“If she’s innocent, we’re simply sending her to God early”
The most powerful image of Jane Wenham: The Witch of Walkern comes courtesy of the centrepiece of James Button’s design, a timber structure illuminated as a church cross on one side and extending as a noose-bearing gallows on the other. It encapsulates the central thesis of Rebecca Lenkiewicz’s play – that twisted symbiosis between the Church and the witch-hunts that scarred society for so long – with an eloquence that characterises much of Ria Parry’s production, which is about to embark on a considerable UK tour.
An Out of Joint, Watford Palace Theatre and Arcola Theatre co-production, in association with Eastern Angles, Lenkiewicz based her drama on real-life events in a Hertfordshire village, an all-too-recognisable tale of society seized by collective fervour. It’s been several decades since any witch hunts but when tragedy falls on the village of Walkern, suspicion quickly falls upon the local cunning woman Jane Walkern and her herbal remedies amid whispers of the return of witchcraft, stoked by new priest Samuel Crane who is determined, quite literally, to get his woman. Continue reading “Review: Jane Wenham: The Witch of Walkern, Watford Palace”