Review: Anyone Can Whistle, Jermyn Street

“Can’t complain about the time we’re given”

Despite Lauren Bacall telling me to just put your lips together and blow, I have never been able to whistle. Even if I could, my deaf old ears wouldn’t hear it anyway, but having seen Anyone Can Whistle at the Jermyn Street Theatre in Piccadilly, I now realise that it is symptomatic of a life of emotional constipation and sexual frigidity: eek!

For a blog named for a Stephen Sondheim lyric, I have had precious little experience in seeing his work. Tim Burton’s cinematic Sweeney Todd aside, I’ve only actually seen the recent Menier A Little Night Music so I was pleased to see a number of Sondheim works lined up for this year, which just happens to mark his 80th birthday. Later in the year we’ll have Into the Woods at the Open Air Theatre in Regents Park and Passion at the Donmar. In a couple of weeks there’s a concert on his actual birthday at the King’s Head, but first up in London is Primavera’s production of Anyone Can Whistle. Continue reading “Review: Anyone Can Whistle, Jermyn Street”

Review: A Little Night Music, Menier Chocolate Factory

Given the name of this blog, I was more than a little excited when the Menier Chocolate Factory announced their Christmas show as Stephen Sondheim’s A Little Night Music for, in case you do not know, ‘There Ought To Be Clowns’ is a lyric from the most well-known song from this musical, ‘Send in the Clowns’. It is based on Ingrid Bergman’s film Smiles of a Summer Night and with a score almost entirely written in waltz time, it is a coolly Scandinavian intellectual and detached look at romance.

Middle-aged Frederik has married Anna, his 18-year-old neighbour, and she is having difficulty with consummating the marriage. At the same time, Frederik’s son Heinrik is studying to become a minister yet lusts after Anna, who is younger than he is. When one of Heinrik’s old flames, a touring actress, returns to town with a jealous Brigadier-General (inconveniently married to one of Anna’s friends) as her current on-again off-again lover, the set of romantic relationships readjust and realign to potentially better suited pairings over a weekend in the country. Continue reading “Review: A Little Night Music, Menier Chocolate Factory”

Review: Acorn Antiques The Musical, The Lowry

Having seen and loved Acorn Antiques The Musical when it played in London, despite a few misgivings about the first half, I was keen to ensure that we saw the touring version when it was announced and it fit in well with my Christmas plans to go and see it at the Lowry in Salford. Victoria Wood had obviously taken the (somewhat harsh) reviews to heart though as she has performed some major surgery on the show and the whole conceit of the first half has been removed: we open straight into Manchesterford and the goings-on at the antique shop.
Some of the songs from that original first half have been shoehorned into the story, the tap number is great fun though a bit of a stretch having the am-dram society rehearsing in the shop and other ones shifted around a bit. It still made me laugh, but I must admit to not finding it quite as funny as I did the first time round. And I suppose this is largely to do with the fact that this is a new cast that has been put together for this tour, which features none of the main principles.

And I know it shouldn’t matter, the strength of the show should mean that any good actors can take us through it, but so much of the pleasure of the original was seeing the famous, familiar faces from the TV show reprising their roles, in particular Celia Imrie and Julie Walters, the latter’s Mrs O being so intertwined with herself that I found it impossible to imagine anyone else ever being able to perform the role. And I think that is what the producers also thought as Ria Jones who takes on the role here plays it as close to Walters as possible, which is probably for the best as she can really pull it off. I was less convinced by Sara Crowe’s Miss Babs and Teddy Kempner’s Clifford, but Lisa Peace’s Miss Berta and Beverly Rudd’s Mimi were good fun.

Expectations are often a killer and I think I let them get the better of me here, working myself into a state of excitement that was always unlikely to be matched. Though as the dvd of the original cast is now available, I might add that to my Christmas present list and see if it really was as good as I remembered first time round.