“Our own worst enemies are ourselves, our fears”
Where films succeed, sequels must now follow and after The Woman in Black did decent Harry Potter-fuelled box office, it was inevitable that a return engagement would follow. The Woman in Black 2 – The Angel of Death hit cinemas at the beginning of the year to less-than-stellar reviews and on watching the film, it isn’t too hard to see why despite the presence of Phoebe Fox and Helen McCrory at the head of the cast.
That said, it isn’t a foregone conclusion. Jon Croker’s screenplay uses another story from Susan Hill, set 40 years on from the first film in the middle of the Blitz from whence McCrory’s headmistress Jean Hogg and Fox’s Eve Parkins are evacuating a group of their schoolchildren. But the frying pan of Nazi bombers is followed by the fire of malevolent spirits as the safe haven they are granted turns out to be the haunted Eel Marsh House. Continue reading “DVD Review: The Woman in Black 2 – The Angel of Death”
“And my head I’d be scratchin’ while my thoughts were busy hatchin’
I could have quite happily given The Wizard of Oz a miss, it wasn’t ever really on my list of shows to see but the combined news of a visit from a family member who wanted to see it and Hannah Waddingham’s imminent departure from the ensemble meant that I found myself there on a Saturday evening… There’s something a little odd about its choice as Andrew Lloyd-Webber’s third reality casting show, Over the Rainbow, as the show is not really a fully-fledged musical, no matter how famous some of the songs but he persevered nonetheless. What is even odder is his assembly of a strong musical theatre cast around the eventual winner, Danielle Hope, given the paucity of many of the roles around Dorothy.
Lloyd-Webber’s way around this has been to write new songs, with long-standing lyricist Tim Rice, to beef up the roles of characters like the Wizard and the Wicked Witch of the West and justify the casting of Michael Crawford and Hannah Waddingham respectively. But despite looking a picture with some tricksy staging and wirework, the end result is curiously banal, exceedingly bland and one which rarely excited me. The focus is so much on the stagecraft that the heart of the story is rarely engaged: Hope’s Dorothy is sweet but rarely interesting, there’s little of the ‘star quality’ evident this evening but then the role is not one that really encourages it; Michael Crawford made very little impact either as the Wizard or the cameos as Ozians and so it went, emotion taking second-place to spectacle. Continue reading “Review: The Wizard of Oz, Palladium”