Antic Disposition move Much Ado About Nothing to 1940s France with much success, and play it in the austere surroundings of Gray’s Inn Hall
“There was a star danced, and under that was I born”
Bienvenue à la Place de Messina pour Beaucoup de bruit pour rien. For Antic Disposition’s take on Much Ado About Nothing relocates Shakespeare’s evergreen comedy in the summer of 1945 in a village in rural France. War is over, the checked tablecloths are out, the vin rosé (or Orangina si tu veux) is flowing and with an Anglo-French company, a hugely characterful take on the play emerges.
Drawing on the influence of Jacques Tati to deliver a unique blend of physical comedy and neatly observed verse-reading, co-directors Ben Horslen and John Risebero transport the play effortlessly into this new milieu. Louis Bernard’s Dogberry is a complete revelation in this respect, a constant presence since he’s the manager of the village bar and to be honest, I could watch a whole play of him just bumbling about with his comic shenanigans. Continue reading “Review: Much Ado About Nothing, Gray’s Inn Hall”