“We are bound on a wheel on pain”
The first series of Penny Dreadful may not have been perfect but I really rather liked it and was glad to hear a second season had been commissioned. And when I discovered the triple whammy of Helen McCrory and Simon Russell Beale being promoted to series regulars, Billie Piper’s distracting Oirish brogue being excised and Patti LuPone appearing as a guest star, I was in heaven. Saving up the 10 episodes to binge-watch on holiday also worked well for me, ain’t technology grand!
Having established its world of gothic Victoriana, John Logan’s writing picks up some of the strands of the first series’ finale – the consequences of sometime-werewolf Ethan’s bloodbath being chased up by a tenacious policeman and Victor Frankenstein’s newest creation inspiring an unlikely love triangle. But it succeeds most by re-introducing McCrory’s Evelyn Poole as a series-long villain as the head of a witches coven and maker of some of the creepiest puppet dolls you have ever seen – it’s no secret I love her but this really is a career highlight for this most superb of actresses. Continue reading “TV Review: Penny Dreadful Season 2”
More seasoned theatregoers will tell you you should never book a play on the strength of its star alone, but when that star is Academy Award winning actress Holly Hunter, star of one of my favourite films The Piano, then I had no hesitation in booking my ticket no matter what the play was. The play in question in By the Bog of Cats, a retelling of Euripides’ Medea by Marina Carr which blends aspects of ancient Greek myth with more modern Irish folklore creating a world of gypsies, witches and ghosts in which this story pays out.
In this adaptation, the Medea figure is represented by Irish tinker Hester Swain, a woman living on a rural Irish bog and facing the fact that everything in her life is slipping away: her man, her child, her home, her heritage. Her younger lover has left her in order to wed a woman who can bring him increased wealth and prestige, and he constantly threatens to part Hester from their child in order to raise the girl in his new, more privileged world. The play opens at dawn on the fateful wedding day, and we watch the lengths Hester goes to as she fights like a hellcat not to lose what belongs to her as horrific secrets from the past reveal themselves. Continue reading “Review: By The Bog Of Cats, Wyndhams”