Review: Rough Cuts – Bytes, Royal Court

“It’s on the internet…”

Just a quickie for this as the Royal Court’s Rough Cuts season is a space for short plays, experimental readings and works in progress and so I’m just including it here for the completeness of my theatregoing records. It has previously taken place in the upstairs theatre but as this is currently occupied, they have converted the Wilson rehearsal studio – right next to the main building – into a public performance space for this group of four pieces, all based on the theme of our relationship to the internet.

This year’s cohort of writers made this a must-see from the moment it was announced, featuring as it does Alia Bano, DC Moore, Penelope Skinner and Nick Payne, and with an ensemble of six actors including Sarah Woodward and Al Weaver, I was confident of enjoying the performances too. And it was an agreeable evening from start to early finish – such a rarity to be home well before 9pm on a theatre night – and a pleasing indication of the vibrancy and variety in new theatre writing in the UK.  Continue reading “Review: Rough Cuts – Bytes, Royal Court”

Not-a-review: Rough Cuts – Court Shorts, Royal Court

Court Shorts is part of the Royal Court’s Rough Cuts season, where works-in-progress and experimental pieces are performed in front of audiences as part of their development. Three plays were performed as rehearsed readings which were Permafrost by Brad Birch, Buried by Alia Bano and Hard Gravity by DC Jackson. This is just a quick recap of the plays for my reference really, as these aren’t being presented as things to review.

Brad Birch’s Royal Court debut, Permafrost, is a meditation on the grieving process set in a Northern town, charting the growing relationship between widowed Mary and Michael, a factory colleague of the deceased man, as she seeks a solace that he can’t quite provide and edging closer to a more meaningful connection as she seeks to maintain the link between them. James Macdonald directed this, stepping in at the last minute as Sam Taylor Wood had to withdraw due to prior commitments which was a shame as it would have been really interesting to see where she was thinking of taking the piece. Continue reading “Not-a-review: Rough Cuts – Court Shorts, Royal Court”

Critics’ Circle Awards 2009: the winners in full


Best New Play
August: Osage County by Tracy Letts

The Peter Hepple Award for Best Musical
Spring Awakening

Best Actor
Mark Rylance in Jerusalem

Best Actress
Rachel Weisz in A Streetcar Named Desire

The John and Wendy Trewin Award for Best Shakespearean Performance
Jude Law in Hamlet

Best Director
Rupert Goold for Enron

Best Designer
Christopher Oram for Red

Most Promising Playwright
Alia Bano for Shades

The Jack Tinker Award for Most Promising Newcomer [other than a playwright]
Tom Sturridge in Punk Rock

 

Winners of the 2009 London Evening Standard Theatre Awards

Best Actor
Simon Russell Beale, The Winter’s Tale
WINNER Mark Rylance, Jerusalem
Ken Stott, A View From the Bridge
Samuel West, Enron

The Natasha Richardson Award for Best Actress
Deanna Dunagan, August: Osage County
Penny Downie, Helen
Juliet Stevenson, Duet for One
WINNER Rachel Weisz, A Streetcar Named Desire Continue reading “Winners of the 2009 London Evening Standard Theatre Awards”