Despite great work from supporting players like Audra McDonald and Laura Benanti, The Sound of Music Live isn’t a great advert for The Show Must Go On
“Many a thing you know you’d like to tell her”
In some ways, turning to the series of live TV musicals to continue The Show Must Go On now that Andrew Lloyd Webber has exhausted the content he is willing to give for free, for weekends at a time. The problem is, its opening salvo – The Sound of Music Live from 2013 – really isn’t a good example of the form.
Directed by Rob Ashford and Beth McCarthy-Miller, it has all the requisite component parts and as a piece of live entertainment, it is all very competently done. There’s an impressively capacious set, slick camerawork and a well-drilled ensemble who barely put a foot wrong throughout the 2 hours plus of the show. Continue reading “Review: The Sound of Music Live (The Show Must Go On)”
I get stuck into the first episodes of TV shows Van Der Valk, The Good Fight, Gangs of London and Penny Dreadful: City of Angels to see what my next must-see will be
“Who else was masturbating into plants?!”
I’m of course far too young to remember the original Van Der Valk – had I seen it before though, I might well have saved myself this couple of hours. Importing a British cast to play Dutch detectives in a crime serial set in Amsterdam seems like such a retrograde move, I still can’t get my head around it, especially in this day and age when so much quality foreign-language drama is readily available. Written by Chris Murray, this revival sees Marc Warren head up the cast as a maverick detective with a team who aid and abet his behaviour – there’s not a smack of originality about it, nor any real interest sadly…great locations though. Am already dreaming of my return to the city, but not sure I’ll be revisiting this show. Continue reading “New TV shows to get stuck into”
On the one hand, so much to love with such an inordinate array of talent assembled to mark Sondheim’s 90th birthday. But on the other, where’s the editor, there’s a real sense of the rambling here too. Fortunately as this has been put together in lockdown (and very well too) it is easier than ever to skip to the bits you want (in the spirit of these times, I ain’t telling you who disappointed me).
For me, I loved the unexpectedness of Katrina Lenk’ ‘Johanna’, the cuteness of Beanie Feldstein & Ben Platt’s ‘It Takes Two’, and the energy of Alexander Gemignani’s ‘Buddy’s Blues’. And of the heavy hitters in the finale, Donna Murphy and Patti LuPone nailed ‘Send in the Clowns’ and ‘Anyone Can Whistle’ respectively, and there’s huge fun (if not finesse) in Christine Baranski, Meryl Streep & Audra McDonald giving us their ‘Ladies Who Lunch’. Continue reading “Lockdown Review: Take Me to the World: A Sondheim 90th Birthday Celebration”
Legendary Broadway composer Stephen Sondheim will be toasted with an all-star birthday concert, streaming live on Sunday 26th April. Hosted by Raúl Esparza, with musical direction by Mary-Mitchell Campbell, and coinciding with the 50th Broadway anniversary of Sondheim’s Company, Take Me to the World: A Sondheim 90th Birthday Celebration can be seen for free on YouTube.
This once-in-a-lifetime event, benefiting ASTEP (Artists Striving to End Poverty), will include a range of songs from the Sondheim catalogue performed by many of the artists who delivered iconic turns in his musicals, including Meryl Streep, Bernadette Peters, Patti LuPone, Mandy Patinkin, Audra McDonald, Christine Baranski, Donna Murphy, Kristin Chenoweth, Sutton Foster, Brian Stokes Mitchell, Kelli O’Hara, Aaron Tveit, Maria Friedman, Katrina Lenk, Michael Cerveris, Brandon Uranowitz, Elizabeth Stanley, Chip Zien, Alexander Gemignani, Iain Armitage, Stephen Schwartz and, from the cast of Pacific Overtures at Classic Stage Company, Ann Harada, Austin Ku, Kelvin Moon Loh and Thom Sesma.
Ever behind the curve, I present 10 of my top moments in a theatre over the last ten years (plus a few bonus extra ones because whittling down this list was hard, and it will probably be different tomorrow anyway!)
Extraordinary Public Acts for a National Theatre
The establishment of the Public Acts programme at the National Theatre offered up something sensational in Pericles, an initiative designed to connect grassroot community organisations with major theatres, resulting in a production that swept over 200 non-professional performers onto the stage of the Olivier to create something that moved me more than 99% of professional productions. A truly joyous and momentous occasion.
This trio of album reviews covers Singing You Home: Children’s Songs for Family Reunification, Mamma Mia! Here We Go Again (2018 Film Soundtrack) and Vanara the Musical
“Ay, ay, ay, ay, canta y no llores”
Regardless of your politics, Singing You Home: Children’s Songs for Family Reunification is a really rather lovely album of bilingual children’s songs. But in this day and age nothing is not political and the current US administration’s policy of child separation is a genuine atrocity that it is hard to know how to respond. Laura Benanti had the nous to conceive this project though and produced it with Mary-Mitchell Campbell and Lynn Pinto, and a whole host of the great and good of the American musical theatre. Thus this is more than just your usual set of lullabies – Lin-Manuel Miranda and Mandy Gonzalez crooning on the Mexican song ‘Cielito Lindo’, Audra McDonald shining on Jason Robert Brown’s ‘Singing You Home’, Kristin Chenoweth’s ‘Beautiful Dreamer’, well worth the investment for this uniquely exceptional cause. Continue reading “Album Reviews: Singing You Home / Mamma Mia! Here We Go Again / Vanara the Musical”
The release of Frozen 2 (2019 Film Soundtrack), sends me off to a couple of other film soundtracks I’ve been meaning to review in Hello Again (2017 Film Soundtrack) and Chicago (2002 Film Soundtrack)
“Are you the one I’ve been looking for All of my life?”
Possibly the album that is most wanted by kids and most feared by parents is the soundtrack to the forthcoming Frozen 2. Musical supremos Kristen Anderson-Lopez and Robert Lopez return in fine form with a suite of songs that suggest quite the emotional journey for the film and one which could be too sad for even me to cope with. In that respect, Kristen Bell’s griefstricken ‘The Next Right Thing’ scares me but it is gorgeously done. ‘Into the Unknown’ with its daring intervals and Aurora’s ethereal supplemental vocals seems like the song most identified to replicate ‘Let It Go’ enormous success but it is the dramatic swoops of ‘Show Yourself’ that I think Idina Menzel shines best on, along with Evan Rachel Wood. Wood’s delicate ‘All is Found’ speaks to the film’s core mysteries and Jonathan Groff finally gets a song with the amusing 80s-inflected ‘Lost In The Woods’. Continue reading “Album Review: Frozen 2 / Hello Again / Chicago”
Michael Sheen does his best to destabilise Series 3 of The Good Fight but Christine Baranski and Audra McDonald just about pull it back
“Don’t get in the way of someone kicking ass”
For a season that contains the wonder that is Christine Baranski and Audra McDonald casually duetting on ‘Raspberry Beret’, Series 3 of The Good Fightends up being something of a challenge. The presence of Michael Sheen’s Mephistophelian Roland Blum was clearly meant to shake things up but that chaotic energy ends up being destabilising.
Which is a shame, as so much of what makes The Good Fight click so well is present here. Topics ripped from up-to-the-minute headlines, including voter suppression, racial profiling, Karens calling the polices, troll farms, historic sexual harassment cases, Kim and Kanye… And they’re all treated sensitively but still daringly in some bold storytelling. Continue reading “TV Review: The Good Fight Series 3”