A new series of monologues, curated and produced by Michelle Collins alongside the Equity Benevolent Fund, has been released online for charity. Entitled “#FortheLoveofArts”, the scheme sees acting talent come together to raise funds for beleaguered artists and individuals during the ongoing pandemic.
Appearing in the series are Lesley Manville, Ian McKellen, Adjoa Andoh, Miriam-Teak Lee, Derek Jacobi, Layton Williams, Sue Johnston, Jason Watkins, Sanjeev Bhaskar, Pearl Mackie and more. Some of the monologues are brand new works penned especially for the series.
The monologues can be viewed on the Equity Benevolent Fund’s YouTube channel.
Stars of the West End Stage, Televison, Movies and Theatre Production Staff sing ‘Always Look On The Bright Side Of Life’ for the charity Acting for Others
Heart vector created by starline – www.freepik.com
Series 5 of Line of Duty has some cracking moments, some big revelations and one of Anna Maxwell Martin’s best ever performances
“There’s no secrets in AC12”
So we make it to the end of Series 5 of Line of Duty and it was a lot wasn’t it. A properly tragic couple of deaths, a deep suspicion of a core team member or two and perhaps inevitably, one step forwards and two steps back in the ongoing H conspiracy.
Jed Mercurio’s plotting remains as tightly wound and full of surprises as ever, the reveals in the organised crime group were well done but I think the gang stuff was nowhere near as much fun as the internecine conflicts within the police force itself. Continue reading “TV Review: Line of Duty (Series 5)”
“Watch what I do, not what I say”
So Series 4 of Jed Mercurio’s Line of Duty winds up to its insanely tense climax and once again it satisfies the requirements of event TV – giving some answers but withholding others, in the full anticipation of further seasons in which to explore the overarching stories that still remain. This did also mean that it didn’t quite push all of my buttons the way I would have liked for it to be as spectacular as the end to Series 3.
With the Caddy arc being resolved so thoroughly then, I very much enjoyed the fresh slate of AC12’s investigation of an entirely new case here (review of Episode 1 here). And Thandie Newton’s superbly slippery DCI Roz Huntley was an excellent antagonist, the potential framing of a suspect being only the beginning of the twistiest of tales that threatened to swallow up any and everyone around her, good or bad, corrupt or misogynist. Continue reading “TV Review: Line of Duty Series 4”
“Don’t make out I’m in the wrong”
After three superlative, and interlinked, series, one might have forgiven Jed Mercurio for leaving Line of Duty as it was. But the show has been a victim of its own slow-burning success and so a fourth series has arrived, with a plum Sunday evening slot in the schedule to boot and the good folk of AC-12 are once again with us. And having most cleverly toyed with its structure of featuring a high profile lead guest star in the previous series, the arrival of Thandie Newton as this year’s bent cop (or is she…) left us pondering how the hell are they going to top Series 3’s opening instalment.
Well, like this is how! The beauty of Line of Duty has been how it has increasingly embraced its batshit mental moments with the intense realism that comes from its peerless interrogation scenes. It is both silly and serious and it pulls it off with real élan – so much so that you don’t care how ridiculous it is that Vicky McClure’s Kate can still slide in to work undercover in police stations that are down the road from her own or that forensics guys apparently aren’t so hot at telling whether people are dead or not. Continue reading “TV Review: Line of Duty Series 4 Episode 1”
“I was a woeful looker-on”
On a night when the real drama was unfolding in Stockholm’s Globen arena and the main internecine conflict was between the juries of music professionals and the public vote as revealed by the new counting mechanism, the BBC’s decision to schedule The Hollow Crown against the Eurovision Song Contest didn’t work for me. Last week’s Henry VI Part 1 was a great reintroduction into these quality adaptations as it started the new series but the follow-up doesn’t quite match the same level.
Part of the issue lies in the seemingly accepted wisdom that the Henry VI plays are problems that need solving – I’ve still not managed to see a conventional production of the trilogy to use as a benchmark – and so the plays are often abandoned to the mercies of the vision of writers and directors. Such is the case with The Wars of the Roses: 1. Henry VI Part 2, chopped down and frantically paced, there’s a whole lot of fury but just not enough feeling (though if you’re a fan of battlefields and decapitated heads, you might fare better than I did). Continue reading “TV Review: The Hollow Crown – The Wars of the Roses: 1. Henry VI Part 2”
“I would his troubles were expired”
The Hollow Crown rises again. Four years on from the first suite of striking televisual adaptations of Shakespeare’s history plays, the BBC continue their Shakespeare Lives season by completing the set. For theatregoers, it has been a ripe time of it – Trevor Nunn reviving The Wars of the Roses late last year and the excellent Toneelgroep Amsterdam bringing their streamlined version Kings of War to the Barbican just last month – but as you’ll see, the common thread is one of adaptation, opportunities to see the three parts of Henry VI as they are remain few and far between.
And so it proves here. Though this is entitled The Hollow Crown – The Wars of the Roses: 1. Henry VI Part 1, Ben Power and Dominic Cooke have compressed the three plays into two parts and it’s hard to argue against it really – there’s plenty here to sink your teeth into (and get your head around). Emasculated by lord protector the Duke of Gloucester (a solid Hugh Bonneville, displaying as much range as he ever does), Tom Sturridge’s Henry VI finds himself an uncertain king, a querulous youth who bends whichever way the wind blows strongest in his court, riven by dynastic rivalry. Continue reading “TV Review: The Hollow Crown – The Wars of the Roses: 1. Henry VI Part 1”
“There’s a line. It’s called right and wrong and I know which side my duty lies”
Well, that’s what you call a series finale! After the brilliant fake-out of Danny Waldron not being the new Tony Gates or Lindsay Denton, Jed Mercurio’s Line of Duty took us further than we ever could have dared into the murky world of police corruption, weaving together story strands from all three series into an overarching conspiracy thriller that has to rank as one of the televisual highlights of the year so far.
My Episode 1 review
can be found here and I won’t say much more here than to recommend you buy the DVD boxset now.
“I am not made of stone”
The boldness of Shakespearean adaptation can be a car crash when it goes wrong but when it is right, as in this 1995 version of Richard III, it is utterly thrilling. From the crashing of a tank through walls and subsequent gory executions into the jaunty sway of 1930s music, Ian McKellen and Richard Loncraine’s idiosyncratic reshaping of the story, first seen at the NT in 1992, is cannily and compellingly done. And because it has been done well, one is far more inclined to grant the liberties that have been taken with the text, because they’re reasoned and reasonable.
Relocated to a parallel version of 1930s Britain in which years of civil war has bred fascism, Richard of York’s rise to power has never seemed quite so chilling as it does here. An ingenious use of British landmarks put to different use cleverly disorients the audience but never so much that it seems too far beyond belief. So Battersea Power Station becomes a coastal military base, St Pancras is substituted for Westminster, and the visuals are just stunning throughout, culminating in a genuinely breath-taking rally. Continue reading “DVD Review: Richard III (1995)”