A post-modern take on porn and patriarchy, I can’t help but want to be finished off better by Wood at the VAULT Festival
The hour long timeslots of the VAULT Festival mean that although there’s a lot of great theatre on offer, there isn’t always the greatest adventurousness with form. Which is only fair, if you’ve got to be in and out in 50-odd minutes and keep your audience with you, there’s precious little time to get tricksy.
Which makes Adam Foster’s Wood all the more impressive for its formal daring in its metatheatrical layers. And speaking of going in and out, it’s a play about porn and the patriarchy. It’s also about power dynamics and the past and whether we’ve really made any progress in the face of the straight, white, male hegemony. Continue reading “Review: Wood, VAULT Festival”
“When somebody says they love you, it means they see something in you they think is worth something…it adds value to you”
Clearly Nick Payne was onto something. In his play Constellations, the infinite possibilities of the relationship between characters Marianne and Dave – as originally played by Sally Hawkins and Rafe Spall – are explored and wouldn’t you know it, fate conspired to bring them together again (Hawkins and Spall that is) in UK film X+Y, and this time with a different twist on the illness. For one reason or another, I didn’t get round to seeing X+Y (or A Brilliant Young Mind as the US would have it) at the cinema last year, which is madness considering how tailor-made for me this film is, but ultimately I’m quite glad I got to watch it in the privacy of my own home as there was a fair amount of ugly crying by the end!
Which in itself isn’t that surprising as it was written by talented playwright James Graham (The Man, This House) in a beautifully, unashamedly warm-hearted manner. Inspired by documentary Beautiful Young Minds, it follows Nathan Ellis (Asa Butterfield), a teenager somewhere on the autistic spectrum who is something of a mathematical genius. Encouraged by his maths tutor Humphreys (Spall), himself a former prodigy and suffering from his own condition, and the tireless patience of his widowed mother (Hawkins), he’s selected to represent the UK at the International Mathematical Olympiad but to do so means facing up to some major challenges. Continue reading “DVD Review: X+Y”
“For some must watch, while some must sleep”
So part two of the Hamlet week saw me making my first ever visit to Sheffield to the Crucible Theatre where director Paul Miller has reunited with frequent collaborator John Simm in tackling Shakespeare’s epic. I have resisted making any comparisons with the two productions in this review and tried my best to approach the writing of this review as if I had not seen the other.
This Hamlet is very much back to basics, very few props and frippery onstage, so that quite often what we are seeing is simply just a group of actors acting. And whilst on the one hand that was nice to see, on the other, it did mean that there was a whole lot of just standing around and the limited emotional palette with which they had to work meant that too often the connections just weren’t there between the characters, Ophelia and Laertes might as well have been strangers for example. Continue reading “Review: Hamlet, Crucible”