The Inheritance, by Matthew Lopez
Heroes of the Fourth Turning, by Will Arbery, Playwrights Horizons
Cambodian Rock Band, by Lauren Yee, Signature Theatre
Greater Clements, by Samuel D. Hunter, Lincoln Center Theater
Halfway Bitches Go Straight to Heaven, by Stephen Adly Guirgis, Atlantic Theater Company/LAByrinth Theater Company
A Strange Loop, Playwrights Horizons/Page 73 Productions
Octet, Signature Theatre
The Secret Life of Bees, Atlantic Theater Company
Soft Power, The Public Theater
The Wrong Man, MCC Theater Continue reading “Nominations for the 2020 Drama Desk Awards”
SLAM. theatre give a warm account of Adam Gwon’s amiable musical Ordinary Days at the Cockpit Theatre
“I’ll bring the red, you bring the white
That way I’ll still get drunk, you’ll still be right”
Having been around a bit, I love the fact that the first time I saw Adam Gwon’s Ordinary Days at the Trafalgar Studios in 2011, it just happened to feature such actors as Alexia Khadime, Daniel Boys and the glorious Julie Atherton in the cast. I also caught a stirring version a couple of years ago from Streetlights, People!, proving it is a musical that endures and so I was interested to see SLAM. theatre’s interpretation over at the Cockpit Theatre.
At first glance, Ordinary Days appears just that, a simple four-hander about love and life in New York. But pay a little attention, peel back a layer or two, and there’s something much more nuanced here about the loneliness that can accompany metropolitan living, whether looking for romance or friendship, as the emotional distance we use to try and protect ourselves can sometimes end up isolating us. And also how art galleries aren’t necessarily all that… 😉 Continue reading “Review: Ordinary Days, Cockpit Theatre”
“If everyone’s got a big picture
How come my picture’s something that I still have yet to see?”
I saw Adam Gwon’s 2008 musical Ordinary Days downstairs at the Trafalgar Studios back in 2011 with a grand cast that included Julie Atherton, Alexia Khadime and Daniel Boys and enjoyed it a fair bit, so news of a new production by Streetlights, People! at the transplanted London Theatre Workshop (now in the City) was glad tidings indeed. Directed by Jen Coles on the simplest of sets, decorated with a Manhattan skyline by Samantha Cates, the show’s relatable charms shine through once again.
The four-hander is a deceptively simple show – a quartet of 20-something New Yorkers are spiritually lost, swept up in what should be the romance of the city but finding that adulting isn’t quite as easy as all that. Jason is sacrificing everything for the woman he loves but Claire’s previously broken heart just won’t heal properly; grad student Deb has lost months of valuable thesis research but when struggling artist Warren finds it, she stubbornly resists any attempt at connection that he makes. Continue reading “Review: Ordinary Days, London Theatre Workshop”
“Maybe someday I’ll get lucky”
It took seven years for Audra McDonald to get around to her fifth solo album Go Back Home but as the adage says, some things are just worth waiting for. As entertaining as her diversion into the world of singer-songwriters on previous collection Build A Bridge was, there’s real joy in hearing her return so whole-heartedly to the world of musical theatre, particularly when it is as gloriously well done as this.
As ever, there’s the mixture of old and new that has typified McDonald’s output – the dips into the classics, represented here by Rodgers and Hammerstein, Sondheim and Styne, and the showcasing of the new, the likes of Michael John LaChiusa, Adam Guettel and Steven Marzullo who have regularly received her patronage. Such intelligent support of her industry has longed proved invaluable and helped to establish her at its forefront. Continue reading “Album Review: Audra McDonald – Go Back Home (2013)”
“Make just one someone happy,
And you will be happy, too”
It’s hardly Audra McDonald’s fault that the audience for her long-awaited return to the London stage with these two concerts was so de trop but for me, the adulation was exactly that, too much. For the (relative) intimacy of the Leicester Square Theatre, for the cultivation of a cabaret atmosphere, for the genuine appreciation of this her performance here as opposed to the bottled-up idolisation for a body of work from over the ocean.
Which is not to say that the reputation isn’t well-deserved, not at all. A hugely accomplished actor and singer, her record six Tony Awards unprecedently span all four acting categories. And her choice of material here, along with MD Andy Einhorn, demonstrates a real commitment to American musical theatre, delving back into the classic songbook but showcasing newer composers too, never letting an opportunity to explore her social conscience. Continue reading “Review: Audra McDonald, Leicester Square Theatre”
“We’ve only just met, but you need to get some perspective on the big picture”
Ordinary Days is a musical which played at the Finborough back in 2008 but has been slightly revised and revamped during runs in the USA and returns to London to Trafalgar Studios 2. Completely sung-through, Adam Gwon wrote the music and lyrics to all 18 songs which play out over a nifty 80 minutes and this production features two members of that original London cast, including the rather special Julie Atherton.
It is set in contemporary New York looking at the mundane lives of four young adults and how the problems in their lives forces them to seek and/or reassess the connections they make to get through life. As with so many modern American musicals, the immediate reference point seems to be Jason Robert Brown but I have to say there were moments when the music actually reminded me more of Robert Lopez and Jeff Marx’s work in Avenue Q which was nice. Continue reading “Review: Ordinary Days, Trafalgar Studios 2”