, the ensuing chaos led to ferocious reprisals from the human population which has left the synths decimated, ghettoised, shut off from the society they longed to join. And its the chill of recognition here that makes Humans works. You can call this near-future or dystopian but the anger and prejudice against the ‘other’ is as current-day as they come. Continue reading “TV Review: Humans Series 3, Episode 1”
“All we can do is what feels right”
There’s been something really quite moving about the second series of Humans
, the Sam Vincent and Jonathan Brackley Channel 4 drama which has just wound to a close. In a world that started off examining the diametrically opposed differences between humans and synths (series 1 review
), the stark black and white palette of the show has moved markedly to a murky shade of grey on both sides, complicating the actions of both parties to make us really appreciate the difficulties in deciding right and wrong.
So where the renegade synth Niska (a brilliant Emily Berrington) has decided to subject herself to human justice in order to try and find some common ground, newly awakened Hester goes fully rogue in defining humans as the absolute enemy, to brutal effect in a chilling performance from Sonya Cassidy. And questions of identity are no less complex on the human side, as the show toys with ideas of humans opting to live life as a synth and experimenting even further with technology.
Continue reading “TV Review: Humans Series 2”
“I don’t deem your remark pertinent”
I came late to Series 1 of Channel 4 drama Humans but I’m making no such mistake this time round. And perhaps conscious of the show’s enormous critical and commercial success, creators Sam Vincent and Jonathan Brackley have considerably upped the ante on this second series, spreading the reach of the story from the UK to the US, Berlin to Bolivia. And though its scale may be becoming increasingly epic, the writing has thankfully maintained its startling intimacy in its explorations of what it means to be human.
To catch you up, the show centres on the invention, and subsequent evolution, of anthropomorphic robots called synths, designed to serve humans but a certain number of whom have become ‘conscious’. This second series sees that group on the run from the authorities, dealing with the ramifications of Niska’s decision – made early on here – to grant that same life to other synths, uploading code that is gradually deactivating their conditioning worldwide. Continue reading “TV Review: Humans Series 2 Episode 1”