“What would Barbara Cartland do?”
After a successful run in Edinburgh last summer and ahead of a tour in Germany this coming summer, new British musical Paper Hearts arrives in Highgate at the always charming Upstairs at the Gatehouse theatre. Written and composed by Liam O’Rafferty, it is a boldly conceived piece for a debut musical and one which takes an ambitiously fresh spin on the rom-com genre.
Set in The Final Chapter, an independent bookshop with a devoted local clientele, Atticus Smith splits his time between working in the shop and being a frustrated writer. But when an online retail giant threatens to swallow the business whole, he is finally spurred into action, not least by the fact that his estranged father is behind the takeover, but also by the arrival of attractive management consultant Lilly Sprockett.
Paper Hearts’ twist comes with the way that this contemporary narrative is interspersed with scenes from Atticus’ novel-in-progress about Russia on the verge of WWII. As historical romance and tragedy plays out at the same time as modern-day shenanigans (there’s romantic entanglements aplenty here!), the parallel worlds feed into each other as fictional characters start to give advice and real-world events inspire new plot dynamics in his book. Continue reading “Review: Paper Hearts, Upstairs at the Gatehouse”
“I am not making friki-friki”
The London Musical Theatre Orchestra’s arrival on the scene has not gone unnoticed by me but their previous concerts have always fallen on days when I couldn’t make it. So finally putting a show on on a Sunday night meant I was able to put it in the diary and to mark the occasion, they only went and invited their first guest conductor along, Mr Jason Robert Brown himself to helm the UK premiere of his show Honeymoon in Vegas.
And in the swish surroundings of the London Palladium, it was hard not to be entirely seduced by the lush sound of a 30-strong orchestra (under the musical direction of Freddie Tapner), a chorus of 16 up-and-coming performers and a main cast of bona fide West End stars directed by Shaun Kerrison. The concert staging allows for an amusingly slapdash approach which really suited the joie de vivre exuding from pretty much everyone involved here, a real passion project. Continue reading “Review: Honeymoon in Vegas, London Palladium”
The first show of this year was something fantastic
Or was it? Can you tell I’m being sarcastic
A satire on satyrs is quite an objective
Was all Greek to me though and far from effective
Moving from Egypt to Greece and then London
The piece shifts from ancient times right through to modern
Written by a man named Tony Harrison
It sure is a play without comparison Continue reading “Review: The Trackers of Oxyrhynchus, Finborough”