Review: A singalong Bat out of Hell, Dominion

Baby baby BABY! For better or worse, Bat out of Hell introduces the singalong musical into the West End 

“You got the kind of lips that do more than drink
You got the kind of mind that does less than think”

Although it might feel like every night is singalong night at some musicals (cough Motown cough), Bat out of Hell have gone the extra step and made one night a month an actual sing-along performance. So if you get down to the Dominion Theatre on these selected dates, then you can live your dream of singing in a West End theatre, just, you know, not on the actual stage…!

If you’re pondering whether this is a good idea, I’ve answered a few questions below.

“I know you’re lookin’ for a ruby in a mountain of rocks
But there ain’t no Coupe de Ville hidin’ at the bottom of a Cracker Jack box”

1. What if I don’t know all the words?

Never fear – there are screens dotted around the theatre, and above the stage, which show the lyrics. And it’s not every song we’re invited to sing along to, which I was particularly gutted for for “What Part of My Body Hurts the Most”. Seeing the lyrics like this has the additional amusing bonus of showing how batshit crazy some of them are…! Continue reading “Review: A singalong Bat out of Hell, Dominion”

Album reviews: Working / Bat out of Hell / 42nd Street

A trio of West End cast recordings (well, one’s off-West-End…) show that it is sometimes hard to recapture the stage magic 

© Robert Workman

Starting off with the best of this bunch, the Southwark Playhouse’s production of Working might not have seemed like the obvious choice for a cast recording but maybe the lure of a couple of new Lin-Manuel Miranda tracks was a real sweetener.

Truth is, it is the quality of the cast’s performances that make this a fantastic addition to the list of albums you need to hear. From Siubhan Harrison’s impassioned ‘Millwork’ to Dean Chisnall’s gleeful ‘Brother Trucker’, and the highly charismatic Liam Tamne nails both of Miranda’s contributions – the wilful ‘Delivery’ and a corking duet (with Harrison) on ‘A Very Good Day’.

Experience pays though, as Gillian Bevan and Peter Polycarpou take the honours with some scintillating work. The latter’s ‘Joe’ is beautifully judged, as is the former’s ‘Nobody Tells Me How’, both demonstrating the uncertainty that can come at the end of a long career, when retirement doesn’t necessarily hold the joyful promise it once did. Highly recommended.  Continue reading “Album reviews: Working / Bat out of Hell / 42nd Street”

Review: Bat Out of Hell, Dominion

Serving up more Meatloaf, Bat Out of Hell returns to London at the Dominion with a new-found subtlety…

“Some nights you’re like nothing I’ve ever seen before or will again”

I jest of course – there ain’t nothing subtle about Bat Out of Hell, apart from the slight price rises on the merchandise stall. Newly installed at the Dominion Theatre, after runs in Manchester, Toronto and at the Coliseum last year, it has lost little of the bizarre, baffling energy that saw it find a very devoted audience.

And they’ll be pleased that leads Andrew Polec and Christina Bennington return, the new cast members slot in effortlessly, and the inimitable vocal prowess of all is still ear-splittingly breathtaking, under Michael Reed’s musical supervision. Rob Fowler and Sharon Sexton remain the show’s secret weapon, stealing the thunder like a punked-up Jack and Karen. Continue reading “Review: Bat Out of Hell, Dominion”

2018 What’s On Stage Award nominations

It’s that time of year again and getting in early with the announcement of their nominees is What’s on Stage. Voted for by the public, they’re often skewed a little towards the bigger ‘names’ but this year’s set of nominations are relatively controversy-free. There’s something a little odd about the way that regional theatre has its own separate category but its actors appear in the main ones – I feel like regional theatre productions should either be considered entirely in or out, rather than this halfway house.

Naturally, big shows rule the roost – 42nd Street and Bat out of Hell lead the lists with 8 nominations apiece – and they’ve even found a way to shoehorn in Hamilton by nominating it for the two new categories of Best Cast Recording (which somehow includes Les Mis??) and Best Show Poster, thus being able to get round it not actually being open yet and grabbing the requisite headlines once it does, inevitably, win.

BEST ACTOR IN A PLAY SPONSORED BY RADISSON BLU EDWARDIAN
Andrew Garfield, Angels in America
Andrew Scott, Hamlet
Bryan Cranston, Network
David Tennant, Don Juan in Soho
Martin Freeman, Labour of Love

BEST ACTRESS IN A PLAY
Eve Best, Love in Idleness
Imelda Staunton, Who’s Afraid of Virginia Woolf?
Olivia Colman, Mosquitoes
Natalie Dormer, Venus in Fur
Tamsin Greig, Labour of Love Continue reading “2018 What’s On Stage Award nominations”

Winners of The Stage Debut Awards 2017

The Joe Allen Best West End Debut

WINNER: Andrew Polec for Bat Out of Hell at the London Coliseum
John Boyega for Woyzeck at the Old Vic
Anthony Boyle for Harry Potter and the Cursed Child at the Palace Theatre
Andy Karl for Groundhog Day at the Old Vic
Audra McDonald for Lady Day at Emerson’s Bar and Grill at Wyndhams Theatre
Imogen Poots for Who’s Afraid of Virginia Woolf? at the Harold Pinter Theatre
Amber Riley for Dreamgirls at the Savoy Theatre
Charlie Stemp for Half a Sixpence at the Noel Coward Theatre

Best Actor in a Play
WINNER: Abraham Popoola for Othello at Tobacco Factory Theatres, Bristol
Jack Archer for Nivelli’s War at the Lyric Theatre, Belfast
TJ Jones for The Seven Acts of Mercy at the Swan Theatre, Royal Shakespeare Company
Kenneth Omole for Assata Taught Me at the Gate Theatre, London

Best Actress in a Play Sponsored by Pauline Quirke Academy at PQA Studios London
WINNER: Grace Molony for The Country Girls at the Minerva Theatre, Chichester
Anya Chalotra for Much Ado About Nothing at Shakespeare’s Globe, London
Kellan Frankland for The House of Bernarda Alba at the Royal Exchange, Manchester
Jess Peet for Alice in Wonderland at the Royal Lyceum Theatre, Edinburgh

Best Actor in a Musical Sponsored by Encore Radio
WINNER: Samuel Thomas for Allegro at Southwark Playhouse, London
Adam J Bernard for Dreamgirls at the Savoy Theatre, London
Ben Hunter for The Girls at the Phoenix Theatre, London
Daniel Urch for 110 in the Shade at Ye Olde Rose and Crown, London

Best Actress in a Musical Sponsored by The Other Palace
WINNER: Miriam-Teak Lee for On the Town at Regent’s Park Open Air Theatre, London
Chloe Carrington for Hair at Hope Mill Theatre, Manchester
Emily Hughes for Fiddler on the Roof at Everyman Theatre, Liverpool
Siena Kelly for On the Town at Regent’s Park Open Air Theatre, London

Best Composer Sponsored by Trafalgar Entertainment Group
WINNER: Dan Gillespie Sells for Everybody’s Talking About Jamie at the Crucible Theatre, Sheffield
Jonah Brody for Removal Men and This Beautiful Future at the Yard, London
Ruth Chan for Snow in Midsummer at the Swan Theatre, Royal Shakespeare Company, Stratford-upon-Avon
MJ Harding for Removal Men at the Yard, London
Stephen Jackson for Roller Diner at the Soho Theatre, London

Best Designer Sponsored by Robe
WINNER: Rosie Elnile for The Convert at the Gate Theatre, London
Joshua Gadsby for Dreamplay at the Vaults, London and Still Ill at the New Diorama, London
Simon Spencer for The Tempest at the Royal Shakespeare Company, Stratford-upon-Avon
Jessica Staton for Extra Yarn at the Orange Tree Theatre, London

Best Director Sponsored by See Tickets
WINNER: Lekan Lawal for Betrayal at Derby Theatre, Derby
Sean Aydon for Richard III at the Rosemary Branch, London
Alexander Lass for 46 Beacon at Trafalgar Studios 2, London
Lynette Linton for Assata Taught Me at the Gate Theatre, London

Best Writer
WINNER: Katherine Soper for Wish List at the Royal Exchange, Manchester, and Royal Court Theatre, London
Titas Halder for Run the Beast Down at the Marlowe Theatre, Canterbury and Finborough Theatre, London
Asif Khan for Combustion at Tara Arts, London
Victoria Willing for Spring Offensive at the Clapham Omnibus, London

 

Bat Out Of Hell is coming back in 2018

“It’s so hard to believe but it’s all coming back to me now”

Sign-Up for more information on the rock’n’roll return of @BATtheMusical to London’s #West End 🤘 https://t.co/n7m60a0EG6 pic.twitter.com/WpMs3rM0yS

— Bat Out Of Hell (@BatTheMusical) August 22, 2017


There are (still) no words to say about Bat Out Of Hell that can really do it justice (here’s my attempt from the first viewing) and in any case, even if I wanted to I couldn’t, as it really is a show that demands to be seen having partaken of a beverage or seven. And believe me, last night I partook! So I guess I’ll see you at the Coliseum next year then, you can get the first round in đŸ˜‰

Nominees for The Stage Debut Awards 2017

The Joe Allen Best West End Debut
John Boyega for Woyzeck at the Old Vic~
Anthony Boyle for Harry Potter and the Cursed Child at the Palace Theatre
Andy Karl for Groundhog Day at the Old Vic
Audra McDonald for Lady Day at Emerson’s Bar and Grill at Wyndhams Theatre
Andrew Polec for Bat Out of Hellat the London Coliseum
Imogen Poots for Who’s Afraid of Virginia Woolf? at the Harold Pinter Theatre
Amber Riley for Dreamgirls at the Savoy Theatre
Charlie Stemp for Half a Sixpence at the Noel Coward Theatre

Best Actor in a Play
Jack Archer for Nivelli’s War at the Lyric Theatre, Belfast
TJ Jones for The Seven Acts of Mercy at the Swan Theatre, Royal Shakespeare Company
Kenneth Omole for Assata Taught Me at the Gate Theatre, London
Abraham Popoola for Othello at Tobacco Factory Theatres, Bristol

Best Actress in a Play Sponsored by Pauline Quirke Academy at PQA Studios London
Anya Chalotra for Much Ado About Nothing at Shakespeare’s Globe, London
Kellan Frankland for The House of Bernarda Alba at the Royal Exchange, Manchester
Grace Molony for The Country Girls at the Minerva Theatre, Chichester
Jess Peet for Alice in Wonderland at the Royal Lyceum Theatre, Edinburgh

Best Actor in a Musical Sponsored by Encore Radio
Adam J Bernard for Dreamgirls at the Savoy Theatre, London
Ben Hunter for The Girls at the Phoenix Theatre, London
Samuel Thomas for Allegro at Southwark Playhouse, London
Daniel Urch for 110 in the Shade at Ye Olde Rose and Crown, London

Best Actress in a Musical Sponsored by The Other Palace
Chloe Carrington for Hair at Hope Mill Theatre, Manchester
Emily Hughes for Fiddler on the Roof at Everyman Theatre, Liverpool
Siena Kelly for On the Town at Regent’s Park Open Air Theatre, London
Miriam-Teak Lee for On the Town at Regent’s Park Open Air Theatre, London

Best Composer Sponsored by Trafalgar Entertainment Group
Jonah Brody for Removal Men and This Beautiful Future at the Yard, London
Ruth Chan for Snow in Midsummer at the Swan Theatre, Royal Shakespeare Company, Stratford-upon-Avon
Dan Gillespie Sells for Everybody’s Talking About Jamie at the Crucible Theatre, Sheffield
MJ Harding for Removal Men at the Yard, London
Stephen Jackson for Roller Diner at the Soho Theatre, London

Best Designer Sponsored by Robe
Rosie Elnile for The Convert at the Gate Theatre, London
Joshua Gadsby for Dreamplay at the Vaults, London and Still Ill at the New Diorama, London
Simon Spencer for The Tempest at the Royal Shakespeare Company, Stratford-upon-Avon
Jessica Staton for Extra Yarn at the Orange Tree Theatre, London

Best Director Sponsored by See Tickets
Sean Aydon for Richard III at the Rosemary Branch, London
Alexander Lass for 46 Beacon at Trafalgar Studios 2, London
Lekan Lawal for Betrayal at Derby Theatre, Derby
Lynette Linton for Assata Taught Me at the Gate Theatre, London

Best Writer
Titas Halder for Run the Beast Down at the Marlowe Theatre, Canterbury and Finborough Theatre, London
Asif Khan for Combustion at Tara Arts, London
Katherine Soper for Wish List at the Royal Exchange, Manchester, and Royal Court Theatre, London
Victoria Willing for Spring Offensive at the Clapham Omnibus, London

 

Review: Bat out of Hell, London Coliseum

“Will you hose me down with holy water, if I get too hot?”

I think it is safe to say that Bat out of Hell is one of the most random things you’ll see in the West End this year, if not ever, whether you’re a fan of Meatloaf or not. It is a deliciously over-the-top production quite unlike the usual fare in the august surroundings of the London Coliseum but that’s part of its charm here – what would be sacrilegious is actually cheekily charming. Find production photos of the show here and read my 4 star review for Cheap Theatre Tickets here.

Running time: 2 hour 50 minutes (with interval)
Booking until 5th August