Following on from a sensational Ivanov with Kenneth Branagh, the Donmar Warehouse West End season continues with this prodution of Twelfth Night, featuring Derek Jacobi as the star name in a very strong cast.
After the snowfall that predictably brought London to a standstill, my journey to the Wyndham’s was extremely torturous and unfortunately put me in a foul mood which did not bode well for an evening at the theatre. And whilst this production had much to dispel the howling wind and cold outside, it didn’t quite achieve the dizzy heights the rave reviews had intimated.
One of those dark comedies full of gender-bending escapades, Twelfth Night requires a certain suspension of disbelief that was just lacking in me tonight. The comedy is there for sure, with some great laugh out loud moments, but there were too many moments where I just wanted to shout out ‘but WHY?’! I felt there wasn’t enough conviction in Viola’s decision to disguise herself, and I had no real sense of which of the men actually really wanted to meet up with ladies or just remain within their own manly (read homoerotic) company.
Continue reading “Review: Twelfth Night, Donmar at the Wyndham’s”
For me, there’s no doubt about what the first theatre post would be about. I have probably seen Joseph and the Amazing Technicolour Dreamcoat something like 20 times, played piano for one production, percussion for another, and sung in it twice (both times in the chorus 🙁 ). It occupies such a special place in my heart, and that of most of my families’ too, that I doubt I could ever grow tired of it. That said, the most recent production of this before the latest reboot, came pretty close to ruination, Stephen Gately has a lot to answer for!
Anyhow, that’s all in the past. Lee Mead won the much documented Any Dream Will Do BBC talent search and took the lead role in July 2007, and what a job he does! This was the second time I have seen this production and it still surprised me with the energy that is brings to what is such familiar material. Lee Mead really does have the air of a superstar about him and commands the stage with such gravitas, it is hard to drag the eyes away from him, plus he can’t half hold a tune, injecting real emotion into Any Dream Will Do which is no small feat. Jenna Lee James as the Narrator does not please quite as much. She seems to auditioning for a lead in another musical and belts out her numbers with varying degrees of success and little care for her diction, she appears more interested in adlibbing than actually narrating the story. Continue reading “Review: Joseph and the Amazing Technicolour Dreamcoat, Adelphi”
Best New Play
Black Watch by Gregory Burke – Barbican
August: Osage County by Tracy Letts – National Theatre Lyttelton
That Face by Polly Stenham – Duke of York’s
The Pitmen Painters by Lee Hall – National Theatre Cottesloe
Best New Musical
Jersey Boys – Prince Edward
Zorro – Garrick
The Histories – Roundhouse
The Chalk Garden – Donmar Warehouse
The Norman Conquests – Old Vic Continue reading “2009 Laurence Olivier Awards nominations”
Casting the lead for their Christmas show The Wizard of Oz with their own ‘Dorothy Idol’ talent search contest, the Lowry have been living quite dangerously. It is all the more daring when playing the role of the Wicked Witch of the West is none other than daughter of Judy Garland herself, Lorna Luft.
16 year old Katie Schofield won the role and in making her professional debut doesn’t do too bad a job, but to be brutally honest, there was little to mark her out as a particularly especial talent. Luft was great fun, camping it up with delight and the use of local children as the Munchkins added a nice touch especially with a cute Toto running around which appealed to the mostly young audience. Continue reading “Review: The Wizard Of Oz, Lowry”
Given the name of this blog, I was more than a little excited when the Menier Chocolate Factory announced their Christmas show as Stephen Sondheim’s A Little Night Music for, in case you do not know, ‘There Ought To Be Clowns’ is a lyric from the most well-known song from this musical, ‘Send in the Clowns’. It is based on Ingrid Bergman’s film Smiles of a Summer Night and with a score almost entirely written in waltz time, it is a coolly Scandinavian intellectual and detached look at romance.
Middle-aged Frederik has married Anna, his 18-year-old neighbour, and she is having difficulty with consummating the marriage. At the same time, Frederik’s son Heinrik is studying to become a minister yet lusts after Anna, who is younger than he is. When one of Heinrik’s old flames, a touring actress, returns to town with a jealous Brigadier-General (inconveniently married to one of Anna’s friends) as her current on-again off-again lover, the set of romantic relationships readjust and realign to potentially better suited pairings over a weekend in the country. Continue reading “Review: A Little Night Music, Menier Chocolate Factory”
THE SPOTLIGHT BEST ACTRESS IN A PLAY
Katy Stephens – The Histories, RSC at the Roundhouse
Deanna Dunagan – August: Osage County at the NT Lyttelton
Lesley Sharp – Harper Regan at NT Cottesloe
Lindsay Duncan – That Face at the Duke of York’s
Margaret Tyzack – The Chalk Garden at the Donmar Warehouse
Penelope Wilton – The Chalk Garden at the Donmar Warehouse
THE SPOTLIGHT BEST ACTOR IN A PLAY
Kenneth Branagh – Ivanov, Donmar West End at Wyndham’s
Adam Godley – Rain Man at the Apollo
Chiwetel Ejiofor – Othello at the Donmar Warehouse
Eddie Redmayne – Now or Later at the Royal Court Downstairs
Ian McDiarmid – Six Characters in Search of an Author at the Gielgud
Kevin Spacey & Jeff Goldblum – Speed the Plow at the Old Vic Continue reading “2009 What’s On Stage Award nominations”
Waste, a play by Harley Granville Barker, is another one of those plays that was banned when first written, in this case in 1907. Directed by actor Samuel West at the Almeida theatre, this version uses the revised 1926 text to great effect with as strong an ensemble you will find in London this autumn.
The story follows Henry Trebell an independent MP with a lifelong dream of wanting to disestablish the Church of England and build colleges on the land and has formed part of a Tory push to get the bill passed as law with their anticipated arrival in government. However, his personal life is in disarray as a casual affair with a married woman who ends up pregnant comes to light and threatens to ruin everything that he holds dear. Continue reading “Review: Waste, Almeida Theatre”
I have long struggled with Chekhov, I’ve never really seen the attraction or seen a production that made me understand why he is so well regarded as a dramatist. So when the Donmar Warehouse announced a hugely star-studded season of plays to be performed in the West End, at the Wyndhams Theatre, my heart sank a little bit to see that the first play was Ivanov, by none other than Anton Chekhov. But in a new version by Tom Stoppard, directed by Michael Grandage and featuring the return to the London stage of Kenneth Branagh, this emerged as a production that might actually have convinced me that people are onto something here!
The key to my enjoyment here was all about the humour that is threaded throughout the evening so that the dour tragedy that is something of a trademark is leavened with something else and introduces a wider palette of emotion so that the ‘tragedy’ becomes well, more tragic for being contrasted with something else on offer. So Ivanov, seeking escape from his TB-ridden wife whom he no longer loves, rocks up at the neighbours’ house on a regular basis despite owing them money and a daughter there who has designs on him. When discovered together, society turns it disapproving eye on him but it turns out there’s a far harsher critic in Ivanov himself. Continue reading “Review: Ivanov, Wyndhams”
Much of the talk about Rebecca Lenkiewicz’s new play Her Naked Skin has focused on the rather shameful fact that it is the first play by a female writer to be staged on the main Olivier stage at the National Theatre. Which whilst true and a definite achievement in itself, should not detract from the fact that this is a really rather sensationally good play.
Set in the Suffragette Movement in London in 1913 with excitement in the air as victory can be tasted, but times have never been more frenzied or dangerous as militant tendencies are at their strongest and many women are experiencing jail time on a regular basis. Lenkiewicz pitches the continuance of this struggle against the more personal story of Lady Celia Cain, bored in life and with her traditional marriage and family, who launches into a passionate lesbian love affair with a much younger, much more lower-class seamstress whom she shares a cell with and soon much more. As the affair hots up, so too does the political climate as emancipation comes closer to becoming a reality. Continue reading “Review: Her Naked Skin, National Theatre”
in-i marks a remarkable collaboration between dancer/choreographer Akram Khan and actress Juliette Binoche in which they dared each other to push personal and professional boundaries and create a work of art stretching over both their disciplines. The result is in-I, an 70 minute piece of intriguing dance theatre.
It purports to take us through the 14 different words that the Greeks have for love, but for me it felt like one could trace the turbulence of one relationship throughout. Taking us on a journey through this relationship, heavily influenced by his religious upbringing, her fears of domestic violence, as the couple come together, clash, separate, reunite and over again as they both struggle to deal with their innate fierceness. Continue reading “Review: in-i, National Theatre”