Review: Notflix, VAULT Festival

All-female musical improv – Notflix is an early evening treat at the VAULT Festival

“This ain’t a hoedown
This is a showdown”

Because everything is better as a musical right? Notflix‘s spin on the improv wheel is that they come up with an improvised musical interpretation of a film suggested by an audience member (sadly not mine, Dangerous Liaisons le Musical will have to wait for another day). And interpreted is the key word, as no knowledge of said film is necessary as the all-female company riff endlessly and inventively in and around the film’s title. 

So this performance saw Independence Day: Resurgence the musical and I don’t think a single cast member had seen it (me neither). But no matter, as we were soon whisked off into a world of savage alien brothers from Zorbatron, horny rednecks on Earth and a plucky spaceship crew who might possibly just be able to save the day… And it was fricking hilarious. Continue reading “Review: Notflix, VAULT Festival”

2019 VAULT Festival – 20 shows to see

With less than a week to go before the 2019 VAULT Festival opens, I wade my way through the catalogue and come up with 20 shows I think you should catch – in their own words

Now in its seventh year, VAULT Festival returns this year from 23rd January to 17th March with a broad and diverse programme of more than 400 shows in a range of atmospheric venues throughout Waterloo. And as ever, the remit is to be as big and bold as impossible, with the festival featuring theatre, comedy, cabaret, immersive experiences, late night parties, and much more besides.

It can be a little overwhelming to figure out what you want to see, the majority of shows run for a week (Wednesday to Sunday) so you’ll need to move pretty sharpish once you’ve decided – there’s the VAULT Combo deal which saves you money booking more than one show, and some 241 deals available through the Stagedoor app. And to help you, I’ve identified 20 shows (and it could have been so many more!) that appealed to me and asked them to sell themselves in 10 words or less in order to grab your attention.  Continue reading “2019 VAULT Festival – 20 shows to see”

Review: Notflix, King’s Head

“Because everything’s better as a musical”

Between Austentatious and The Showstoppers, I’ve been thoroughly entertained (and consistently left in awe) by my dips into the world of improv so there’s always been a slight sense of trepidation about going further afield to see others do it, just in case they’re not as good! But the company to get me over myself were Waiting for the Call, the “original all-female long-form musical improv team”, and their promise of a unique blend of comedy, improv and musical group work.

Their show Notflix just played at the VAULT Festival and is following that up with a week at the King’s Head, ahead of a return to Edinburgh in the summer. And you can see why, as improv does carry with it a certain appeal to the festival market in its rapid-fire wit and scrappy energy and in that, WftC are certainly pitching themselves to the right places.  Continue reading “Review: Notflix, King’s Head”

Review: A Midsummer Night’s Dream, Pleasance

“A proper woman, as one shall see in a summer’s day”

It’s all in the name – the Reversed Shakespeare Company have set themselves up with the express intention of exploring and expanding gender roles by flipping the script and giving us Shakespeare’s male characters played as women, by women and vice versa. So instead of your Polonias and Malvolias, their debut production of A Midsummer Night’s Dream begins with Egeus and Hermia as a battling mother and son in the court of their Duchess, Theseus.

It may take a moment of adjustment, not least when Helena bounds onto stage with a luscious red beard, but it sets the scene for an adventurous, interesting take on the play, that really does have a lot to say in its shifted sexual dynamics. How often do we get to see women being this forthright and dominant in their relationship, or men demurring modestly from a quickie in the woods? Or indeed for that matter (especially in light of The Painkiller and indeed the whole of farce as a genre), how rare it is to see women allowed to be this physically funny onstage. Continue reading “Review: A Midsummer Night’s Dream, Pleasance”