Writer Rachel De-Lahay and director Milli Bhatia have commissioned ten writers to pen letters that say the unsaid, for a new, online version of their festival My White Best Friend (and Other Letters Left Unsaid).
Produced by Tobi Kyeremateng with support by the Royal Court Theatre, the online festival will run over a week with a pre-recorded letter by Rachel De-Lahay read each night alongside two letters by some of the most exciting voices in the UK read live. Continue reading “News: My White Best Friend goes online via the Royal Court”
Monica Dolan swearing and Ned Bennett directing Kathryn Hunter and Marcello Magni? Episode 4 of Unprecedented knocks it out of the park
“This is not like The Hunger Games”
After the bleakness of the third instalment, Episode 4 of Unprecedented reintroduces the note of variety that makes the enterprise work so well, with its collections of short plays responding to the ways in which society has had to change in response to lockdown and pandemicorama.
Deborah Bruce’s Kat and Zaccy looks at how children of divorced households have had to make huge decisions about who to hunker down with, and the consequences of those decisions. Monica Dolan and Alex Lawther play the fractious mother/son relationship perfectly as she shamelessly emotionally manipulates the situation as best to her advantage as she can. Continue reading “TV Review: Unprecedented, Episode 4”
A new series of monologues, curated and produced by Michelle Collins alongside the Equity Benevolent Fund, has been released online for charity. Entitled “#FortheLoveofArts”, the scheme sees acting talent come together to raise funds for beleaguered artists and individuals during the ongoing pandemic.
Appearing in the series are Lesley Manville, Ian McKellen, Adjoa Andoh, Miriam-Teak Lee, Derek Jacobi, Layton Williams, Sue Johnston, Jason Watkins, Sanjeev Bhaskar, Pearl Mackie and more. Some of the monologues are brand new works penned especially for the series.
The monologues can be viewed on the Equity Benevolent Fund’s YouTube channel.
Headlong and Century Films have today announced a cast of over 50 UK actors taking part in Unprecedented: Theatre from the State of Isolation. A series of new digital plays written in response to the current Covid-19 Pandemic, Unprecedented will be broadcast across the nation during lockdown as part of BBC Arts’ Culture in Quarantine initiative.
Written by celebrated playwrights and curated by Headlong, Century Films and BBC Arts, Unprecedented explores our rapidly evolving world, responding to how our understanding and experiences of community, education, work, relationships, family, culture, climate and capitalism are evolving on an unprecedented scale. The series will ask how we got here and what the enduring legacy of this historic episode might be. Continue reading “News: cast announced for Unprecedented: Theatre from a State of Isolation”
Not even Juliet Stevenson and gay French holiday romances can really make this Departure land in a satisfying way
“We’re in France, French people talk about these things”
Near the top of my list of films to finally get around to watching, where it has been for a while, is Departure, written and directed by Andrew Steggall. His is a name that is familiar to me from the days when I regularly reviewed short films, as The Door was one of the more moodily memorable of those. Departure marked his feature film debut and with its heady mixture of gay boys on French holidays and Juliet Stevenson, it’s a wonder it has taken me this long to get round to watching it.
In some ways it does live up to that anticipation. Alex Lawther plays Elliott, a moody teenager marooned in the Languedoc village where his mother is packing up their family holiday home. His attention is far more focused on the strapping Clément who ends up helping with the move and in turn, offering something for Stevenson’s Beatrice to also be swayed by. Lawther plays the hypersensitive Elliott with a neatly sharp edge of self-absorption and what a joy it must be to have Stevenson in your cast – you can just write *cries in car* and she delivers heartbreaking work. Continue reading “Lockdown film review: Departure (2015)”
BEST FEMALE PERFORMER AWARD:
Marisha Wallace as Effie in Dreamgirls
Natalie Kassanga, as Diana Ross in Motown the Musical
Patsy Ferran as Alma in Summer and Smoke
Jodie Steele as Chandler in Heathers
BEST MALE PERFORMER AWARD:
Jonny Labey, as Scott in Strictly Ballroom
John Pfumojena, as Okot in The Jungle
Kyle Soller, as Eric Glass in The Inheritance
John McCrea, as Jamie in Everybody’s Talking About Jamie Continue reading “Nominees for the 8th annual Mousetrap Awards”
Immersive theatre done right in a completely reconfigured Playhouse, The Jungle is thought-provoking beyond belief
“No one wants to stay here”
Following on from an enormously successful run at the Young Vic last year, The Jungle has made the move to the Playhouse Theatre in one of the unlikeliest but most significant West End transfers in recent history. Joe Robertson and Joe Murphy’s play was born out of their experiences in setting up the Good Chance theatre in the Calais refugee camp that gives it its name and accompanied by an extraordinary (re)design of the space by Miriam Buether, becomes a genuinely unforgettable theatrical experience.
Buether’s design recreates the Afghan restaurant that was part of the camp where audiences can sit at the table (which becomes a thrust stage) surrounded by the heady scent of warming spices and baking bread. It’s a useful reminder that even in the midst of a crisis state, life has to continue and food is an enduring common bond. And this anti-doom-and-gloom approach is symptomatic of The Jungle. No tragedy porn here, but rather a portrait of flawed humanity – people doing good, people screwing up, people just trying their damnedest in face of a shameful international emergency. Continue reading “Review: The Jungle, Playhouse”
“I’m a decent bloke really”
On the ninth day of Christmas,Black Mirror gave to me…a skin-crawlingly dark episode
Even now, at the point where I’m trying to second-guess every episode of Black Mirror, Charlie Brooker is always two, three, four steps ahead of us. With co-writer William Bridges, Shut Up and Dance manages the trick of repeating the key theme of a previous instalment but twisting it just enough so that you never suspect and that the self-referencing doesn’t feel too cheeky a move.
Alex Lawther’s Kenny is a regular teenager, enjoying jerking off to porn on his laptop and getting enraged when his sister borrows said laptop without asking. When he gets it back with a virus on it, he attempts to clean his system but in doing so, unwittingly lets in a hacker who has secretly recorded Kenny’s exertions on his webcam and is threatening to release the vid unless he does exactly as he’s told. Continue reading “12 Days of Christmas – Black Mirror 3:3”
“When somebody says they love you, it means they see something in you they think is worth something…it adds value to you”
Clearly Nick Payne was onto something. In his play Constellations, the infinite possibilities of the relationship between characters Marianne and Dave – as originally played by Sally Hawkins and Rafe Spall – are explored and wouldn’t you know it, fate conspired to bring them together again (Hawkins and Spall that is) in UK film X+Y, and this time with a different twist on the illness. For one reason or another, I didn’t get round to seeing X+Y (or A Brilliant Young Mind as the US would have it) at the cinema last year, which is madness considering how tailor-made for me this film is, but ultimately I’m quite glad I got to watch it in the privacy of my own home as there was a fair amount of ugly crying by the end!
Which in itself isn’t that surprising as it was written by talented playwright James Graham (The Man, This House) in a beautifully, unashamedly warm-hearted manner. Inspired by documentary Beautiful Young Minds, it follows Nathan Ellis (Asa Butterfield), a teenager somewhere on the autistic spectrum who is something of a mathematical genius. Encouraged by his maths tutor Humphreys (Spall), himself a former prodigy and suffering from his own condition, and the tireless patience of his widowed mother (Hawkins), he’s selected to represent the UK at the International Mathematical Olympiad but to do so means facing up to some major challenges. Continue reading “DVD Review: X+Y”
“Alan, I’ve a funny feeling you’re going to be rather good at this”
As Hollywood gears up for another Academy Award season, the early frontrunners are starting to appear in our cinemas and chief amongst those is The Imitation Game, starring Benedict Cumberbatch as Alan Turing, one of the more criminally maligned and under-appreciated figures in British history. Responsible for heading up the team that built the machine that was to crack the Nazi’s Enigma code thereby changing the course of the Second World War, his life ended in ignominy as the Official Secrets Act shielded his achievements from public knowledge and a conviction for gross indecency unimaginably marred his final years.
But this being prime Oscar-bait, the film is a lot more perky than that. That’s perhaps a tad unfair as this is a genuinely good piece of cinema but one can’t help but wonder what might have been had Morten Tyldum’s direction and Graham Moore’s script been a little braver in exploring Turing’s homosexuality and how that shaped his interior life, especially in those later years. It’s the one major weakness in an otherwise fully-fleshed characterisation of an awkward genius. A man who can crack codes but not jokes, respond to complex formulae but not to simple lunch invitations, can detect Soviet spies but not the gently breaking heart of his friend Joan. Continue reading “Film Review: The Imitation Game”