This 50th anniversary tour of Hair the Musical does more than any to make me like the show, at the Palace Theatre Manchester
“Grab your blankets, and something to suck”
True story, I’m no real big fan of Hair. I’ve seen it a couple of times now and it just doesn’t grab me in the way that so many other classic musicals do. But when looking for a Wednesday matinée to complete my trip to Manchester, it was the only show in town. And given that this Aria Entertainment, Senbla and Hope Mill Theatre production was born here in Manchester, it seemed only right to give it another shot.
And I have to say, in its 50th anniversary year, it is beginning to win me over. The music (by Galt MacDermot) may not occupy a special place in my soul and the book (by Gerome Ragni and James Rado) remains chronically weak but there’s something so persuasive about Jonathan O’Boyle’s production that is entirely seductive, and feels even more so in the grander theatres in which it is now touring, as opposed to the more intimate spaces it has previously occupied. Continue reading “Review: Hair, Palace Theatre Manchester”
Eugenius returns to The Other Palace having found a hugely enthusiastic cult audience; it really isn’t unproblematic for a new musical though
“We’re not nerds, we’re geeks”
Complete with superfan Sundays and audience members who have nailed the choreography, Eugenius‘ return to The Other Palace is a classic piece of fan service. I’m not so sure I count myself as one of those fans though, ultimately I want something more forward-thinking from my new musical theatre. Read my 2.5 star review for Cheap Theatre Tickets here.
Running time: 2 hours 20 minutes (with interval)
Photo: Scott Rylander
Eugenius is booking at The Other Palace until 20th October
Running time: 2 hours 25 minutes (with interval)
Photo: Pamela Raith
Booking until 3rd March
“The longer I live, the more I’m tempted to think that the only moderately worthwhile people in the world are you and I”
It’s 30 years since Christopher Hampton’s adaptation of Choderlos de Laclos’ extraordinary epistolary novel Les Liaisons Dangereuses premiered in Stratford, took the West End and Broadway by storm and was turned into the most seductive of period movies in Dangerous Liaisons. Since then, the emotional war games of former lovers the Marquise de Merteuil and Vicomte de Valmont have rarely been seen but Josie Rourke’s has revived them just in time for Christmas at the Donmar.
The decaying grandeur of the French aristocracy in 1782 – just a few years away from révolution breaking out remember – is neatly suggested by the peeling walls and dust sheets that litter Tom Scutt’s set. And their enduring decadence remains obvious in the still-luxurious quality of their clothing (some gorgeous costume work here) but Scutt and Rourke make clear that the lifestyle being pursued by Merteuil, Valmont and their ilk is doomed, regardless of how their games play out. Continue reading “Review: Les Liaisons Dangereuses, Donmar Warehouse”