The Curtain Up Show Album of the Year 2018 winners

Best UK Cast Recording
Broken Wings – Original Concept Album
Calendar Girls – Original London Recording
Everybody’s Talking About Jamie – Original West End Cast Recording
WINNER: Six The Musical – Studio Cast Recording
Working: A Musical – Original London Cast Recording
Young Frankenstein – Original London Cast Recording

Best American Cast Recording
Frozen – Original Broadway Cast Recording
WINNER: Mean Girls – Original Broadway Cast Recording
My Fair Lady – 2018 Broadway Cast Recording
Once On This Island – New Broadway Cast Recording
Pretty Woman – Original Broadway Cast Recording
The Prom – Original Broadway Cast Recording

Best Solo Album
Audra McDonald – Sing Happy
WINNER: Carrie Hope Fletcher – When The Curtain Falls
David Hunter – Silver Linings
Louise Dearman – For You, For Me
Natasha Barnes – Real
Sutton Foster – Take Me To The World

The Curtain Up Show Album of the Year 2018 nominees

Best UK Cast Recording
Broken Wings – Original Concept Album
Calendar Girls – Original London Recording
Everybody’s Talking About Jamie – Original West End Cast Recording
Six The Musical – Studio Cast Recording
Working: A Musical – Original London Cast Recording
Young Frankenstein – Original London Cast Recording

Best American Cast Recording
Frozen – Original Broadway Cast Recording
Mean Girls – Original Broadway Cast Recording
My Fair Lady – 2018 Broadway Cast Recording
Once On This Island – New Broadway Cast Recording
Pretty Woman – Original Broadway Cast Recording
The Prom – Original Broadway Cast Recording

Best Solo Album
Audra McDonald – Sing Happy
Carrie Hope Fletcher – When The Curtain Falls
David Hunter – Silver Linings
Louise Dearman – For You, For Me
Natasha Barnes – Real
Sutton Foster – Take Me To The World

Review: American Psycho, Gerald Schoenfeld Theatre

“The song’s so damn catchy, most people don’t realize it’s a rollicking ode to conformity and the importance of trends”

Bigger and bolder, and that’s just the pecs of leading man Benjamin Walker. It’s taken a little while for Rupert Goold’s American Psycho to make it over the pond after its run at the Almeida in the winter of 2013/4. But nothing if not tenacious, it now opens in a remounted and slightly retooled version at the Gerald Schoenfeld Theatre, in a production that is indeed bigger and bolder, brasher too as befits the 80s incarnation of the city in which it now resides.

Book-writer Roberto Aguirre-Sacasa has adapted Bret Easton Ellis’ novel of amorality into a tautly entertaining tale that both mocks the period (was that Donald Trump joke in the original?!) but also subversively questions the whole narrative, asking us how reliable Patrick Bateman is in relaying his tales of natural bedpartners investment banking and serial killing, or whether this uber-narcissist is something of a fantasist too. Continue reading “Review: American Psycho, Gerald Schoenfeld Theatre”