Album Review: Emma Lindars – As We Grow Older

West End chanteuse Emma Lindars channels some seriously impressive vocal power on album As We Grow Older

“You were the one who said forever from the start”

Anyone who was in Made in Dagenham scores points with me, so spotting that Emma Lindars had released an album earlier this year – As We Grow Older – which features a mixture of musical theatre and contemporary pop. Lindars’ resume takes in all sorts of West End credits over the last decade or so, but I do remember being particularly impressed with her in cabaret act The IDolls

And that impassioned power I remember is on fine display throughout,. whether a gorgeous take on ‘With Every Breath I Take’ from City of Angels, or Céline-esque power ballads ‘Before I Fall’ and ‘As We Grow Older’. There’s a beautiful pairing with Alice Fearn on ‘When You Believe’ from The Prince of Egypt (though as ever, it’s the delicate interplay of that middle chorus rather than the epic finale that really captures the heart). Continue reading “Album Review: Emma Lindars – As We Grow Older”

Album Review: RE:arrangement – An Album by Nick Barstow

A musical theatre album with a difference, RE:arrangement – An Album by Nick Barstow is refreshingly bold

“I’ve been changed, yes really changed”

Nick Barstow is a multi-hyphenate of a different order – musical director, arranger, and composer, a behind-the-scenes triple threat if you will. And having made a success of his cabaret series RE:arrangement, he’s now released an album RE:arrangement – An Album by Nick Barstow which showcases his gift for reinventing musical theatre standards by the likes of Sondheim, Rodgers & Hammerstein and Kander & Ebb, with the help of some guest stars including Faye from actual Steps.

Perhaps unsurprisingly given the name of the album, some of these arrangements really are quite radical and really serve the purpose of making you look at these songs anew. So I can admire the decision to transpose the elegiac beauty of Ivor Novello’s ‘We’ll Gather Lilacs’ into full-on Jason Robert Brown territory (or is it more Jonathan Larson…?), delivered with real commitment by Noel Sullivan, whilst still craving the crystalline harmonies of Muriel Barron and Olive Gilbert.It’s just different is all. Continue reading “Album Review: RE:arrangement – An Album by Nick Barstow”

Album Review: Alice Fearn – Where I’ve Been…Where I’m Going

I finally get round to listening to Alice Fearn’s 2016 album Where I’ve Been…Where I’m Going and enjoy it, a lot

“A late night ‘Yes sir’
leads to good press sir”

I’m always pleased to see musical theatre performers trekking a little off the beaten path when it comes to putting together the tracklisting for their albums. As deeply held a connection as they may have to this standard or that, it can get a little wearing to hear the same material regurgitated time and again. So Alice Fearn instantly gets brownie points for her 2016 collection Where I’ve Been…Where I’m Going.

Michel Legrand rubs shoulders with Andrew Lippa, there’s a deep dive into the Kander + Ebb archive, Sondheim is in there but he’s gender-flipped and there’s a track from Smash that reminds me I really need to get around to watching that show. And allowing her inspiration to draw far and wide just adds that extra level of interest, surprise even as in the case of the brassy delights of Frank Wildhorn & Jack Murphy’s ‘Big Time’ which was new to me and an instant fave. Continue reading “Album Review: Alice Fearn – Where I’ve Been…Where I’m Going”

Blogged: long-running shows and long-running blogs – what does the future hold

I revisit long-runners The Mousetrap, Les Misérables and Wicked, and come to a decision (of sorts) about the future of this blog

“Here’s to you and here’s to me”

Well 2019 has been an interesting year so far and one full of significance – I’ve turned 40, this blog has turned 10 and it’s all got me in a reflective mood. Personally, professionally, is this what I want to be doing? Do quote a Netflix show I haven’t even seen, does all this bring me joy…? Over the last couple of weeks, I’ve revisited a few long-running shows in the West End to consider what cost longevity. 

The longest running show in the West End is The Mousetrap – 66 years old with over 27,000 performances and their answer to keeping going is to not change a single bit – has the show even ever cast a person of colour? My limited research suggests not… On the one hand, it’s a policy that does seem to have worked and that record is a mighty USP, although does the number of empty seats at the St Martin’s that afternoon suggest a waning of interest finally? Continue reading “Blogged: long-running shows and long-running blogs – what does the future hold”

Someone to hold you too close – 10 takes on Being Alive to celebrate Company’s opening

My top 10 Losing My Minds post has been one of the most popular on the site (the most recent spike sadly being because of Marin Mazzie’s untimely passing – RIP), so I thought I would repeat the exercise with what is arguably Company’s most iconic song ‘Being Alive’. 

“Somebody make me come through”

1. Alice Fearn
An unexpected favourite mainly due to the combination of its achingly beautiful strings (arranged by Ben Goddard) and the delicacy of Fearn’s beautiful delivery.

2. Raúl Esparza
This. In all its ferocious power, I just can’t imagine it being better done by a man.

Continue reading “Someone to hold you too close – 10 takes on Being Alive to celebrate Company’s opening”

Re-review: Wicked, Apollo Victoria

As Wicked powers towards its 13th year on the West End, Alice Fearn’s Elphaba ensures visitors to the Apollo Victoria won’t be disappointed

“Ah tum ah tum eleka nahmen…”

Off the top of my head, I couldn’t tell you how many times I’ve seen Wicked now – it feels like loads – so it’s useful that I have it all written down in a blog… I do know it is a good while since I last saw it, five years in fact, which was evidently my third visit to the Apollo Victoria and one which left me disappointed. So it has taken a little while for me to get interested in taking up an opportunity to go see it again but we got there, eventually.

And I have to say I enjoyed my return trip to Oz, mainly because of the sensational performance of Alice Fearn as Elphaba. It’s always nice to see a performer rewarded for paying their dues, working their way up through ensemble and chorus roles until they get that chance to shine. And because of that background, that experience, that starring role has the real sense of being a career-defining opportunity. Continue reading “Re-review: Wicked, Apollo Victoria”

Scott Alan announces Live at Zédel residency with special guests in 2018

Live At Zédel, Soho’s unique live entertainment concept at The Crazy Coqs, will host a week-long residency by acclaimed international songwriter Scott Alan, who will be joined by a host of special musical theatre guests each evening. Audiences will be treated to Scott, along with his special guests singing tunes from all 7 of his recordings and brand new songs from his upcoming release, Lifeline.

The schedule for the special guests joining Scott Alan is:
Sunday, January 28th – Alice Fearn, Sophie Evans and Bradley Jaden
Monday, January 29th – Matt Henry and Amy Lennox
Wednesday, January 31st – Tyrone Huntley, Kayleigh McKnight and Tim Newman
Thursday, February 1st – Natasha Barnes, Shanay Holmes, Jodie Steele, Shona White and Emma Williams.
Sunday, February 4th – Marisha Wallace, Asmeret Ghebremichael and Joe Aaron Reid
Scott Alan says: 

“I’m honoured to have been asked to return for another residency at Zedel. Taking the stage at this beautifully, intimate venue is the perfect way to celebrate a brand new year and teaming up with some of the biggest names in the London theatre scene is just icing on the cake!”

Sunday, January 28th, 2018 at 7pm
Special guests include Wicked trio Alice Fearn, Sophie Evans and Bradley Jaden
Monday, January 29th, 2018 at 7pm
Special guests include Olivier Winning Actor Matt Henry (Kinky Boots), Olivier nominated actress Amy Lennox, who earned rave reviews for her role as Lauren in the original West End cast of Kinky Boots
Wednesday, January 31st, 2018 at 7pm 
Special guests include Olivier Nominated Actor Tyrone Huntley (Jesus Christ Superstar), Tim Newman (Memphis) and Kayleigh McKnight (Les Misérables), whom Huntley recently appeared with in the Regent Park Open Air Theatre production of Jesus Christ Superstar.
Thursday, February 1st, 2018 at 7pm 
“It’s Ladies Night” and special guests including Natasha Barnes (Funny Girl), Shanay Holmes (Rent), Jodie Steele (Wicked), Shona White (Mamma Mia!) and Emma Williams (Half a Sixpence).
February 4th, 2018 at 9pm
Special guests include Dreamgirls star Marisha Wallace along with her co-stars Joe Aaron Reid (Curtis Taylor Jr.) and Asmeret Ghebremichael (Lorrell Robinson). 
For full information on each evening and to book tickets please visit www.liveatzedel.com


2017 BroadwayWorld UK Awards Shortlist

Best Actor in a New Production of a Musical
Andrew Polec, Bat Out of Hell, London Coliseum
John McCrea, Everybody’s Talking About Jamie, Sheffield Crucible
John Partridge, La Cage Aux Folles, UK Tour
Jon Robyns, The Wedding Singer, UK Tour
Michael C. Hall, Lazarus, King’s Cross Theatre
Robert Fairchild, An American in Paris, Dominion Theatre

Best Actor in a New Production of a Play
Andrew Scott, Hamlet, Almeida Theatre
Arinzé Kene, One Night in Miami…, Donmar Warehouse
Brendan Cowell, Life of Galileo, Young Vic
Conleth Hill, Who’s Afraid of Virginia Woolf?, Harold Pinter Theatre
Lucian Msamati, Amadeus, National Theatre
Nicholas Woodeson, Death of a Salesman, UK Tour Continue reading “2017 BroadwayWorld UK Awards Shortlist”

Re-reviews: Di and Viv and Rose / Dirty Rotten Scoundrels

 

“It was a ball, it was a blast
It was a shame it couldn’t last”

A half-term jaunt down to London for Aunty Jean saw us take in a couple of shows I was happy to revisit. I remain as affectionately inclined towards Dirty Rotten Scoundrels as I ever have done, its traditional bonhomie remains as watchable as ever and there’s just something comfortable about the whole affair which remains hard to resist. Even whilst not being Robert Lindsay’s biggest fan (seriously, is he being paid by the pelvic thrust?!) the shimmering star quality of Kat Kingsley and the affable appeal of Alex Gaumond more than compensate. And the bumbling charms of Ben Fox, the third Chief of Police since the show started – job security in Beaumont-Sur-Mer is clearly not strong 😉 – prove the ideal foil for Bonnie Langford’s knowingly charismatic Muriel.

And we also made a more-timely-than-we-realised trip to Amelia Bullmore’s Di and Viv and Rose which posted closing notices pretty much as we left the matinée. It feels a real shame as it is such a sprightly production of a sparkling play which certainly deserved better audiences but for whatever reason, it just didn’t connect. I’ve written more about the show on my three previous visits (link here) but I’d definitely recommend trying to catch it before it closes, not least for some of the most joyous dancing onstage (which forms the perfect counterbalance to My Night With Reg) and Jenna Russell’s glorious performance as the hugely-generous-of-spirit Rose. 

Dirty Rotten Scoundrels
Running time: 2 hours 30 minutes (with interval)
Booking until 7th March

Di and Viv and Rose
Running time: 2 hours 35 minutes (with interval)
Booking until 14th March

Re-review: Dirty Rotten Scoundrels, Savoy

“It’s important to be artful”

Celebrating recent cast changes, both intentional (Bonnie Langford and Gary Wilmot in for Samantha Bond and John Marquez) and unexpected (Alex Gaumond hastily replacing Rufus Hound), Dirty Rotten Scoundrels is approaching its one year anniversary in the West End with a renewed energy. And with the changing strengths of its leading players, it also feels like quite a different show, one which is well worth (re)visiting.
 
My original review can be read here and much of it still holds true. This isn’t the show to reinvent the musical form but nor is it trying to, rather it is a treat of the old-school variety as David Yazbek’s bouncy music and lyrics carries along Jeffrey Lane’s conman-based book on a ray of retro Riviera-infused sunshine. A wink to the audience here, meta-theatrical jokes there, a whole deal of hamminess from Robert Lindsay everywhere, this is a show that knows exactly what it is and revels in it. Continue reading “Re-review: Dirty Rotten Scoundrels, Savoy”