fosterIAN awards 2018

 WinnerRunner-upOther nominees
Best Actress in a PlayLeah Harvey, Clare Perkins & Vinette Robinson, EmiliaSarah Gordy, JellyfishPatsy Ferran, Summer and Smoke
Marieke Heebink, Oedipus
Elinor Lawless, To Have To Shoot Irishmen
Carey Mulligan, Girls and Boys
Sarah Niles, Leave Taking
Best Actor in a Play
Kyle Soller, The InheritanceHans Kesting, OedipusPaapa Essiedu, The Convert
Ben Batt, The York Realist
Ian Bonar, Jellyfish
Richard Harrington, Home I'm Darling
Shubnam Saraf, An Adventure
Best Supporting Actress in a PlayCecilia Noble, Nine NightMartha Plimpton, SweatAdjoa Andoh, Leave Taking
Eva Feiler, A Midsummer Night's Dream (Watermill)
Penny Layden, Jellyfish
Lashana Lynch, ear for eye
Charity Wakefield, Emilia
Best Supporting Actor in a PlayPaul Hilton, The InheritanceForbes Masson, Summer and SmokeLouis Bernard, Much Ado About Nothing (Antic Disposition)
Demetri Goritsas, ear for eye
Wil Johnson, Leave Taking
Nicky Priest, Jellyfish
Sam Troughton, Stories
Best Actress in a MusicalRosalie Craig, CompanyKaisa Hammarlund, Fun HomeBonnie Langford, 42nd Street
Eva Noblezada, Hadestown
Caroline O'Connor, The Rink
Gemma Sutton, The Rink
Adrienne Warren, Tina the Musical
Best Actor in a MusicalSteven Miller, Sunshine on LeithAndrew Finnigan, DripPaul-James Corrigan, Sunshine on Leith
Arinzé Kene, Misty
Michael Mather, Mythic
Leon Scott, Midnight
Zubin Varla, Fun Home
Best Supporting Actress in a Musical
Patti LuPone, CompanyAmber Gray, HadestownNaana Agyei-Ampadu, Caroline or Change
Vivien Carter, Sweet Charity (Watermill)
Genevieve McCarthy, Mythic
Hilary McLean, Sunshine on Leith
Seyi Omooba, Christina Modestou & Renée Lamb, Little Shop of Horrors
Best Supporting Actor in a MusicalJonathan Bailey, CompanyPatrick Page & André de Shields, HadestownAlex Cardall, Sweet Charity (Watermill)
Alex James Ellison, The Secret Garden Albion
Richard Fleeshman, Company
Matt Willis, Little Shop of Horrors

2018 Best Actor in a Play + in a Musical

Best Actor in a Play

Kyle Soller, The Inheritance
As Eric Glass, Soller’s sensitively nuanced performance is one of the most crucial in The Inheritance, the development of his humanity and the lightness of his humour goes a long way to sustaining the considerable heft of this two-part epic. 

Honourable mention: Hans Kesting, Oedipus
A real birthday treat this was, Kesting giving us Sophocles via Icke, effortlessly redefining tragic Greek figures for the contemporary age. Entirely capturing the modern politician’s dilemma about how ‘real’ to be, his dogged pursuit of the truth was as compelling as it has ever been.

Ben Batt, The York Realist
Ian Bonar, Jellyfish
Paapa Essiedu, The Convert
Richard Harrington, Home I’m Darling
Shubnam Saraf, An Adventure

8-10
Edward Hogg, The Wild Duck; Gerard Kearns, To Have To Shoot Irishmen; Richard McCabe, Imperium

 

Best Actor in a Musical

Steven Miller, Sunshine on Leith
Musical theatre is so often derided as frothy flights of fancy that it can be easy to be surprised when a performance of real honesty shines through. Miller’s Davy, a bluff squaddie struggling to readjust to life after a tour in the Middle East, captured so much of that magical ‘extraordinary in the ordinary’ quality from his dancing to his singing, as well as his acting, that I could hardly take my eyes off him. 

Honourable mention: Andrew Finnigan, Drip
I’m not picking Finnigan because he picked me to be his audience hunk (honest) but for the irresistible charm of his effortlessly guileless Liam, the kind of hero you can’t help but root for and exactly the kind of (incidentally) gay characters we need our culture to be suffused with.

Paul-James Corrigan, Sunshine on Leith
Arinzé Kene, Misty
Michael Mathers, Mythic
Leon Scott, Midnight
Zubin Varla, Fun Home

8-10
David Haydn, The Secret Garden; Daniel Healy, Once; Mark Inscoe, Priscilla Queen of the Desert

Review: The York Realist, Donmar Warehouse

It continues to be grim up north. Especially if you’re gay – The York Realist comes to the Donmar Warehouse.

“It was very Yorkshire wasn’t it, not that I mind”

I’d decided not to bother with the Donmar Warehouse’s production of The York Realist and such is karma, I found myself offered a ticket on a night when I had nothing but laundry planned. And so off to Covent Garden for gay northerners I went.

I first saw the play in the first year of my blogging life, in a production at the now-defunct Riverside Studios, but I would be lying if I said I could remember too much about it (that’s why I blog, so I don’t have to remember!). By all accounts, I was well out of whack with those who declare it a modern classic… Continue reading “Review: The York Realist, Donmar Warehouse”

Round-up of news and treats and other interesting things

 

After over 178 productions and over 28,000 audience members through the door since moving to the Bedford in 2015, Theatre N16 is looking for a new home from December 2017. Whilst they search, you can support the folks there by donating here.
 
Theatre N16 was set up in 2015 to be a stomping ground for new companies and a place to try out new work, offering affordable deals on rehearsal and performance space. It has offered a ground-breaking, risk-free deal to all companies, which 95% of our guests have taken, guaranteeing that creatives do not leave our space owing the venue money. This is all under the auspices of an Equity Fringe Agreement, with Theatre N16 one of the few London venues to have signed up to the deal to guarantee pay to all creatives working for the venue.

Continue reading “Round-up of news and treats and other interesting things”

Queer Theatre – a round-up

“There’s nowt so queer as folk”

Only about a week behind schedule, I wanted to round up my thoughts about the National’s Queer Theatre season – links to the reviews of the 5 readings I attended below the cut – and try a formulate a bit of a response to this piece by Alice Saville for Exeunt which rather took aim at the season alongside the Old Vic’s Queers (also I just want to point out too that there are two writers of colour involved – Tarell Alvin McCraney and Keith Jarrett). As a member of the ‘majority’ within this minority, I tread warily and aim to do sowith love and respect. 

It feels important to recognise what the NT (and the Old Vic) were trying to achieve though. Queer Theatre looked “at how theatre has charted the LGBT+ experience through a series of rehearsed readings, exhibitions, talks and screenings” and if only one looked at lesbian women, two of the readings were written by women. Several of the post-show discussions at the NT talked specifically about this issue but in acknowledging it, also quite rightly pointed out that there just isn’t the historical body of work to draw from when it comes to wider LGBT+ representation. That’s where the talks and screenings came into their own, able to provide some of that alternative focus. Continue reading “Queer Theatre – a round-up”

Review: Queer Theatre – Certain Young Men, National

#3 in the National Theatre’s Queer Theatre season of rehearsed readings

“Well join the radical wing of the movement where to be really queer you have, as it were, to nail your foreskin to the transgressive mast. Literally it seems, on occasion.”

I have to admit to not necessarily being the greatest fan of Peter Gill’s writing and seeing a reading of one of his plays after having partaken of a little of the Pride festivities on Saturday afternoon was definitely not one of my wiser moves. But I wanted the complete set of these readings and so I sat down for 2009’s Certain Young Men.

Following the lives of four gay couples and told predominantly in duologues, it had the slight sense of yet another version of La Ronde as established pairings disintegrate and new ones reform. It is more complex than that, as it seeks to present varied and various forms of gay personalities and relationships, resisting the easy definition of a gay community to present a heterogenous grouping of homosexual men with multiple and conflicting desires. Continue reading “Review: Queer Theatre – Certain Young Men, National”

Round-up of news and treats and other interesting things – Pride special!

2017 marks 50 years since the decriminalisation of homosexuality. The Sexual Offences Act of 1967 was an Act of Parliament that decriminalised homosexual acts in private between two men.

50 years later the lives of queer people are perceived to be very different – equal age of consent, equality law and equal marriage are all heralded as progressive markers in LGBTQIA* equality but has the UK become a queer friendly nation or are homophobic prejudices just as prevalent?

Belonging is a public debate with poncy performance chaired by Scottee. Together with a committee of prominent queers he will explore where queer people sit in our society. A boozy, loose-tongued version of Question Time with less middle aged, middle class white men. Come and mouth off on the eve of London Pride.

Continue reading “Round-up of news and treats and other interesting things – Pride special!”

Too-hot-to-review: Woyzeck, Old Vic

“We are too desperate to do anything but live our lives desperately”

To be quite honest, I hadn’t intended to see Woyzeck, little about it appealing to me (despite the presence of Nancy Carroll and Ben Batt in the cast – attractive to me in EXACTLY THE SAME WAY). But a bargain and the chance to catch up with an old friend got me to the Old Vic on a gorgeously sunny afternoon where, inevitably, I found myself enjoying it more than I thought I would. There’s just a few performances left though if you want to catch it for yourself/bask in their air-con.

Round-up of news and treats and other interesting things

The news of Tim Pigott-Smith’s passing at the age of 70 yesterday was a terrible shock, not least because he was still in a rich creative vein – a tour of Death of a Salesman was scheduled for next month and the long-anticipated TV adaptation of his multi-award-nominated turn in the lead role of King Charles III is due later this year.

This tribute from Mike Bartlett is beautifully done. Continue reading “Round-up of news and treats and other interesting things”