“I decided who would be saved and who would be condemned. I took that responsibility for others and now I take it for myself”
The investigation of war crimes in Africa has already had one intriguing exploration on London’s stages this year in the excellent A Human Being Died That Night at the Hampstead but where that play focused on South Africa, Anders Lustgarten’s Black Jesus looks at contemporary Zimbabwe, the damage that Robert Mugabe’s regime has inflicted, and the possibilities of reaching any kind of resolution when the scars of conflict cut so deep.
It is set in the near future, where a Truth and Justice Commission has been set up to explore the crimes of the past. Eunice Ncube (the excellent Debbie Korley) is tasked with interviewing Gabriel (Paapa Essiedu, in a rich vein of form at the moment) one of the key members of a brutal youth militia movement called the Green Bombers, who crushed untold enemies with violence and remains a thoroughly intimidating figure. Continue reading “Review: Black Jesus, Finborough”