Alfie Boe shines on As Time Goes By, his first solo record in four years featuring the music of the 30s and 40s
“Now you’re singin’ with a swing”
As Time Goes By is Alfie Boe’s tenth studio album and his first solo disc in four years, having hit a sweet spot with his recent collaborations with Michael Ball which saw them take home two Classic BRIT Awards this year. But he moves here to reclaim the solo spotlight with a record that celebrates the music of the 30s and 40s.
That it does remarkably well, as Boe reins in much of the booming power of his powerful tenor to allow colour and character into his vocal performance. And with Gordon Goodwin and his Big Phat Band providing sensational musical accompaniment throughout, this is a music lover’s tribute to an era which doesn’t always get the attention it deserves. Continue reading “Album Review: Alfie Boe – As Time Goes By”
I make my own suggestions about interpretations of Andrew Lloyd Webber songs that could have been included on his new compilation album Unmasked
“They must have excitement, and so must I”
In a world of Spotify and iTunes and other online music services, compilation albums ought to have died a death. But the enduring success of the Now That’s What I Call Music series puts the lie to that, showing that while the idea of curating your own content is tempting, many of us prefer to let someone else do it for us.
So Andrew Lloyd Webber’s decision to release new anthology Unmasked is a canny one in that respect (read my review here), tapping into the desire to have a nicely pleasant set of musical theatre tunes to pop on in the car. And as with any compilation, it’s as much about what hasn’t been included as what has, that stands out. Continue reading “How to solve a problem like a compilation – my alternative Unmasked”
With Top of the Pops cruelly taken away from us, I’ve rarely much of a clue as to what in the charts. But I doubt even the most knowledgable of experts could have predicted that one of 2016’s biggest albums would come from the presenter of The Chase. Chasing Dreams ended the year as the second biggest UK debut and perhaps unsurprisingly given his key demographic, achieved that with predominantly physical sales.
So the arrival of a follow-up was never in doubt but it brings with it competition, from a whole raft of middle-aged white male presenters seeking to tap into those CD sales. And me being the kind soul that I am, I’ve listened to some of them, mainly so that you don’t have to…as it’s not a field overflowing with the kind of music that floats my boat. Each to their own though. Continue reading “Midlife Crooner Crisis Album Reviews”
“I hang suspended
Until I know
There’s a chance that you care”
It is no secret that I am no great fan of a booming tenor and so it was little surprise that Michael Ball and Alfie Boe’s album Together
was not really my cup of tea. But it was however what many other people wanted and following its success and reaching number 1 in the charts, the pair have collaborated again to produce the imaginatively titled Together Again
. And in the spirit of open-mindedness, plus the acknowledgement that there’s a more adventurous tracklisting, I steeled myself to listen.
I have to hold up my hands and say I was pleasantly surprised by more than a few of the songs here. The first two-thirds of ‘The Rose’ are genuinely spine-tinglingly lovely and even when the bombast kicks in for the finale, it stills maintains a heartfelt sincerity. A stroll through ‘White Christmas’ is marvellously restrained and all the more effective for it. Even the big band swing through ‘Bring Me Sunshine’ has a gentleness to it that allows both men to demonstrate their performative range. Continue reading “Album Review: Michael Ball and Alfie Boe – Together Again”
“The crowd of doubtin’ Thomases
Was predictin’ that the summer’d never come”
The English National Opera have had great success with their move into semi-staged revivals of classic pieces of musical theatre. Bryn Terfel and Emma Thompson lit up the Coliseum with Sweeney Todd in 2005, Glenn Close received an Olivier Award nomination for last year’s Sunset Boulevard, and so this year, we’re being treated to Richard Rodgers and Oscar Hammerstein II’s 1945 classic Carousel. I say treated…but with singers Alfie Boe and Katherine Jenkins cast as the show’s ill-fated lovers, this production is a bit of a challenge for musical theatre lovers. Read my three star review for Cheap Theatre Tickets here.
Running time: 2 hours 45 minutes (with interval)
Booking until 13th May
The Olivier Awards 2017 has announced the list of people who’ll be handing out awards at the ceremony, hosted by Jason Manford of all people, on Sunday 9th April in the august surroundings of the Royal Albert Hall.
Presenters this year include – deep breath – David Baddiel, Alfie Boe, John Boyega, Michaela Coel, Leanne Cope, Julian Clary, Robert Fairchild, Ben Forster, Phoebe Fox, Andrew Garfield, Denise Gough, Matt Henry, Ruthie Henshall, Amanda Holden, Rufus Hound, Cush Jumbo, Nathan Lane, Rose Leslie, Maureen Lipman, Danny Mac, Audra McDonald, Lin-Manuel Miranda, Laura Mvula, Paul O’Grady, Tracy-Ann Oberman, Sophie Okonedo, Charlotte Ritchie, Mark Rylance and Russell Tovey. Continue reading “News: Olivier Awards presenters revealed”
“Shall we dance?‘I thought you’d never ask!'”
Though Derek Jacobi and Anne Reid and Michael Ball and Alfie Boe could form a weirdly intriguing supergroup, it’s actually two separate CDs that they’ve released in pairs. Last Tango In Halifax co-stars Derek Jacobi and Anne Reid have their gently swinging You Are The Best Thing… That Ever Has Happened To Me and powerhouse belters Michael Ball and Alfie Boe and come Together for a booming musical theatre extravaganza.
Recorded with the Jason Carr Quartet, You Are The Best Thing… is exactly how you’d imagine an album by two such national treasures would play out. Standards like ‘The Way You Look Tonight’ and ‘I Wish I Were In Love Again’ rub shoulders with lesser known tracks (to me at least) like ‘I May Be Wrong (but I Think You’re Wonderful), and ‘You Haven’t Changed At All’ and the mood is one of exquisitely tailored classiness. Continue reading “CD Review: Derek Jacobi and Anne Reid and Michael Ball and Alfie Boe”
BEST ACTOR IN A PLAY
James Corden – One Man, Two Guvnors at the National, Lyttelton & Adelphi (31.7%)
Benedict Cumberbatch – Frankenstein at the National, Olivier (27.2%)
Jude Law – Anna Christie at the Donmar Warehouse (7.0%)
Kevin Spacey – Richard III at the Old Vic (5.8%)
David Tennant – Much Ado About Nothing at Wyndham’s (22.7%)
James Earl Jones – Driving Miss Daisy at Wyndham’s (5.5%)
BEST ACTRESS IN A PLAY
Vanessa Redgrave – Driving Miss Daisy at Wyndham’s (28.3%)
Eve Best – Much Ado About Nothing at Shakespeare’s Globe – (22.8%)
Kristin Scott Thomas – Betrayal at the Comedy – (18.0%)
Ruth Wilson – Anna Christie at the Donmar Warehouse (11.4%)
Samantha Spiro – Chicken Soup with Barley at the Royal Court Downstairs (7.1%)
Tamsin Greig – Jumpy at the Royal Court Downstairs (12.4%)
Continue reading “Winners of the 2012 What’s On Stage Awards”
BEST ACTOR IN A PLAY
James Corden – One Man, Two Guvnors at the National, Lyttelton & Adelphi
Benedict Cumberbatch – Frankenstein at the National, Olivier
Jude Law – Anna Christie at the Donmar Warehouse
Kevin Spacey – Richard III at the Old Vic
David Tennant – Much Ado About Nothing at Wyndham’s
James Earl Jones – Driving Miss Daisy at Wyndham’s
BEST ACTRESS IN A PLAY
Vanessa Redgrave – Driving Miss Daisy at Wyndham’s
Eve Best – Much Ado About Nothing at Shakespeare’s Globe
Kristin Scott Thomas – Betrayal at the Comedy
Ruth Wilson – Anna Christie at the Donmar Warehouse
Samantha Spiro – Chicken Soup with Barley at the Royal Court Downstairs
Tamsin Greig – Jumpy at the Royal Court Downstairs Continue reading “2012 What’s On Stage Award nominations”
“Who is this man, what sort of devil is he?”
An unscheduled visit back to this old stalwart for me as I took a friend’s last minute spare albeit with not just a little hesitation: the cult of Alfie Boe has not quite won me over yet… Les Misérables has been one of those shows that has present in my life for as long as I can remember really, having seen it countless times but my love for it had become a little comfortable, a little by rote, and so it was most lovely to have the truly fantastic 25th Anniversary touring production last year remind me just why I felt this way about the show, seeing it at the Barbican really was one of the highlights of my year. What was remarkable was that it played in conjunction with the West End production at the Queen’s so there were two versions running in London at the same time, all topped off with a pair of celebratory concerts at the O2.
Keen to keep the momentum going with this show and responding to how well-received the anniversary activity was, producer Cameron Mackintosh has instigated something of an overhaul to the West End production, hoping to transfer some of that energy and freshness by incorporating the new orchestrations, increasing the size of the orchestra back up to 14 and a cast change which brings back some familiar faces (in new roles) and also allowing some of the new faces – Alfie Boe, Matt Lucas – from the concert to play the roles for real this time. Continue reading “Re-review: Les Misérables, Queens”