Review: Tina the Musical, Aldwych Theatre

Adrienne Warren absolutely shines in Tina the Musical at the Aldwych Theatre, though the bio-musical form has its limitations here

“It gets bigger baby, and heaven knows”

Mamma Mia has a lot to answer for. The jukebox musical is clearly the legacy project that people are looking to once music stars have retired or disbanded (or not even then, in some cases). But whether they take a fictional route (a la Viva Forever or Son of a Preacher Man) or go bio-musical (a la All Or Nothing), it really isn’t easy to make it work that well. 

Newly opened at the Aldwych Theatre, Tina the Musical has the credentials to make you hope it can do just that. Directed by Mamma Mia’s Phyllida Lloyd, written by Olivier winner Katori Hall with Frank Ketelaar and Kees Prins, and with the almighty back catalogue of Tina Turner to call on, there’s a thrilling sense of energy here which is perfectly encapsulated in the star-making performance of  a fricking amazing Adrienne Warren. Continue reading “Review: Tina the Musical, Aldwych Theatre”

Round-up of news and treats and other interesting things

 
Drip by drip, the National is teasing us with the cast reveals for Network.

Latest to be announced is Douglas Henshall who is to play Max Schumacher in this world-premiere of Lee Hall’s new adaptation of the Oscar-winning film by Paddy Chayefsky.

Directed by Ivo van Hove, the cast also includes Tony award winner Bryan Cranston as Howard Beale, and Michelle Dockery as Diana Christenson. Continue reading “Round-up of news and treats and other interesting things”