“If they choose to, the company may dump any man”
The historic walls of Wilton’s Music Hall – the last surviving grand music hall in the world – may be old but they are far from old-fashioned. After their major refurb, the shift into becoming a producing venue has seen them adopt a varied multi-disciplinary programme of comedy and music as well as theatre (look out for the Tobacco Factory’s highly-rated Othello coming soon).
Sadly, their current revival of How to Succeed in Business Without Really Trying – the first major one in this country since its 1963 premiere – falls on the side of the fatally old-fashioned. Director Benji Sperring’s sure touch has seen him work wonders with shows like The Toxic Avenger but here, an inconsistency of tone and performance level means that it sits awkwardly on this august stage. Continue reading “Review: How to Succeed in Business Without Really Trying, Wilton’s Music Hall”
“Nobody but nobody thought that putting the life of Henry Moore into a musical was a good idea”
It’s a real shame that Springtime for Henry (and Barbara) only ran for three performances over two nights as I’d’ve recommended it to all and sundry, not least for capturing the spirit of exactly what Wilton’s Music Hall should be used for. A highly idiosyncratic piece, described as “a fictitious lost musical reconstructed in fragments”, it’s the continuation of a multi-phase project by artist Mel Brimfield and musician Gwyneth Herbert, interrogating the relationship between sculptors Henry Moore and Barbara Hepworth.
This it does imaginatively in a number of ways: a mockumentary format (calling to mind nothing so much as the genius behind-the-scenes episode of Acorn Antiques) detailing decades of attempts to put this show on the stage, complete with abortive scores from Sondheim and Lloyd-Webber and a high cast turnover; repurposed archive footage; a chat show section interviewing the ‘director’; and an impressively wide-ranging set of musical numbers, referencing a equally wide set of influences. The cumulative effect was very much of a variety show and that just felt perfect in the atmospheric surroundings of this oldest surviving music hall in the world. Continue reading “Review: Springtime for Henry (and Barbara), Wilton’s Music Hall”
“Kissing is better than acorns”
It seems like Peter Pan had the right idea. For in new musical Lost Boy, those that left Neverland and started to grow up end up variously as gay trapeze artists, opium addicts, Parisian showgirls, miserable bankers, wannabe Jungians and prostitutes. The concept of growing up is at the heart of Phil Willmott’s new show which largely takes place in the dreamworld of Captain George Llewelyn Davies, one of the boys who inspired JM Barrie to write one of the most iconic pieces of children’s fiction but whose shadow is hard to escape.
A few years on from the writing of Peter Pan, Llewelyn Davies finds himself preparing for battle on the eve of the First World War, emotionally unprepared for military leadership yet societally conditioned with a gung-ho war mentality. And as he closes his eyes for a moment, he dreams of being Peter Pan, all grown up in London with Wendy, Tinker Bell, Tootles and the rest but now they’re no longer in Neverland, the dilemmas they face are those of humdrum normality, that is until war is declared. Continue reading “Review: Lost Boy, Finborough”