I end up a little disappointed after an excellent first half of Man in an Orange Shirt
“You didn’t think we could set up home together like man and wife?”
I wanted to love Man in an Orange Shirt , I really did. A BBC two-part mini-series from 2017, it was written by Patrick Gale using elements from his own family history. And featuring a cast that is both suitably impressive -James McArdle, Vanessa Redgrave – and pretty – newcomers to me Julian Morris and Oliver Jackson-Cohen.
The first half is by far the stronger. Set in the 1940s, old schoolmates Michael and Thomas find themselves stationed together in WWII Italy. An unexpected connection blooms between the pair and once war is over, Michael searches out Thomas and they spend a blissful weekend together. Only trouble is, Michael also has to eventually reunite with his fiancée too. Continue reading “TV Review: Man in an Orange Shirt”
“Some things are worth getting your heart broken for”
David Tennant’s opening season took the template of the opening series and ran with it, Russell T Davies’ vision finding its ideal mate in the Scottish actor. The typically adventurous sweep was tempered with a more tender vision, which considerably upped our emotional investment (previous companions returning, romantic connections whether past or present).
Bringing back the Cybermen was an interesting move, as was the introduction of the notion of parallel worlds (and how important that became…). And if the series-long motif of Torchwood didn’t really pay off, especially not when one considers what Torchwood the show became, the finale to Doomsday is pretty close to perfection. Continue reading “Countdown to new Who: Doctor Who Series 2”
“I never had anyone watching from a window for me. You got lucky.”
As if there was any doubt that Imelda Staunton wouldn’t be excellent in Good People… Though the way that she inhabits the part of Margie, a hard-bitten, working-class Bostonian single mother is simply quite astonishing. From the opening moments of this David Lindsay-Abaire play as she faces the prospect of losing the job that is barely keeping her afloat due to the desperation of forlorn hope etched on her face at the end, it is a sensational performance in the midst of a sensational production.
Jobs are few and far between in the tough neighbourhood of South Boston and the demands of caring for her disabled daughter mean Margie needs to seize the bull by the horns to get alternative employment. When she hears from a friend that Mike, an old flame is back in town – someone who has definitely gone up in the world to become a doctor – she batters down his door and procures a birthday party invite where apparently somebody might have something for her. Continue reading “Review: Good People, Hampstead Theatre”