Observing social distancing by recording from home, Luke Bayer, Dan Buckley, Aoife Clesham, Hiba Elchikhe and Alex James Ellison perform ‘For Your Light To Shine’ from the musical Fiver, written by Alex James Ellison and Tom Lees
|Best Actress in a Play||Leah Harvey, Clare Perkins & Vinette Robinson, Emilia||Sarah Gordy, Jellyfish||Patsy Ferran, Summer and Smoke
Marieke Heebink, Oedipus
Elinor Lawless, To Have To Shoot Irishmen
Carey Mulligan, Girls and Boys
Sarah Niles, Leave Taking
|Best Actor in a Play||Kyle Soller, The Inheritance||Hans Kesting, Oedipus||Paapa Essiedu, The Convert
Ben Batt, The York Realist
Ian Bonar, Jellyfish
Richard Harrington, Home I'm Darling
Shubnam Saraf, An Adventure
|Best Supporting Actress in a Play||Cecilia Noble, Nine Night||Martha Plimpton, Sweat||Adjoa Andoh, Leave Taking
Eva Feiler, A Midsummer Night's Dream (Watermill)
Penny Layden, Jellyfish
Lashana Lynch, ear for eye
Charity Wakefield, Emilia
|Best Supporting Actor in a Play||Paul Hilton, The Inheritance||Forbes Masson, Summer and Smoke||Louis Bernard, Much Ado About Nothing (Antic Disposition)
Demetri Goritsas, ear for eye
Wil Johnson, Leave Taking
Nicky Priest, Jellyfish
Sam Troughton, Stories
|Best Actress in a Musical||Rosalie Craig, Company||Kaisa Hammarlund, Fun Home||Bonnie Langford, 42nd Street
Eva Noblezada, Hadestown
Caroline O'Connor, The Rink
Gemma Sutton, The Rink
Adrienne Warren, Tina the Musical
|Best Actor in a Musical||Steven Miller, Sunshine on Leith||Andrew Finnigan, Drip||Paul-James Corrigan, Sunshine on Leith
Arinzé Kene, Misty
Michael Mather, Mythic
Leon Scott, Midnight
Zubin Varla, Fun Home
|Best Supporting Actress in a Musical||Patti LuPone, Company||Amber Gray, Hadestown||Naana Agyei-Ampadu, Caroline or Change
Vivien Carter, Sweet Charity (Watermill)
Genevieve McCarthy, Mythic
Hilary McLean, Sunshine on Leith
Seyi Omooba, Christina Modestou & Renée Lamb, Little Shop of Horrors
|Best Supporting Actor in a Musical||Jonathan Bailey, Company||Patrick Page & André de Shields, Hadestown||Alex Cardall, Sweet Charity (Watermill)
Alex James Ellison, The Secret Garden Albion
Richard Fleeshman, Company
Matt Willis, Little Shop of Horrors
Best Supporting Actor in a Play
Paul Hilton, The Inheritance
How many times and in how many ways can the same man break your heart? Hilton is exquisitely, agonisingly, pitch-perfect in The Inheritance no matter who he is playing, a much needed voice of experience in among the tight, bright young things, an unforgettable, powerfully moving tribute to generations lost.
Honourable mention: Forbes Masson, Summer and Smoke
I’ve long been a fan of Masson’s, going back to seeing his hysterical musical Stiff! back in my uni days, so it was great to see him as such a vibrant and vital part of the ensemble in this Rebecca Frecknall production, standing out as a pair of patresfamilias.
Best Supporting Actor in a Musical
Jonathan Bailey, Company
Done well, ‘Getting Married Today’ is a highlight of any production of Company but here, making Amy Jamie works an absolute treat in showing both how far we’ve come and how little there is between us all when it comes to gay marriage. Partnered perfectly with Alex Gaumond’s patiently lovestruck Paul, this vignette becomes even more heart-breakingly, soul-raisingly fantastic.
Honourable mention: André de Shields & Patrick Page, Hadestown
Between de Shields getting the party started with his twinkling charm and Page’s basso profundo doing all sorts of things to me, I couldn’t split these two on the way down to Hadestown.
“I heard someone crying…
Maybe it was me”
After three years renovation and development work, the Barn Theatre in Cirencester opens its doors with a fresh and spirited actor-musician take on The Secret Garden. A passion project of artistic director Iwan Lewis (who once appeared in a youth production of the musical in the town), the 1991 Tony-winning musical adaptation of Frances Hodgson Burnett’s 1911 children’s novel (book and lyrics by Marsha Noman, music by Lucy Simon) has been curiously under-served in terms of major revivals (I saw a fringe version back in 2013) and so proves a canny choice for a new venue seeking to attract an audience.
It is clear to see that time and thought, and resources, has been invested into the Barn to make it to help it succeed. So Sam Rowcliffe-Tanner’s lighting design, with all its delightful hidden surprises, benefits from a properly swanky lighting rig that would be the envy of pretty much any off-West-End theatre; so too PJ McEvoy’s projections looking highly professional as they move us around Misselthwaite, from dusty, disused ballrooms to briar-filled nooks.
But for all the technical strength, this Secret Garden blooms because of the creative work that has been ploughed into it. The physical aspects of McEvoy’s design have a deliberately rustic feel, suiting time and place well, reflected in the nature of Elliot Ditton’s puppets. The evocation of an inquisitive robin is gorgeously done but it is the way in which Simon’s score has been thoroughly reinvented that reinforces how this production, and the venture at large, is about about mimicking the Great White Way than creating a new Cotswolds Way. Continue reading “Review: The Secret Garden, The Barn Theatre Cirencester”
Released earlier this month, Favourite Sins is 4-track EP of musical theatre tracks written by actor/singer/songwriter Alex James Ellison with lyricists Robert Gould (whose work I have previously reviewed here and here) and Jimmy Granstrom. Ellison and Gould are in the midst of developing a new musical tentatively called Texting and Tweeting – the Musical and it is the fruitfulness of this collaboration that has inspired this collection.
It’s an interesting, if mixed, collection that is performed here by some strong musical theatre talent. Kane Oliver Parry and Jodie Steele imbue the chirpy ‘Vanity is your Favourite Sin’ is a real sense of character and Cameron Sharp’s ‘Just Let Me Love You’ is a solid pop-rock tune. My favourite track is short but extremely sweet piano-based balled ‘Sun’, given a gorgeously warm vocal by Emily Tierney, the clear melodic gifts of the composer shining through. Continue reading “EP Review: Favourite Sins”