There’s all sorts of big productions arriving in the months to come (Long Day’s Journey Into Night, the return of Amadeus, PATTI LUPONE!) but I’m using this spot to highlight some of the shows on the London fringe and around the UK (and Amsterdam…) that have piqued my interest and which I hope to get to review.
So in no particular order… Continue reading “20 shows to look forward to in 2018”
National treasure Matthew Kelly and West End superstar Josefina Gabrielle are to star in the brand-new stage adaptation of The Box of Delights, possibly the creepiest children’s tv show ever and one which is indeliby etched on my psyche. This original production is the first time Poet Laureate John Masefield’s festive classic has been reimagined for the stage, and will be brought to life by an ensemble cast in the gloriously Christmassy surroundings of Wilton’s Music Hall.
Joining Kelly and Gabrielle as part of the stellar cast will be Mark Extance, Safiyya Ingar, Tom Kanji, Samuel Simmonds, Rosalind Steele and Alistair Toovey.
Continue reading “Round-up of news and treats and other interesting things”
“One girl, against the happiness of the whole village. Can you not see it has to be done?”
The Papatango prize has unearthed some fascinating new writing over the last few years, Luke Owen’s Unscorched, Louise Monaghan’s Pack and Dawn King’s Foxfinder to name just a few, and it is to the last play there that this year’s winner bears some thematic similarity. Mining a vein of dystopian folklore clearly gets you far in this competition and Matt Grinter’s Orca proves itself an interesting winner.
Directed by Alice Hamilton at the Southwark Playhouse, Orca works best as a skin-crawling pseudo-thriller, the ominous weight of something terribly wrong weighing down this community. On a remote island, an isolated village goes through the same ritual they’ve carried out for years – selecting a young girl to enact a mock sacrifice to disperse the orca pods who decimate the fishing stocks on which the community relies so heavily. Continue reading “Review: Orca, Southwark Playhouse”
“What on earth is a soul?”
As the development of artificial intelligence advances ever closer to Skynet territory, so too does the complexity of the ethical questions around it. And it is these moral tensions that Simon Vinnicombe’s new play R and D focuses on – as science creates robots seem ever more human, capable even of independent thought, where do we draw the line? Or is it already too late, is Judgement Day already written in the future history books?
R and D begins innocuously, as these things always do. Scientist David offers to cheer his widowed writer brother Lewis up by offering him a £3 million job (as you do), merely spending time with a woman called April and reporting on their relationship. Trick is, she’s one of the most sophisticated robots ever constructed and through her interactions with the emotionally compromised Lewis, the bounds of technological progress are messily, murkily exceeded. Continue reading “Review: R and D, Hampstead Downstairs”
“245 women silks ever, out of tens of thousands”
I do love a legal drama and so too does Peter Moffat. I’m forever grateful for him for the Helen McCrory-starring joy that was North Square and I’ve recently caught up with the two series of Criminal Justice that he was responsible for, so it was only natural that I should be a big fan of Silk. But as the time pressures of a busy theatre schedule rarely let go, it wasn’t something I had time to watch live and it was only with its arrival on Netflix that I was able to catch up with it. The show focuses on a single chambers with two leading lights both hoping to be appointed Queen’s Counsel, “taking silk” as it were, and dealing with the pressures of life at the Bar.
Casting Maxine Peake and Rupert Penry-Jones as the rivals Martha Costello and Clive Reader works extremely well – her fierce intelligence and emotional counterbalance being perfectly portrayed by the ever-strong Peake and Penry-Jones making Reader something of an arrogant buffoon yet one with some redeeming qualities as he competes and consoles, seduces and shines his way through life. Over the six episodes, the focus is mainly on Martha and her dilemmas as she finds herself pregnant at a time of huge professional significance, but the series as a whole makes for a modern and exciting version of a legal drama. Continue reading “DVD Review: Silk, Series 1”
There are so many short films out there featuring so many actors that I like that I found it impossible choose my favourites…so here’s a second set for your delectations, there may well be more to come!
The main reason I started looking at short films was after having been sent this little beauty which was a finalist in the 2010 Electric Shorts competition. I Do stars both Julian Ovenden and Aden Gillett so it should be clear why someone thought it relevant to my interests, but it is actually a really well put together little film by Duncan Cargill. It looks good, it is sexy and fresh and wittily clever all within less than three minutes. If you only watch one of these films, I’d make it this one! Continue reading “Short film reviews #2”
George Bernard Shaw’s 1906 medical ethics drama The Doctor’s Dilemma had a lot to live up to as the last time I was in the Lyttelton at the National Theatre was for the superlative The Last of the Haussmans, one of my favourite plays of the year so far, but though it didn’t quite scale those heights for me, it did emerge as a most satisfying night at the theatre. Shaw’s play centres on the newly ennobled Sir Colenso Ridgeon, a doctor who has discovered a new cure for tuberculosis but only has limited space on his trial. When the beautiful Jennifer Dubedat pleads for the inclusion of her talented artist husband, he is torn as his penniless colleague Dr Blenkinsop is also suffering from the disease and so Ridgeon and his colleagues gather to assess and discuss who is the worthier candidate for treatment.
Peter McKintosh’s set design is an effective triumph and ingenious to the extent that it garnered a round of applause at one point (although it will be slightly less surprising to those that saw this play). It possesses the requisite austere grandeur in all its incarnations of artists’ garrets, Richmond eateries, Bond Street art galleries and Harley Street salons into which Nadia Fall places her talented cast. Genevieve O’Reilly brings a stunning self-possessed statuesque dignity to Jennifer, almost too reserved until the devastating turbulence of the final act reveals all she has been concealing, Tom Burke dances across the stage with a quicksilver lightness as the manipulative Dubedat whose artistic talent has to be weighed against his problematic morals and Aden Gillett (who should always wear a full beard, always) is magnificent as Sir Colenso, pondering the titular dilemma with an aptly detached manner as befits his finely aristocratic bearing. Continue reading “Review: The Doctor’s Dilemma, National Theatre”
“You will not menace the House of Windsor”
Lucy Cohu has the dubious pleasure of being one of the few women I would probably turn for, she radiates an old-school glamour and sensuality that I find near-irresistable and I’ve loved the few stage performances of hers I have been able to catch (Speaking in Tongues, Broken Glass and A Delicate Balance). So I was quite happy to take in the Channel 4 television movie The Queen’s Sister, in which she took the lead role of Princess Margaret, in the name of the Jubilee Weekend 😉
It’s a semi-fictionalised account of her life by Craig Warner (although knowing so little of the reality, I couldn’t have told you what was real and what wasn’t) which focuses on her struggles against the establishment as she followed a life of largely wanton hedonism and leaving a trail of paramours behind her. Whether her previously married lover whom she was forbidden from wedding, the long-suffering husband prone to infidelity, the young pop singer who offers a faint hope of redemption, her relentless partying, fondness of always having a drink in her hand and general spoiltness consistently makes life difficult for herself.
Continue reading “DVD Review: The Queen’s Sister”
Best Male Performance
Aden Gillett in Accolade at the Finborough
Trystan Gravelle in Honest at the Queen’s Head Pub
Michael Matus in The Baker’s Wife at the Union
David Wilson Barnes in Becky Shaw at the Almeida
Best Female Performance
Kelly Burke in Zelda at the Charing Cross Hotel
Vicky Campbell in I Am A Camera at the Rosemary Branch
Lisa Dillon in Knot Of The Heart at the Almeida
Vinette Robinson in Tender Napalm at the Southwark Playhouse
Best New Play
Knot of The Heart by David Eldridge at the Almeida
Mogadishu by Vivienne Franzmann at the Lyric Hammersmith
The Kitchen Sink by Tom Wells at the Bush Continue reading “2012 Offie Award Winners”
“A play’s a world in itself”
Timberlake Wertenbaker’s 1988 play Our Country’s Good achieved the status of a mnodern classic, making it into the NT’s list of the top 100 plays of the twentieth century. Which truth be told was the main reason that Mr @pcchan1981 and I made the journey over to the Rose Theatre in Kingston to go and see it. This production is by the Original Theatre Company with Anvil Arts and will be touring the country extensively over the coming months.
The play is set in a newly colonised Australia in 1788, where a ship full of transported convicts accompanied by a troupe of soldiers are forced together in this foreign land to forge a new society. Based on a true story, it tells of a benevolent governor who looked beyond the contemporary standpoint on crime and punishment to a more modern view of rehabilitation and used the power of theatre to try and offer an alternative to the unruly mob, much to the displeasure of his officers. Continue reading “Review: Our Country’s Good, Rose Kingston”