“Lotte doesn’t know what Lotte is talking about”
Anticipation can be a killer, but from the moment last year that the Barbican announced Cate Blanchett would be part of their contributions to the London 2012 Festival, I’d been über-excited to see one of my favourite film actors onstage for the first time, so much so that I spent rather a fair amount on my ticket in order to get as close as I could in the Barbican’s large theatre. Blanchett and husband Andrew Upton have spent the last three years as Artistic Directors of the Sydney Theatre Company and it is one of their productions, co-commissioned by the Barbican and other partners, that is now stopping in London as part of an international tour.
The vehicle chosen is perhaps a bit of a surprise, given that the likes of Uncle Vanya and A Streetcar Named Desire preceded it, but it proves to be an inspired choice.Gross und Kleinis a 1978 play by (West) German playwright Botho Strauss and Martin Crimp was commissioned to create a new English adaptation simply entitled Big and Small. And as the play focuses on the epic journey of Lotte as she struggles to make sense of her place in the world, we are treated to an immense performance from Blanchett as she rarely leaves the stage for the 150 minute duration. Continue reading “Review: Big and Small, Sydney Theatre Company at the Barbican”